By Padmini Krishnan
I closed my eyes for a minute, exhausted. The train huffed into Eunos. We had five more stops to reach our destination. I opened my eyes to some unknown fear and confusion. My hand felt empty. Had I missed my handbag?
“Vikas!” my inner voice said.
“Vikas! Where is Vikas?” I screamed.
My husband raised his head from his mobile in confusion.
As the train doors closed, I could catch a glimpse of Vikas running in the platform, his little head bobbing up and down.
I stood near the train doors, shaking; my body soaked despite the chill.
I vaguely heard a woman assuring me that my child would be found soon. As soon as we got down in the next stop, we hurried over to the passenger service center. My husband calmly reported the particulars of our child.
“How old is your son?”
“He knows his name and address, of course?”
“He knows nothing. He has the Down syndrome.” replied my husband, looking at me, irritably, as if it was my fault.
It was evident from the guy’s expression that they did not come across missing cases frequently.
He seemed sure that Vikas would be found. The authorities concerned had been notified.
We sat in the platform, waiting, as the trains rolled across, spilling out a few passengers and taking in a lot of them.
By Mitali Chakravarty
Title: Reluctant Editor
Author: PN Balji
Publisher: Marshall Cavendish, 2019
The Reluctant Editor has a forward by the prominent Singaporean lawyer and diplomat, Professor Tommy Koh, which tells us that the author, P N Balji “is one of Singapore’s veteran newspaper journalists and editors, and a very good one”. The narrative is not just an account of the Singapore media seen through the eyes of a veteran journalist as stated obviously on the book cover, but also a quick sketch of a man who is introverted and self-effacing.
We do not find the author talk much of himself or his work, but he does give an extensive report on the media history from the early 1970s to the early 2000s in Singapore, including episodes like the Toh Chin Chye case, where a false allegation was made in a newspaper report on an ex-minister of Singapore. PN Balji had been in editorial positions in The Straits Times (ST), The New Paper (TNP) and the founding Editor-in-Chief of Today.
The historic evolution of all the newspapers in Singapore and the government’s involvement in monitoring the media is clearly spelt out — even to the point of deciding what kind of newspapers were necessary for communicating with people. Described as a “brash” newspaper, The New Paper was started to bridge the gap between those who read and comprehended the one hundred and seventy-one-year-old newspaper, The Straits Times, and the people who don’t understand the ST. The New Paper was started to “speak the language of blue-collar workers”. A tabloid and later a morning daily, it needed a set of different writing skills as Professor Koh tells us in the foreword. His article in simple English had to be rewritten by the editor to make it comprehensible for the readers of TNP.
The vivacious author of the Mahabharat– based Aryavarta Chronicles, a Singapore-based writer and an academic, Krishna Udayasankar, talks to Zafar Anjum about her journey as a writer and the future she sees for herself…
Title: The Heartsick Diaspora and Other Stories
Author: Elaine Chiew
Publisher: Penguin Random House SEA
Year of publication: 2019
Price: SGD$22.90 (before GST)
Links : https://www.penguin.sg/book/fiction/heartsick-diaspora-stories/
About: Set in different cities around the world, Elaine Chiew’s award-winning stories travel into the heart of the Singaporean and Malaysian Chinese diasporas to explore the lives of those torn between cultures and juggling divided selves. In the title story, four writers find their cultural bonds of friendship tested when a handsome young Asian writer joins their group. In other stories, a brother searches for his sister forced to serve as a comfort woman during World War Two; three Singaporean sisters run a French gourmet restaurant in New York; a woman raps about being a Tiger Mother in Belgravia; and a filmmaker struggles to document the lives of samsui women—Singapore’s thrifty, hardworking construction workers.
Title: An English Writer
Author: San Lin Tun
Publisher: Duwon Books
Year of publication: 2019
Pages: 216 pages
Price: 7, 500 MMK (local price), 10 USD (foreign price)
Links: Bookstores at Yangon
About: An English Writer is a story about a forgotten English poet/writer, C.J Richards (retired I.C.S) who lived and worked in Burma for over 35 years as an Indian Civil Servant. He retired in 1947 and settled in Swarraton, Hampshire in UK. Although he wrote seven books and many articles on Burma and UK, not many people know much of him and his life. The novel “An English Writer” explores the life of the English writer and defines his connection with both communities, Burma (Myanmar) and Britain as a poet and writer. The story, set in present Yangon, transports people back into the times of the English writer, C. J Richards, from 1920 to 1947 and then to 1976.
The traffic on the Amity Causeway linking Singapore and Malaysia was especially heavy for a Thursday, which put Dennis Quek even more on edge. He took a deep breath as he approached the first entry point station, hoping that he could swallow any obvious distress signs that the inspection machine might detect.
Finally, Dennis reached the front of a long queue. His car was pulled automatically into the right spot before the inspection machine. The hazy blue light filled the whole car, followed by the voice of the machine. “One person in vehicle. A driver, no passengers.”
Dennis nodded. He then turned his head to the right, ready for the facial identification. This time it was the warm, lemony light that filled the front of the inspection machine. Dennis squeezed out an awkward smile, thinking this was best for the situation. The smile was starting to get uncomfortable when the machine finally announced the identification.
Media personnel in Singapore have new openings. The Story Lab Apprenticeship has launched courses to provide young professionals structured training and opportunities. They can then get jobs in producing, writing, digital marketing and content creation after going through the courses. The applications for the programme ends on 29 th September.
These initiatives were announced by the Minister for Communications and Information, Mr S Iswaran, at the LASALLE College of the Arts 33rd Convocation Ceremony in Singapore.
By Desmond Kon Zhicheng-Mingdé
Elaine Chiew is a writer and a visual arts researcher, editor of Cooked Up: Food Fiction From Around the World (New Internationalist, 2015) and her short story collection The Heartsick Diaspora is forthcoming from Penguin Random House SEA (Oct 2019) and Myriad Editions UK (Jan 2020). Twice winner of the Bridport Short Story Competition, she has published numerous stories in anthologies in the UK, US and Singapore. Originally from Malaysia, Chiew graduated from Stanford Law School and worked as a corporate securities lawyer in New York and Hong Kong before studying for an MA in Asian Art History at Lasalle College of the Arts Singapore, a degree conferred by Goldsmiths, University of London. Elaine lives in Singapore and blogs about art at www.invisibleflaneuse.blogspot.com. In this interview, she reveals more about her new book and her ideas.
Why do you write?
Very simply, I can’t not write, call it word-constipation or what Danish short story writer Naja Marie Aidt calls ‘an urge that cannot be overlooked’ or a ‘point of desire’. A character or voice arrives out of the blue, takes hold of you as in a waking dream, make me real, it says, and you do.
Ajay Bahl, Director of Section 375, in conversation with Zafar Anjum, founder of Kitaab and Filmwallas, at the global premiere of the movie in Singapore at Sg.SAIFF*, September 2019
Raffles Hotel, 2019, Photo by Marc Nair
With the literary festivals season blossoming around Asia, Singapore will host its 22 nd writers’ festival from 1st to 10th November with big names dropping in, including Pico Iyer. Pico Iyer, who has spent the last three decades in Japan will be talking on ‘Beyond Borders, Beyond Words’. Iyer will reflect on human connection and belonging. After his talk, he will be in dialogue with acclaimed novelist who has spent a large part of her life in Japan too and now lives in Singapore, Meira Chand.
This year Pico Iyer has been the writer in residence for the newly renovated Raffles Hotel in Singapore. He penned down a book on the Hotel called This could be Home. the novel was launched on 5th august. Long ago in history, this heritage hotel had housed the likes of great writers like Rudyard Kipling and Somerset Maugham.
Pico Iyer was born Siddharth Pico Raghavan Iyer in 1957. His great-great-great-grand father was a Gujarati writer-reformer in the late nineteenth century, Mahipatram Nilkanth . His parents were Indian academics who moved to England to study. Iyer’s unusual name is a combination of the Buddha’s name, Siddhartha, with that of the fifteenth century Florentine neo-Platonist Pico della Mirandola and the last name is that of his father. Schooled in Oxford and Harvard, Pico Iyer is known for his brilliant essays and travel writing. He has written a few novels too.
By Gargi Vachaknavi
Book shop set up by AFCC in NLB
Panel on Diversity
one of the many titles in the bookshop
The Asian Festival of Children’s content organised by Singapore Book Council from 5 th to 8 th September, 2019, celebrated its tenth year with the country of focus being Myanmar. There were talks and discussions on the need for book reviews, the need for diversity in children’s literature, translations and how to proliferate books from different cultures all over the globe.
Panel discussions and lectures dotted the event with delegates from USA, England, different parts of Asia and more. Some of the discussions were thought provoking. For instance, at the end of discussion on diversity with panellists from North American background ( academic Philip Nel, writer editor Emily Pan and Lisa Charlieboy) with moderator Avery Fischer Udagawa, the relevance of their experience to the Asian experience was put under scrutiny by a member of the audience as even Emily Pan grew up in USA identifying as an American.
During a discussion on ‘Portrayal of Special Needs in YA (Young Adult Fiction)’, while award winning writer Suzanne Kamata focussed on the need to assimilate children with disabilities into the mainstream, Hannah Alkaff from Malaysia totted off statistics that proved more children would suffer from obsessive-compulsive disorder( OCD ) over the years and therefore the need to create fiction like hers where children could identify with such issues. One wonders though why schools and caregivers would allow this rise in OCD to occur. Sarinajit Kaur from National Institute of Education, talked of how teachers could create not just better readers but generate hope in children by giving them books that are empathetic.