“For any writer who wants to keep a journal, be alive to everything, not just to what you’re feeling, but also to your pets, to flowers, to what you’re reading.”
― May Sarton
Time for the thing that you do when you start all over. Time for the moment of checking in. Seeing if where you’ve come from and where you’re headed, or your idea of it, anyways, are at least a little known for you. “The end of all our exploring will be to arrive at where we began, and know the place for the first time,” said T.S. Eliot.
January’s pink sky over Bangkok in the evenings reminds me to take the time to notice. The way the air feels heavier than it did five months ago, when I scrambled here from Vientiane to get to the Indian Embassy and see about visas to India. I had big ideas, back then. You put all your hopes and dreams into one idea, and you think it’s the only way.
There is always more than one way, though. Read more
10 writers from South East Asia honoured by Thailand
The SEA Write Award has been given out annually by the Thai government since 1979.
Among the winners is Singaporean writer Yeng Pway Ngon, Brunei’s Haji Masri Haji Idris, and Malaysia’s Mohamed Ghozali Abdul Rashid.
Since Bangkok was awarded World Book Capital this year, small bookstores and publishers have been collaborating to make Thailand more reader-friendly – namely, in the realm of independent, homegrown literature. One event aimed at refining the kingdom’s literary tastes took place last week when a number of independent bookstores gathered with the aim of attracting more Thai readers. Despite their efforts, and others like them, many independent bookshop owners still struggle to compete against big publishing companies for shelf space and profit.
“A lot of the big publishing houses support only the bestsellers. We don’t have much say of where we want to put our books,” Aticha Gabulon, executive editor of Gamme Magie Publishing, told The Diplomat. Most of Thailand’s 250 independent bookstores stock Thai classics, literature, political tomes, and translated works that aren’t deemed to make as much profit as romance novels. Some recently translated works include books by Japanese novelist Haruki Murakami and Czech writer Milan Kundera, as well as Aimee Bender’s The Girl in the Flammable Skirt.
Prabda Yoon, a Thai writer who won the Southeast Asian Writers Award (S.E.A. Write Award) in 2002, runs Typhoon Books and Book Moby added that although books that cater to niche readers are available, they quickly run out. It sometimes takes another three months for small publishing companies to redistribute books to large bookstores, as their relatively few employees often have to dole the books by themselves.