Poet. Photographer. Singer. Bearded botak (bald man). As an artiste, Marc can be best described as a living kaleidoscope. His creative work can be hard to pin down. So far, he has written and edited twelve books of poetry, the latest being Sightlines, a collection of poems and travel photography co-created with photographer Tsen-Waye Tay. He plays with a band, Neon and Wonder, and set numerous poems to music with his band mates. He is also active in Singapore’s poetry slam scene, and participates in regular sessions at Blu Jaz Cafe.
If that’s not all, he is passionate about photography and the principal photographer of Mackerel, an online culture magazine he founded. He also collaborated with well-known Singaporean satirical personality Mr Brown in an online video that made fun of a MasterChef judge who misunderstood the nature of chicken rendang. Responding to his criticism that the chicken was not crispy enough, the song playfully (shown in the video below) corrects the judge with an appropriate understanding of the Malay delicacy:
From the hills that surround the town it indifferently drifts. Upon bare soil and barren rocks, upon the base of trees, it sweeps. From my window this morning, the trees were grey, feathery and clinging like ghostly hands to the low clouds but now, in the wintry breathe of evening, they are like conquering warriors marching down shadowy slopes. My boots, hard and heavy, follow empty pavements. A car, a van, a bus, occasionally passes through our slushy streets. There is hardly a sound except for the click, click, click from the pedestrian crossing.
I’ve walked here all my life. I know every crack in the pavement, every blemish on the shop walls, every angle of the stooping buildings, every flutter of the koinobori, the carp-shaped wind-socks that now colourfully flutter high up over the gorge to mark the change of season. Hundreds there are, strung up on lines, but one has fallen far below and is stuck between two jagged rocks, one end flapping like a useless flag as the river tries to drag it away.
I’ve never left this place, this hot spring town where tourists flock like hungry gulls during the holiday season. There are better jobs elsewhere but I choose to remain a janitor at the high school. That’s all I’ve been these thirty- eight years. I’ll retire next month. They’ve kept me well past retirement age as I do a pleasing job. Now I have to go though as I’m too old.
With protests staged by environmentalists of different ages in many parts of the world, one is left wondering if this is not a major issue that needs to be addressed by the literary community over other issues as it links to our basic survival. These lines by Nicannor Parra, the famous Chilean poet, say it all.
The mistake we made was in thinking
that the earth belonged to us
when the fact of the matter is
we’re the ones who belong to the earth.
He redefined himself as an eco poet in the latter part of his career and said: “The eco-poet also works with contradiction, he defends nature, but he cannot fall into the trap of a new dogmatism. So there are some eco-poems which are apparently anti-ecological, like the following: ‘I don’t see the need for all this fuss, we all know the world is at its end.’ It must be kept in mind that any type of dogmatism, including ecological dogmatism, produces a hardening of the soul. To avoid this hardening, this new dictatorship, this new central committee, one has to denounce even ecological dogmatism. Paradoxically, this is also the soul regulating itself. The man who only affirms runs the risk of freezing up inside. Constant movement, vital motion is crucially important for me.”
“Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime,” wrote Mark Twain in Innocents Abroad.
And part of this broadening comes from the books that you read while traveling. A list of books with a new take on Pride and Prejudice set in 21 st century Pakistan, which is told “with wry wit and colourful prose, Unmarriageable is a charming update on Jane Austen’s beloved novel and an exhilarating exploration of love, marriage, class, and sisterhood”, could be an interesting read. What is interesting is that the novel hops centuries to find a parallel setting. Earlier, there have been Bollywood movies, Bride andPrejudice. And of course, ghoulish spoofy takes — Pride and Prejudice and Zombies(2016) based on the book (2009) by Seth Graham Smith. Darcy’s Story (1995) by Janet Aylmer was one of the first take offs on this classic by Jane Austen. Then there was The Pursuit of Mary Bennet: A Pride & Prejudice Novelby Pamela Mingle in 2013, which gave the story from Mary Bennet’s perspective.
On the way to office, Grandpa would peep in to find the little Neha sitting quietly in the corner, her red-nosed, big-eyed clown near the books, on the bare stone floor. He would say nothing and leave. As soon as the cook, that fat old lady, went out to chat with the neighbours, Neha, now empress of a silent cottage near the small railway station in the middle of the desert, winked at the clown and said: “Come on, let us play, my little brother.”
The clown, waiting for the invitation from his human mistress, would nod, jump up and down, roll and make faces at the puny girl. Neha screamed with laughter, eyes lit up. His red nose twitching, white hair under a faded cap, the ill-matched bright-hued tunic upon a thin body, the clown danced, his painted enormous eyes full of laughter and kindness. Neha and the clown played together in the silent house. When the cook returned home, the clown shrank back and resumed his place either on the iron table or the pile of the books. Neha sat quietly, staring out of the barred window, at the huge expanse of the moving sand and across the stretch of desert, at the village many miles away from the railway station, shimmering in the hot sun. Bare brown hills, except an occasional babool tree here and there, loomed up high in the arid landscape of hot sun, shifting sands and a cold moon.
Zafar Anjum writes about his Shanghai trip in 2011
Initially I was not sure if I was going to Shanghai at all, but the visa came through. I had tried once before but was not lucky enough to get the visa (in that instance, the paperwork was not complete and so on; it’s a long story). I was totally unprepared for the journey this time. This was one of those rare journeys which I undertook without reading anything about the city that I was visiting. I think there was some innocence about this unpreparedness, this ignorance. I took Shanghai as she revealed herself to me. I didn’t go there with any fixed images, so I was neither overwhelmed nor underwhelmed when I stepped into Shanghai.
Before going to Shanghai, one of my colleagues had shown me pictures of his visit to the city nearly ten years ago. In his collection, there were pictures of skyscrapers, the famous Bund, and some Chinese temples. In the pictures, the sky looked muddy, overcast with smog. Only that image of a smog-laden Shanghai stayed with me. Avoid the beggars in Shanghai, my colleague warned me. There will be plenty of them and they will approach foreigners like you, he said. I noted his advice. From my Indian experience I knew how to avoid beggars, so I was not worried about encountering them.
October 31st, 2005, fourteen years ago, Amrita Pritam breathed her last. The writer- poetess, who with her avant-garde outlook, was the first woman to win the prestigious Sahitya Akademi award in 1966. The Padma Shri followed in 1969 and then the Padma Vibhushan — the second highest Indian civilian award — in 2004 along with the highest literary recognition given to ‘immortals of literature’, Sahitya Akademi Fellowship. Her unconventional stance towards life and powerful writing, the creator of Pinjar, Ajj Aakhaan Waris Shah Nu ( Today I Invoke Waris Shah), impacted moderns, like versatile poet, Nabina Das. In these lines, Das jubilates the inspiration provided by Pritam…
The Mad Man and Other Stories is a collection of short stories written by A. Jessie Michael, a retired Associate Professor of English. No stranger to writing short stories since the 1980s, Michael has also received honourable mentions for the Asiaweek Short Story Competition. Her stories have appeared in The Gombak Review, The New Straits Times, Malaysian Short Stories, Her World, Snapshots,and 22 Asian Short Stories (2015).
The Mad Man and Other Stories contain 13 short stories she has written over the last 30 years, and it involves events she remembers during old and contemporary Malaysia. The book was launched in 2016 at the sixth installment of the Georgetown Literary Festival.
In the volume’s titular story, “The Mad Man”, four children observe Govindasamy paying obeisance to Hindu gods. One of the children, Joe, says that he is mad, while Pauline dismisses her cousin and claims that Govindasamy is just “a little crazy when it is full moon”. Inviting them into the outhouse after his prayers, Pauline notices the statues of Hindu deities and comments that Govindasamy is praying to the wrong God. Irritated, he responds:
She is eyeing her cards with the smile of a sphinx.
Soon her fingers will wield magic, and she will complete, with a flourish, her fourth consecutive run. Natasha will throw her hands up in surrender. Sara will curl her lips. Mrs. Sawhney, a veteran member of the Prometheus Club, will wink at her, with a rakish grin only a septuagenarian can pull off. Four decades ago, Mrs. Sawhney was pretty much like Ranjana herself, only slightly more voluptuous. The coterie of women in the club yearned to be like her, although they wouldn’t admit it even at gunpoint.
Ranjana, daughter of a celebrated diplomat and wife of the Honourable Commissioner Surendra Raghuvanshi, evoked similar emotions amongst her peers. The genteel curve of her brows, arched over eyes twinkling with an adamantine sheen, her high patrician nose, and her plummy, sophisticated voice made her the mascot of an aristocratic lineage. Surendra was quite a dark horse in his circle. His burning ambitions only added to his boyish charms and pushed him higher up in the ranks at a dizzying speed. Forty-three and at the top of his game already! Everything about him exuded a heady animal magnetism people found hard to resist. He was a connoisseur of art, music, and vintage collectibles. It was no big surprise that he chose a wife as delectable as everything else he possessed. If Surendra was a dark horse, Ranjana was a chestnut gazelle. Her slender frame moved with fluidity and grace. Her kohl-lined eyes were dark as absinthe and equally intense. So was she. Strong-minded and opinionated, men found her airs hypnotic. Women had a more visceral reaction, a melange of awe, envy, and resentment.
Neera Kashyap’s short fiction, poetry and essays have appeared in various online and print journals in south Asia. Her poetry has appeared in Mountain Path, Kritya, Reading Hour, The Bombay Literary Magazine and Ashvamegh.