This Call for Submissions is now closed. Authors of selected stories for the anthology have already heard from us. As informed in our emails earlier, we are unable to send individual rejections. We wish you good luck with your submissions elsewhere. Please do bookmark our website and check for future calls. 

Kitaab is seeking high quality short stories for The Best Asian Speculative Fiction anthology to be published next year. We take a liberal approach towards defining the speculative and will look beyond popular categories of science-fiction, fantasy and horror though these are very much welcome. Our anthology editor is looking forward to reading a variety of stories which could include dystopian, apocalyptic, post-apocalyptic, weird, utopian, alternate history, superhero and any permutations and combinations of these. But first and foremost your story should be engaging with attention to characterisation and plot.

Give us stellar tales that slip past the quotidian and the mundane, transporting your reader to the edges of the possible and realms further still. Whisk us away to Murakamiesque wonderlands or Huxleian cacotopias; indulge us with the outré, the outlandish, the uncanny. We are looking here for a whiff of the Asimovian imagination, a taste of Lovecraftian weird, a dash of Atwoodesque futures. Take us on journeys through chinks of space-time, fling us into situations of climate change horror. No fan fiction please. Give us mind-blowing originals.

The best three stories (decided by the editor) will get cash prizes or Amazon vouchers (worth $50 each)! All selected contributors will each receive 2 complimentary copies of the final publication. 

If you are interested to delve a little deeper into speculative fiction, here is an article by Annie Neugebauer.

The Best Asian Speculative Fiction anthology will be edited by Rajat Chaudhuri on behalf of Kitaab, Singapore. Rajat is the author of three works of fiction – Hotel CalcuttaAmber Dusk and a collection of stories in Bengali titled Calculus. He has been a Charles Wallace Creative Writing Fellow at the University of Chichester, United Kingdom, a Hawthornden Castle Fellow, Scotland, a Korean Arts Council-InKo Fellow resident at Toji Cultural Centre, South Korea and a Sangam House India resident writer. This year, he was a judge for the short story segment of Asian English Olympics organised by BINUS university, Indonesia.

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By Aminah Sheikh

J Sanga - photo

Let’s get down to brass tacks. Why do you write?

I was always fond of reading. When I was young, I read constantly, often finishing a novel in a day. But I never aspired to becoming a writer. In school I was fascinated by chemical equations and lab experiments, but was never encouraged to go into Chemistry. I studied English Literature in college and graduate school and worked as a professor for some years. I write because that is the only thing I know how to do.

Tell us about your most recent book or writing project. What were you trying to say or achieve with it?

Tourist Season (published by Speaking Tiger), a collection of two novellas is my most recent book. Having written a novel, Silk Fish Opium, and a book of short stories, Train to Bombay, I was eager to take on the challenge of the novella. It is a difficult and eccentric form, but offers immense possibilities. I was also attempting to focus on environmental issues, and this theme is embedded in both the novellas.

Describe your writing aesthetic.

I try to write everyday, from about 8:00am until 2:00pm. I use a laptop computer for the manuscript, but outline scenes and take notes longhand on chits of paper. Whenever I get stuck while writing, I pace the floor. I end up pacing a great deal.

Who are your favorite authors?

That’s a difficult question. There are so many authors I admire for different reasons. But to name a few, I’d say John Banville, Ian McEwan, William Trevor, ItaloCalvino, Haruki Murakami, Gustave Flaubert, Magda Szabó, Ruth Ozeiki, Laleh Khadivi, Hillary Mantel, Michael Ondaatje, and J. M. Coetzee.

By Juanita Kakoty

Sameera baji rushed down the narrow steep stairs of the building, her sandals going ‘clap clap’ with every step she descended, ignoring the pain in her knees that morning when every other day she cried out curses for the anonymous builder who planted these, what she called, ‘high rise stairs.’

She tore down the stairs of the scraggy yellow building calling out to her friend who lived in a small plot of land right across. Ameena baji! Ameena baji! Did you hear?

Ameena baji came out of the two-room humble dwelling into the courtyard and looked up. Thank God her husband had not succumbed to the lucrative temptation of selling their little plot of land to builders who have built stiff ugly buildings all over Shaheen Bagh such that if one wanted to stare at the sky, only a strip of it would peer through the mesh of buildings, or one would have to climb up to a terrace. But from Ameena baji’s house, one had the luxury to stare at a good patch of the sky from the ground – a rectangular piece of blue that soared above the pale yellow and grey buildings towering over her little plot of land.

There she saw Sameera baji at one corner of the second floor landing, leaning against the intricately carved black railing and looking down excitedly. The tenants living on that floor had tied a thick yellow synthetic rope above the railing from which hung a purple bed sheet with huge red and white flowers merging with each other, still moist. Sameera baji was so excited that she did not even push the bed sheet to the side. She stood there looking down at Ameena baji’s courtyard, the moist bed sheet clinging to her back.

What? Ameena baji cried out.

Did you get the white envelope? Sameera baji asked with a strange gleam in her eyes.

***

By Mitali Chakravarty

Adventure Stories of Great Writers

Title: Adventure Stories of Great Writers
Author: Dr Usha Bande
Publisher: Kitaab

Adventures Stories of Great Writers is a collection of episodes from the lives of well-known writers across the world through different periods in history. These vignettes from the biographies focus on adventures faced by twenty such persons transcending borders and nations. The different stories touch upon the lives of great writers like Winston Churchill, Arthur Conan Doyle, Ernest Hemingway, Robert Louis Stevenson, Knud Holmboe, Washinton Irving, Herman Melville and T.E. Lawrence ranging from a variety of countries including Denmark, India, America, England, to name a few. The stories are set on the rough seas around the world, including the Arctic Ocean, where Arthur Conan Doyle was thrown off his ship among frozen chunks of ice in the cold waters; in the deserts of Arabia and Africa where, T.E. Lawrence fought for the Arabs and which Knud Holmboe made into his own home; in India, where John Masters battles a deadly man hunting tiger; in apartheid ridden South Africa, where Gandhi learns never to give in to injustice… Transcending borders, religions and creed, the common thing that strings these stories together is perhaps best expressed by a quote from Rabindranath Tagore at the start of an episode from Gandhiji’s life:

“Power said to the world, ‘you are mine’.

The world kept it prisoner on her throne.

Love said to the world, ‘I am thine’.

The world gave it the freedom of her home.”

Most of the episodes reflect compassion, kindness and love for mankind. Some depict indomitable spirit, courage and boldness while some focus on the spirit of adventure and innovative solutions to get out of situations that seem impossible. Conviction in one’s beliefs, the energy and the determination to push through to achieve one’s objective and to make changes that were felt to be necessary are also highlighted by these vignettes. All these episodes go to show what has been summed up by a quotation from Swami Vivekananda at the start of a chapter on Sir Winston Churchill:

“The history of the world is the history of

a few men who had faith in themselves.”

 

Chhimi Tenduf-La Photo

By Aminah Sheikh

Let’s get down to brass tacks. Why do you write?

I can edit what I have already written but not what I have already said. So in a first draft of a story, I can say whatever I want in a way I can’t when I speak. This makes writing enormous fun. Also, with age I am getting worse at everything else I enjoy doing, such as sports and looking human. With writing, I imagine I will get better with time.

Tell us about your most recent book or writing project. What were you trying to say or achieve with it?

Loyal Stalkers is a collection of linked short stories. An author who read it told me that it was like a painting coming to life with each chapter filling in the colours of one other corner of that painting. With it I want to challenge assumptions about gender roles, sexuality, etc. With each story I think there is a message; for example, that the fear of shame can break up families and ruin futures. There is a lot in there about what is wrong with society, but my hope above all else is that people will find it compelling, moving and surprising.

Describe your writing aesthetic.

I am terrified of a reader being bored so I try to get in and out of a story or scene as quickly and as smoothly as possible. I try to be punchy, sometimes almost rap-like. I try to create rhythm. I want to surprise and shock, make people laugh or cry. I try not to be overly descriptive because as a reader I like to fill in the blanks and imagine settings for myself. In some ways I write imagining my stories as a movie. I imagine the soundtrack and the dramatic pauses. Because of this I try my very best to make my dialogue as punchy and as natural as possible and in this regard I am influenced more by say, Tarantino, than any author.