”Is English really an Indian language?” Does this need a debate? Many believe it does not, for English […]
It is often assumed that to write in or be translated into English makes one “global,” and that to […]
Here is a question. How many of these names would appear familiar to a moderately avid Indian reader: […]
An anthology of contemporary Telugu writings underlines how modern Telugu short story is replete with themes of proverbial […]
Is there another Indian novelist whose books contain, not just so many beautiful sentences, but so many different […]
The Bhasha Samman carries a cash prize of Rs 1 lakh, an inscribed copper plaque and a citation: […]
If proof of the pudding is in the sampling, so too are pleasures of an oral language manifest in the listening. Keenly aware that an orality possesses more in its audible parts than the sum of its literation in a borrowed script, Sahitya Akademi has set out to document and archive in audio and visual form, samples of oral and tribal literatures of India.This means you can soon animate your reading of Toda folklore in Tamil with audio clips of the real thing.
More than 170 writers and scholars from across India have converged at the ongoing annual festival of Sahitya Akademi to deliberate over the challenges Indian languages are facing and the role of literature in society.
The week-long Annual Festival of Letters began in the capital New Delhi on Monday and this year the literary institution is also celebrating its 60 years of existence.
Primal Woman, a collection of translated short stories by the late Sunil Gangopadhyay reveals his preoccupation with man’s inhumanity: Open
Sunil Gangopadhyay is a literary institution. An atheist, a radical, co-opted by the establishment. Happily co-opted, it must be said, and by the end a pillar of that establishment—Poet Sunil, as Ginsberg called him in September on Jessore Road, turned president of the Sahitya Akademi. This is literary life (or perhaps just life): at one time, you’re the firebrand, dismissing Tagore as soft and sentimental, founding experimental literary journals, inveighing against the status quo; and then, before you know it, you’re ‘the man’, an abuser of power, rapacious, venal; a toad squatting balefully atop ‘Literature’.
It’s time for another edition of Bangalore Literature Festival! Starting today, literature buffs from across the city will make their way to Crowne Plaza to attend the three-day festival that has grown immensely popular. Now in its third edition, the BLF 2014 has been dedicated entirely to the memory of Karnataka’s literary giant U R Ananthamurthy.