crastaAmong the bunch of famous Indian novelists and writers, Richard Crasta‘s name might not be as widely recognized as that of a Seth or a Rushdie, but few would come close to him in being funny, witty, satirical and daring–all at the same time. If you don’t believe me, I can get American legendary novelist Kurt Vonnegut to  vouch for him who found his first novel, The Revised Kama Sutra, “very funny”.  After Khushwant Singh (who is 90 plus old but still active as a below the belt heavy hitter), if any Indian writer has pushed the boundaries of satirical writing, with dollops of sexual humour (and satirical writing on a lot of other serious stuff) in his own distinctive style, it’s Richard. But, in fairness, his writing is more than that, and multifaceted, covering areas as wide as, in his own words, “autobiography, humor, satire, political critique, sexual critique, and literary criticism.”

by Zafar Anjum

Between the assassinationsBetween the Assassinations
by Aravind Adiga
Picador, 2009

When I finished reading the last story from Aravind Adiga’s Between the Assassinations, I was briefly filled with sadness. This was the book I was reading for the past several weeks. I had been dipping in and out of Kittur, sharing the anger and sorrows, hopes and joys of its various inhabitants. Adiga’s imaginary town and its curious inhabitants had kept me enthralled for days on end. I read the book whenever time (and my daughter) allowed me to enter its world: on the way to office, during lunch break, watching over my daughter in the playground or before going to bed.

by Suhayl Saadi

SuhaylIn the early 1990s, when I began to write fiction, charting the confluence between realism and mysticism, I’d been reading widely for a number of years and had joined a writers’ group, but apart from occasional performances in bars and arts centres, I’d had no connection with published writers or the wider arts world.

The furore attending the publication, in 1988, of Salman Rushdie’s novel, ‘The Satanic Verses’ had more to do with metahistory, geopolitics and the social class demographics of migration into Britain than it did with either theology or fiction, while the only other visible ‘British Asian’ writer in the UK was the talented realist writer, Hanif Kureishi. Culturally illiterate, all-white commissioning editors in London seemed hungry for more Rushdie, for subaltern neo-Orientalism and the textual affirmation of colonial dominance.

by Zafar Anjum

I had interviewed Malaysian novelist, Tan Twan Eng, sometime ago for India Se. I am reproducing the full interview here for your reading pleasure. Hope you enjoy reading it.

Tan Twan Eng-The Garden of Evening MistsYou are a lawyer by profession. How did you decide to become a writer? Were you inspired by some other writers or you genuinely felt that you had something to express?

I’ve always wanted to be a writer since I began reading children’s books at the age of four or five, without realising how difficult it is to write. But as I grew older I became aware that it’s almost impossible to make a living from it, and so I decided to read Law when the time came to choose a career. I don’t regret it, because it’s given me an awareness of the importance of writing with clarity, and it’s made me a more disciplined writer. As I used to be an intellectual property lawyer, it’s also been useful whenever I have to read the publisher’s contracts.

by Fakrul Alam

The very first time I heard Shah Abdul Karim’s heart-stirring song, “Age Ki Shundor Din Kataitam” I was transported to my childhood years in Dhaka‘s Ramkrishna Mission Road and the Durga Puja days we used to revel in then. Karim remembers lyrically “how happily” he and other village youths would spend their childhood days, “Hindus and Muslims, /Singing Baul and Ghetu songs all together!” He goes on to narrate how he and his friends would listen to Ghazi, Baul and Ghetu songs during the monsoons as they raced their boats or watch jatras being staged in Hindu households and how politics and/or religion would never come in the way. He concludes wistfully: “I keep thinking: we’ll never be happy like then./Though I once believed happiness was forever/Day by day things get worse and worse/Which path will distraught Karim now follow?”

by Fakrul Alam

Bangladesh in the Mirror: An Outsider Perspective on a Struggling Democracy. A. T. Rafiqur Rahman. Dhaka: The University Press Limited, 2006 (Tk 550.00); 383 pp. ISBN 984 05 1771 6

Bangladesh has just gone through one of the most traumatic phases of its history. For most of 2006 and the first ten days of 2007, normal life in the country was completely disrupted as the ruling coalition, consisting of the Bangladesh Nationalist Party (BNP) and the Jamaat-i-Islam, confronted a coalition of opposition parties led by the Awami League, mainly over the way in which the next elections were to be held. Bangladesh, it must be remembered, had switched to a form of democracy in 1996 where the ruling party would hand over power to a “caretaker government” for a period not exceeding three months so that free and fair elections could be ensured. The system had worked well that year and had eventually brought the Awami League into power at the expense of the BNP. In 2001, too, there was a reasonably smooth transition because of the caretaker system. This time it was the Awami League which had to hand over power

by Fakrul Alam

Edward W. Said, Freud and the Non-European. With an Introduction by Christopher Bollas and a response by Jacqueline Rose. Verso: published in association with the Freud Museum. London, 2003

——-. On Late Style. London: Bloomsbury, 2006

In the long, and characteristically eloquent, interview Edward W. Said gave a few weeks before he died on September 25, 2003 —an interview now available on videotape—the Palestinian-American critic talks about the difficulty he was having in reading, writing, talking, and even coping with the simplest demands of everyday life; the twelve-year struggle with leukemia had apparently drained the sixty-seven year old intellectual of all energy. And yet what strikes anyone watching the video is his alertneness and the effortlessness and compulsiveness with which he wants to tell posterity about his life and his works. Undoubtedly, Said was losing out in his battle with cancer, but obviously too here was a man determined not to go gently into the night and bent on explaining what he had been up to in a lifetime devoted to Palestine, art and culture, as well as the profession of English and comparative literature.

by Fakrul Alam

Every year, twice a year, during winter and summer vacations, my family would travel to Feni, where we would spend our holidays in our Nana Bari, the home of my Nana or maternal grandfather.

For days before the journey, our excitement would keep mounting. For one thing, Amma would make frequent trips to Nawabpur, or what was then called Jinnah Avenue , to buy fabrics or wool which she would then sew/darn/weave into clothes or woolens to gift her family members when in Feni. She would also spend more time in the kitchen than usual, cooking as many dishes as she could for my father, the only of us who would be staying behind since he had his office to attend to; he would join us, if at all, for a few days at the end. For days before she left, Amma would repeat instructions to our household helps till by the time we would leave we had memorized what they were supposed to be doing while we were away. Moreover, she would spend the last few days before the journey packing and repacking since she had to ensure that we had everything we needed, not only for the fortnight or so we would spend in Feni, but also for the journey back and forth.

by Fakrul Alam

Tuesday, 10 th October 2006

The R. K. Narayan centenary conference begins fifteen minutes late (subcontinental standard conference opening time!). On stage for the inaugural session in the very impressive auditorium of the Mysore wing of the Central Institute for Indian Languages (CIIL) are representatives of the three organizers of the conference: Mr. S. Jithendra Nath of the Bangalore branch of the Sahitya Akademi, Professor Harish Trivedi, Chairperson of the Indian Association of Commonwealth Literature and Language Studies (ACLALS); and Mr. B. Mallikarjun, the Assistant Director of CIIL. Mr. Nath is brief and punctilious in making his points as is Mr. Malliakarajun, both of whom are here by default, standing in for others who could not show up. Also absent is someone we were all looking forward to hearing: Keki N. Daruwalla, member of the Sahitya Akademi, representing no doubt its English language interests, and identified pithily in the conference brochure as “Eminent Poet”. It is left to Harish Trivedi to explain that he has not been well and thus could not be present. But the absentees don’t matter: Harish makes up for their inability to come and the succinctness of the other speakers— not by being long-winded (he is incapable of that!) but by giving us the perspective necessary to begin proceedings: this is R. K. Narayan’s hundredth birthday (he, died, we remember, on 13 May, 2001); Mysore, the place he has immortalized as Malgudi in his fiction is the right setting for the occasion; and his achievement is so great that it was fitting that the Akademi, ACLALS, and CIIL should have got together to organize a conference bringing together a relatively small group of Narayan devotees/scholars from all over the world and across India for a three-day conference. Harish is witty and gracious; in the course of his speech his charm seemed to have wafted to the almost ineffable allure of Narayan’s work to set participants in the right mood for all subsequent sessions.

by Fakrul Alam

Sheikh Mujib Triumph and Tragedy_0

SHEIKH MUJIB: TRIUMPH AND TRAGEDY

By S. A. Karim. The University Press Limited, 2005. pp. 407, Tk. 500.00 ISBN 984 05 1737 6

This, surprisingly, is the first biography in English of Sheikh Mujibur Rahman, the founder of Bangladesh, even though more 30 years have passed since he was assassinated in a bloody military coup on August 15, 1975. Known to most Bangladeshis as Bangabandhu, or friend of Bengal, a title bestowed on him by acclamation in a mammoth public meeting in Dhaka on 22 February, 1969, he was truly a man of the people, someone who had made the cause of his countrymen and women his own through endless trials and tribulations. And yet he had been assassinated in the country he had championed ceaselessly soon after it became independent. Also, he had disillusioned quite a few people in record time in governing it. How did he win the hearts of his people as “the father of the nation” and secure a place in their history as Gandhi did in India or Jinnah did in Pakistan? What caused him to slide in their esteem? But also, what was he like as a human being as well as a leader? And now that three decades have passed since his death, is it possible to arrive at a real estimate of the man and his achievements?