Victoria James reviews Jesse Ball’s Silence Once Begun: The Japan Times
In one sense, that’s a very good thing indeed. In these days of identikit publishing, where each breakthrough novel seemingly releases a torrent of genre imitators — from “Scandi crime” to “mummy porn” — a novel that lacks simple comparators and defies easy conclusions is refreshing. On the other hand, when you can’t decide whether a book is really rather good, or actually pretty awful, it doesn’t make for a rewarding reading experience.
