There is a restless energy about Mrs Ahmed. She appears to be chewing on something all the time. […]
Monik despised procrastination, that sneaky little pilferer of time and opportunity. Besides, she liked a project. Her love of projects had caused her to walk down the aisle on two occasions because she couldn’t resist planning a new phase of life after the sad demise of a husband. It was time, however, to look to the needs of others.
Natalia needed a man.
At the novena the following week, there was the usual shuffling monotony about everything. Then a voice from the recesses of the church: “For all those who are lonely. We petition Thee, O Heavenly Father, to look upon them with pity. Saint Anthony Wonder Worker, pray for us.”
Could it really be? After all these years? It did sound a bit like him.
It was. Mathias Faleiro had returned.
After the service, he came up to her. “My dear Monik…”
“Mathias, how absolutely wonderful! When did you get back? Is it for good?”
“A week ago. Ah yes, we’ve returned at last to glad Goa.”
Glad? A man who smelt of camphor and old coats probably turned every celebration into a happy requiem. Still, here was a man. But just a coconut-plucking moment. “We’ve returned? You mean you got marri…?”
“Oh, no, no.” Mathias looked at his toes. “I mean Barkis, my trusty canine friend, and I. I retired from teaching five years ago. Then we lost Galileo, and it was a little too painful to stay on. Besides, the ancestral place here was falling to pieces.”
“I promise to drop by sometime, Monik, as soon as I can get my place fit for habitation.”
Poor, ignorant man. He had no idea that he was going to be dragged to Villa Rosa. On-a-leash.
“Mathias, do. Please.”
Starting this week, Kitaab will bring to you excerpts from Kitaab’s The Best Asian Short Stories 2018 and Best Speculative Fiction anthologies.
Click on the links given at the end of the excerpt and help us sustain our efforts to bring literature from across Asia to you. Read on!
If you are to fall asleep while being physically transported, you will start experiencing something out of this world. To be specific, if you happen to be moving at an extraordinary pace while in deep sleep, your consciousness will not be able to catch up, and you can be separated from your physical being. You will, then, be in two different places at the same time.
When that happens, you will cease to breathe. Your brain will start to wander, and conjure up a third place to make sense of it all. This is when you wake up at The Place.
The Place is a manifestation of consciousness; being ever-evolving, it can have unlimited variations. Its eventual form is perceived differently, based on each individual’s experiences and hopes for the future. Whatever the case, if you get too attached or fail to leave The Place quickly enough, you get stuck there.
Hailey was staring at an oil painting. She neither understood the intense mess of the strokes, nor the utterly mismatched colours used. There was a mishmash of painting techniques and a total disregard of the colour wheel. All the disorder made her nauseous, almost seasick. Blinking hard, Hailey stepped back from the chaos and took in a deep breath.
Reviewed by Pia Ghosh-Roy
Title: Table Manners
Author: Susmita Bhattacharya
Publisher: Dahlia Publishing
Year of Publication: 2018
No. of pages: 159
True to its title, the stories in Table Manners seem to be seated around a long dinner-table having a conversation over the course of an engrossing evening. With each story, I was invited into homes and lives that had their own unique rhythms. The stories wear different personalities, inhabit different parts of the world — India, Singapore, Italy and the UK — but sit beautifully in each other’s company and make for a meal to remember.
Many of the stories took me into the heart of traditional marriages and relationships, with their set dynamics, power imbalance, the dominant male and the ‘good wife’. Yet, within that, there are hidden moments, quietly captured and gently exposed, that reveal more. You will meet women, who while living the life that is expected of them — adjusting their hopes, and lowering their expectations — keep aside a bit of themselves that belong to no-one and answer to no-one. I found these private selves opening themselves up to me in these pages, where they share their concerns, their contemplations, and their inner chaos, where they show their bruises both visible and invisible.
In the first story, a wife nurses a childhood love for her male cousin, and is torn between this reckless and doomed emotion, and “The Right Thing To Do” by her staid marriage. It is told by the female house-help, whose thoughts are consumed by two things: her mistress’s irresponsible heart, and a neighbour, Mrs Dalal, who is regularly beaten by her husband and ‘turns up with her bruises at the most inconvenient of times’.
In one of my favourite stories in the collection, Li, a young woman, plans a quiet evening with a bowl of “Comfort Food”, but gives it up when she has to accompany her husband to a business dinner with a potential client – a potential male client, who subjects her to an evening of unwelcome attention and lecherous stares.
The Best Asian Short Stories 2017, edited by Monideepa Sahu, series editor Zafar Anjum, set the tone for Kitaab’s Best Asian series that includes literary and speculative fiction, travel writing and crime. Zafar Anjum shares with us his vision for this seminal book and for the series that he has envisioned. Monideepa talks about her experience as editor for TBASS 2017.
Sucharita: Zafar, what was your vision for the series? Why did you feel the need to bring together short stories from across the continent?
Zafar: The whole idea behind Kitaab is to connect Asian writers with readers everywhere in the world. Coming from this context, I felt that we needed to collect the best contemporary Asian writing across themes in edited annual volumes. I had seen this kind of anthologies in the USA, but nobody was doing it in Asia, collecting Asian voices. That’s how the idea behind the Best Asian series took shape. The vision is to create a series of The Best Asian writing in fiction (literary and speculative), crime writing, and travel writing. Each volume is a mix of new and seasoned voices that makes it so exciting. Through the pages of these volumes, you get a glimpse of what the respective societies in Asia are going through. If there is enough support by readers, hopefully we will be able to sustain the series. That’s my hope.
Kitaab, Singapore, has just published an anthology—The Best Asian Speculative Fiction 2018, which was launched at the Singapore Writers Festival on 9 November 2018.
This unique anthology is being seen by industry pundits as the most comprehensive speculative fiction collection from the continent. Comparisons are already being made with time honoured works like Dark Matter, the turn of the century anthology of speculative fiction from the African diaspora. However, as the editor of the volume Rajat Chaudhuri tells us, ‘We are just making a beginning with fresh-from-the-oven stories. Between stardust and dystopias, we are offering a sampling of flavours from the infinite breadth of the Asian imagination.’
According to series editor Zafar Anjum, ‘Richness of imagination is key to this collection; we plan to make it a series.’ Tales that take off on a tangent from the real have a special appeal to readers of all ages, he says.
Chaudhuri, who is a novelist and short story writer tells us how fulfilling it was for him to put together this volume of two and half dozen stories and some more, covering countries all the way from Kazakhstan to Korea and China to Indonesia. ‘The authors of this volume are either of Asian origin and Asian descent or have been residing in Asian countries for long. Twenty countries have been covered, sixteen (counting Hong Kong, SAR) of which are in Asia, the rest accounted for by diasporas and mixed ethnicities. Also, most of the stories have Asian settings and characters. But we are neither cartographers nor accountants,’ he adds, ‘though we love variety, we don’t want to mark each page of our book with flags and numbers.’
Quoting acclaimed novelist Amitav Ghosh, Chaudhuri says, “The great, irreplaceable potentiality of fiction is that it makes possible the imagining of possibilities.” Explaining the selection process and some personal favourites, the editor says, ‘From the mountain load of submissions, I had begun by looking for stories that imagined possible worlds. Lopa Ghosh’s powerful story Crow depicting singularity ruling as a totalitarian dictatorship and Shweta Taneja’s darkly funny The Daughter that Bleeds about a post-apocalyptic India are from that tradition. We have of course included a ton of so-called genre stories from the stables of science fiction, fantasy and horror and then those with some of this and some of that, and things further still. Xu Xi’s engaging tale about a time-travelling ghost, Joseph F. Nacino’s spine-chilling story about AI on a singing asteroid, Eliza Victoria’s thought-provoking sci-fi Web, and Priya Sarukkai Chabria’s mesmerizing Slo-Glo are those that immediately come to mind. The spook-o-metre goes crazy as you enter the horror stable to read stories by Kiran Manral and Rohan Monteiro while Tunku Halim leads you into poetic darkness. Each story that got included here had something unique to offer while the focus on geographical diversity was also one of my considerations. It has been quite difficult for me to choose the winners.’
Singapore-based publisher Kitaab launched 4 titles at this year’s Singapore Writers Festival. They were: The Best Asian Short […]
Book Review: Horizon Afar and Other Tamil Stories
by Jayanthi Sankar
Reviewed by Mitali Chakravarty
Title: Horizon Afar & other Tamil short stories
Author: Jayanthi Sankar
Translated by P. Muralidharan
Publisher: Kitaab, 2016
Horizon Afar is a collection of twenty-one translated short stories from the Singapore-based Tamil writer, Jayanthi Sankar. Spanning the last two decades, the stories shuttle between life in Singapore and India, creating links between the two countries and drawing on the writer’s multicultural experiences and interactions in the country where she lives.
Often her stories centre on teenagers and young people. The title story is about a teenager who shuttles through a surrealistic experience to find his footing in junior college (high school in Singapore). The most interesting read was a darker story, Mother’s Words, which deals with a reformed convict who is ostracized by the world yet loved by the mother.
A Few Pages from Yuka Wong’s Diary depicts the changing mindset of a multicultural population and their ability to transcend hatred to discover a fascination for a country that had unscrupulous expansionist ambitions in the 1940’s Japan. The story is told through the pages of a young girl’s diary and makes an interesting and effective use of the device.
Melissa’s Choices is about a young man’s discovery of the fickleness of a young girl’s choices. School Bag, Revelation and Rehearsal are stories about teenagers’ journeys of discoveries in a multicultural society. Seventy Rupees, set in the midst of an auto-rickshaw strike in India, is a glimpse of the apathy of middle class towards the plight of the poor.
The stories often circle around the tedium of modern day existence and focus on the darker aspects of life. The issues faced by workers ‘imported’ from small villages of Tamil Nadu are dealt with in a couple of stories. While Cycle focuses on a flesh trader located in Singapore preying on an innocent Tamil migrant woman, Migration deals with an Indian domestic helper’s inability to adjust in Singapore. There are stories about unwed mothers, a girl who rebels to adopt a trans-sexual lifestyle, university life, school life and marriages arranged within the Tamil community in Singapore.
(From The Caravan. Link to the complete article is given below.) …… Lucknow, of course, does show up […]
Lucia wondered how long the rain had been pouring and, with some urgency, edged off the bed and slipped her rain jacket over her duster. The throbbing rain dangled a curtain of mist outside her open window – the skies heft with the twining bodies of clouds. Outside it was already light. She worried about the rice fields that could have turned waterlogged and, by now, caking with mud. She floated barefoot across the narrow partitions of the bamboo walls, and the gaps of the hallway, the slat floor squeaking as she whisked by.
Her nephew, Jimwell, who’d arrived at Madarag the day before for a visit, lay quietly asleep in the next room. A mobile phone vibrated next to him but Lucia did not want to wake him. She wanted to ask him last night why he came but there were other things to worry about. Her farm wasn’t making much and she feared he would ask for something she might not be able to afford or give. That was something she’d ache about like some flame being stoked in her gut. She paused when she reached the house’s small receiving area, only to see her son gone. His sleeping mat was already folded on top of a wooden bench. The radio beside it droned with static. She looked out of the window and found Arvin, sunburned skin glistening with rain, crouching by the pond fields, drilling holes between the canal walls of the paddies to drain water out of them. He no longer looked like a boy of nineteen but a man with his muscles straining around his neck, his shoulders rounded and chiselled. Valleys and wide flat-lands glinted behind him; the trees that stood on the edges of the rice fields were draped in rain water.
‘Are the rice plants flooded?’ Lucia called out when she reached the ladder of the house whose elevated foundations, abetted by sturdy culms of bamboo, sank into squares of concrete. Her feet landed on the soil, soft and wet – the crunching of her bones drowned out by the squawks of hens and roosters and the squeals of pigs penned behind the sty. The roosters and fowls and the dog and her puppies scrambled to circle her, their heads aloft and alert for an early meal. She felt the cold air circling pockets of mist toward her skin; the weight of humidity that blanketed them the night before had simmered out.
‘I got up as soon as the rain started,’ her son called back, pressing his fingers against the mud that surrounded the young, short stalks of rice. The soles of his feet and the corner of his ankles were buried in the swirl of muck.
‘I’ll cook for you some breakfast. Come and eat when you’re done.’ She wasn’t sure if he’d heard her. She got busy with the drenched firewood by the small stove on a concrete cubicle they had placed a few steps away from their stilted house. She stacked the firewood on top of each other and lit it with a match that she thumbed out of the side pocket of her dress.
She noticed her nephew yawning by the ladder when she turned to chase the hens and the chicks that occupied the table as well as the benches below the elevated house. Thick bellies of smoke from the firewood looped and wrung about them the odour of wet muddied boots and rotten leather.
‘Ah, you are awake. How was your sleep?’ She wondered if this time she should ask why he came but fought the urge to do so. He’d probably tell her in no time.
‘My sleep was good, Iyay. Where’s Arvin?’