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Your tablespoon is my teaspoon: A poem by Lika Posamari

Your tablespoon is my teaspoon

lika1.jpg

Lika Posamari (the pen-name of Bree Alexander), loves to write in English and Spanish. She is a Master of International Development student at RMIT University, Australia and draws influences from experiences in Malaysia, India and Spain. She has been published in Westerly Magazine 61.2 and blog, as well as on The Red Corner.


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‘Something Other Than Other’: The poetry of Philip Rowland captures quotidian Tokyo life

By Kris Kosaka

Tokyo poet Philip Rowland’s third full-length collection of verse, “Something Other Than Other,” quietly resonates with profound images of the quotidian humanity he finds around him.

Published last year by Isobar Press in Tokyo, the collection is a showcase for the playful power Rowland holds over his words. Organized into four sections, the book is a finely woven tapestry of forms ranging from found poems to pithy musings, tanka and haiku, all exhibiting a mastery of line and space — proof that Rowland is a craftsman who is confident with his tools.

Especially worthy of note, in the second section titled “Surveillance,” is a series of vignettes documenting Rowland’s observations about strangers and the lives they lead in and around his neighborhood in Shinjuku Ward. Read more

Source: The Japan Times

 


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Festival to celebrate the best of South Asian poetry in Delhi

By Bhumika Popli

The Foundation of SAARC Writers and Literature (FOSWAL) is organising a three-day South Asian Literature Festival in Delhi from 24-26 February. This year marks the 30th edition of the festival, which was founded by Ajeet Caur, a Padma Shri awardee author, back in 1987.

The festival is to be inaugurated at the C.D. Deshmukh Auditorium, India International Centre, Delhi, on 24 February, and will continue at the Academy of Fine Arts and Literature on 25 and 26 February. The event, earlier called SAARC Literature Festival, is now the South-asian Literature Festival.

A number of readings on different themes, as well as poetry recitation in English, Hindi and Urdu languages, will take place at the two different venues in Delhi. The topic for this years’ festival is “Endeavouring for Peace and Tranquility in the Region”, with sub-themes like “Voices of Common Concerns”, “Literature Against Extremism and Terrorism” and “New Voices in Literature”. Read more

Source: Sunday Guardian Live


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Gone Guy: A Writer Leaves His Wife, Then Disappears in Greece

By Fernanda Eberstadt

A SEPARATION
By Katie Kitamura
229 pp. Riverhead Books. $25.

When I was young, I felt a high-minded scorn for the whodunits my elders favored: mystery novels that inducted you into the specificities of British racecourses or Native American reservations while satisfying the same itch for neat solutions as my father’s games of solitaire, my mother’s crossword puzzles. Back then, suspense struck me as a cheap trick, like tickling the sole of a baby’s foot or cooking with scads of butter. The novels I loved occasionally included a murder — sometimes even a police inspector whose investigation actually produced the culprit — but the real question at stake wasn’t “Who killed the old bastard?” but “Is there a God, and if there isn’t, why should we be good?”

Now that I’m older, I have a grudging respect for the mystery novel and its resourceful practitioners, writers whose art depends on catching the world-weary reader unawares. Suddenly I too can see the point of having my questions answered, the teasing threads unknotted, cases closed.

Katie Kitamura would seem to share my youthful disregard for closure. In her third novel, “A Separation,” she has created a kind of postmodern mystery in which we end up with a dead body, evidence of a violent crime, an abundant trail of clues and even angry mourners, yet nobody feels compelled to pursue the investigation. There is something unknowable in human nature, the novel seems to assume, something better left unexamined. “Once you begin to pick at the seams,” we are told, “all deaths are unresolved.” Read more

Source: The New York Times


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Words that capture the dreams and thoughts of women

By Henna Rakheja

Think of Indian women writers and names such as Mahasweta Devi and Ismat Chughtai immediately come to mind. Powerful as they were, theirs are among the few glittering names of women in the galaxy of Indian authors. The vast majority of women writers in India don’t get the recognition that they often deserve. One of the primary reasons is the absence of a platform.

It is to fill this vacuum that for the first time, a Women Writers’ Festival is being organised in the city (New Delhi).

“There are a lot of women who are working on women’s issues, but there is no platform where they can come together to discuss [their work] and very little resource that they can access. Many women writers just remain unsung heroes,” says Anuradha Das Mathur, founder of the festival.

At the two-day literature festival, there will be panel discussions and talks by speakers such as Monika Halan, Bahar Dutt, Aparna Jain, Veenu Venugopal, Mala Bhargava, Yashodhara Lal, Urvashi Butalia, Nishita Jha, Bee Rowlatt, Amrita Tripathi, Shaili Chopra, Sonia Golani, Shreyasi Singh and others. Read more

Source: Hindustan Times


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Book “Harf Adhoore” Launched At Gathering Of South Asian Writers

The “Harf Adhoore”, a collection of stories written by Harish Masand was launched in a selected gathering of local South Asian Writers on February 11 at Punjab Bhawan in Surrey. The  famous Central Association of Punjabi Writers of North America took lead in organizing this literary  event. The celebrated Punjabi poet Charan Virdi, Acharya Dwivedi and owner of the Studio7-S.Sukhi Bath officially launched the book amidst loud  roar of clapping by enthusiastic audience.

Seema Vaswani spoke on some aspects of Harish’s stories.She appreciated the description of nature-rain, clouds, forest, birds century and green fields, and felt that the  writer has applied poetic  language that made it quite impressive.  He is a good writer in narrative form and  makes reading comfortable. It is so good and interesting that when  started reading  his stories, I continued up to the last, commented Seema. Read more

Source: The Link


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3 Indian writers to attend Lahore fest

By Simran Sodhi

While the India-Pakistan deadlock continues over hardcore political issues, visible signs of detente have begun to emerge in areas of cultural and soft diplomacy.

Diplomatic sources confirmed to The Tribune that three Indian authors will be attending the Lahore literary festival starting February 24. The three-day event will see the participation of a number of celebrated writers and thinkers from all over South Asia.

British journalist Anita Anand and historian William Dalrymple will also be in attendance to discuss their new book Kohinoor. Interestingly, the International Advisory Committee for the Lahore Fest 2017 comprises Maina Bhagat of the Apeejay Kolkata Literature Fest and Namita Gokhale of the Jaipur Literature Festival, among others. This comes close on the heels of the previous ice breaker in the relationship with the Indian Council of Cultural Relations sponsoring four Indian authors to the Karachi literary festival held from February 10-12; known Indian author Urvashi Butalia was among those present. Read more

Source: Tribune India

 


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Book Review: Collected Hong Kong Stories – love, shattered dreams and pursuit of wealth in the vertical city

By Tessa Chan

Collected Hong Kong Stories

by David T.K. Wong

Blacksmith Books

4 stars

While most authors build a following in their home country before venturing abroad, Hong Kong’s limited outlets for literary fiction led to local author David T.K. Wong taking his work to the US, Europe and Southeast Asia before publishing them here.

Now, however, he brings us 30 years worth of his short stories in one book, a rich and complex portrait of Hong Kong told through the lens of its varied inhabitants, their relationships with the city and each other.

Drawing on his own broad experience and knowledge – he studied political science and journalism, worked as a journalist, educator and government official – Wong conjures characters from all levels of society, from wealthy businessmen to migrant workers. He takes us on a vivid tour through Hong Kong’s back alleys, and abroad, whether to London’s Embankment or the traditional tea houses of Kyoto, Japan. Read more

Source: South China Morning Post


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The Rare Writer Who Hates the Word ‘I’

By Jiayang Fan

DEAR FRIEND, FROM MY LIFE I WRITE TO YOU IN YOUR LIFE
By Yiyun Li
208 pp. Random House. $27.

“Why write autobiographically?” the Chinese-American author Yiyun Li asks in this new collection of essays, “Dear Friend, From My Life I Write to You in Your Life,” the closest thing to an autobiography she has ever published. It is a question Li takes seriously and explores tirelessly, not least because she professes an unease with the assertion of the pronoun “I.” It is a “melodramatic” word, Li writes. “The moment that I enters my narrative my confidence crumbles.” This a remarkable statement in a volume that is essentially memoir.

Such diffidence is difficult to detect in her fiction, where the first person has been deployed to devastating effect, albeit infrequently. But then the narrative “I” of a short story is perhaps best seen as a means of self-effacement, and it’s notable that Li’s remarkable fiction — two elegant novels and two story collections — is all assiduously unautobiographical, from the forgotten granny living in China to the gay immigrant seeking asylum in the United States. Read more

Source: The New York Times


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Book Review: A soldier’s account of the Sri Lanka war

Title: Road to Nandikadal: True Story of Defeating Tamil Tigers; Author: Major General Kamal Gunaratne; Publisher: Not given; Distributed by: Vijitha Yapa Bookshop, Colombo; Pages: 741; Price: Rs 2,500 (SLR)

This is a dense yet gripping account by a decorated Sri Lankan military officer who was in the thick of it all in the long and bloody war that led to the decimation of the LTTE.

Major General Kamal Gunaratne is no ordinary soldier. An infantryman, he led the 53 Division – the most powerful Division in the Sri Lanka Army – that killed the LTTE founder leader, Velupillai Prabhakaran, in May 2009, bringing the curtains down on a conflict that at one time looked like it was destined to go on and on.

When the dead Prabhakaran was placed before him, “I closely inspected the body of this fiend lying at my feet like a dog, his eyes wide open. Dressed in the striped camouflage uniform of the LTTE, Prabharkaran had not shaven for a couple of days and a growth of greying stubble covered his face. On his forehead was a deep gash spreading up to his skull, but other than that, not a single scratch was seen on his body. The open eyes displayed shock and terror. Having died only about 30 minutes earlier, it was still bleeding from the wound and his ears.” Read more

Source: Business Standard