We studied the extensive menu, which listed both international as well as local cuisine. Joe and I were fast decision makers when it came to selecting our dishes. Joe settled on rice with Crispy Catfish in Chili Paste and a side order of the ubiquitous tangy Green Mango Salad to share, while I chose rice with Red Curry of Roasted Duck, a dish Joe had suggested after describing it as a bracing Thai classic combining tender roasted duck with a perfect blend of spices, coconut milk, and pineapple. The food arrived within ten minutes of ordering, and was excellent in both presentation and taste. My duck curry surpassed Joe’s mouth-watering description. I complimented Joe on his recommendation. His quiet response was “I’m happy you liked the duck.”
Food aside, what do you talk about with a charming Thai man whom you have just met on his home turf? A lot, apparently. I told Joe about my job, and he pressed me to tell him more about the documentaries I had shot from Singapore to Bangkok. As I had at least a dozen documentaries under my belt in Singapore but only one in Bangkok, I gave Joe capsule highlights of my work. He seemed impressed. It was now Joe’s turn to talk about himself. His voice was even and fluid as he told me about his student days majoring in
Sravani Singampalli is a published writer and poet from India. Her works have appeared and are forthcoming in Scarlet Leaf Review, Leaves of Ink, Gone Lawn Journal, Criterion journal, Setu bilingual journal, Beneath the Rainbow and elsewhere. She is presently pursuing doctor of pharmacy at Jawaharlal Nehru Technological University, Kakinada, in Andhra Pradesh, India.
Literature perhaps does not seem profitable to most. But what recent findings have shown is that reading good literature helps build attitudes that can lead to a better chance at success. Would you or would you not want to take on the challenge of a good book?
Carl Sagan, a legend in our times with his Pulitzer Prize winning Cosmos ( book and TV series), an iconic, successful figure who demystified science for mankind, relived the wonder of books and reading: “What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you…Books break the shackles of time. A book is proof that humans are capable of working magic.”
I was visiting my parents in Bombay after some years, and a friend had dropped in. When I walked her to the gate, Herbert was standing across the road. As he crossed over, he greeted me, “Utuma!”
But for that, I would not have known him, for the yellow-eyed, shabbily clad dark youth had little in common with the chubby, curly haired neighbourhood boy who had anglicised my name in our childhood.
“Seeing you after a long time!” Herbert exclaimed.
“Fifteen years at the least,” I replied.
“Where are you living now?” he wanted to know. I told him that I had moved to Delhi and asked him when he had got back from Kuwait.
“When Mummy died,” he said. “You know that we’ve sold the house?”
The Assassination of Indira Gandhi (2019) is a collection of short stories on different themes and motifs by acclaimed writer Upamanyu Chatterjee. Winner of the prestigious Indian Sahitya Akademi Award and the French Officier des Arts et des Lettres, his debut novel, English August: An Indian Story, was made into a highly successful film.
The title of his new book, The Assassination of Indira Gandhi, is at once striking, for it echoes a dark chapter in 20th century history, the assassination of one of India’s most iconic prime ministers and the social tensions that followed within the country. The title aptly sets the tone for the stories that are a tour de force of the trials and tribulations of modern India’s journey. This assortment of twelve short stories covers diverse themes and settings, each one of them, delving into the issues that strike at the heart of the emerging idea of India.
“The number of China’s readers and the total time Chinese spent reading saw a significant increase in 2018,” read an article in China Daily based on a new report from Chinese e-commerce giant Alibaba. The number of Chinese readers increased by almost 30 million.
About 6,500 spoken languages are in use in the world today. However, about 2,000 of those languages have fewer than 1,000 users.
Mandarin and English are the most spoken language on Earth followed by Urdu used as Hindustani and then, comes Hindi, the language that has been adopted as part of the Indian identity by some. A battle rages on in India among people who want to use Hindi as the lingua franca of the country and those who speak other languages, including English. What does homogenisation of languages to create a national identity do to a people?
The Cultural Tool, a book by linguist Daniel Everett shows that languages develop out of cultural needs. As nations try to create homogenous identities with a single language, they wipe out cultures. Everett explains that this linguistic diversity “is one of the greatest survival tools that human beings have … each language is a cognitive tool for its speakers and comes to encode their solutions to the environmental and other problems they face as a culture”.
Three Idiots, The Reluctant Fundamentalist and Crazy Rich Asians have made history in cinema and they started out as mere books, Five Point Someone by Chetan Bhagat, The Reluctant Fundamentalist by Mohsin Ahmad and Crazy Rich Asians by Kevin Kwan.
Bhagat was cited by The New York Times as “the biggest selling English language novelist in India’s history” and was also included in the Time magazine’s list of the world’s 100 most influential people. Ahmad’s book made it big not just in its own rights, climbing up to #4 on the The New York Times Bestseller list and winning multiple awards and accolades, the film catapulted his book as one that addressed humanitarian concerns and won the German film award for peace and at least five more international awards. Kwan also made it to the Times list of the hundred most influential people and was named as “five writers to watch” on the ‘Hollywood’s Most Powerful Authors’ in The Hollywood Reporter. Their cinematic launches helped them make it huge!
But did you ever wonder how their books made it to the big screen? How did they sell their film rights? And as an author, what all should you be looking out for when you sell your book’s film rights?
Today, we meet the man who can help authors evade controversies and make it from books to movies… He is the man who has made it a business to help writers sell their books to film-makers. Meet Siddharth Jain, the founder of The Story Ink (TSI), India’s first story company for premium content for screen. It is also “India’s No.1 Book to Screen Adaptation Company” and has sold the adaptation rights of almost 70 books to Producers/Studios in India. It is now expanding its footprint by solving the story problem for Indian regional language content producers and international producers, who are searching for local stories for global audiences.
TSI was founded in April 2018 by Jain who had earlier worked for India’s largest OTT (over the top) — Hotstar.com (now acquired by Disney from Fox), iRock Films, Adlabs Films (Reliance Entertainment), Hyperion Studio — Los Angeles and Baazee.com (Ebay India). In a recent interview with scroll.in , Jain said that five years from now he sees himself “reading a book a day” and curating great stories for films. In this exclusive interview, he explains how books are made into films… through options agreements.