Pegged on journalist Sameer Arshad Khatlani‘s visit to Pakistan, The Other Side of the Divide provides insights into the country beyond what we already know about it. These include details on the impact of India’s soft power, thanks to Bollywood, and the remnants of Pakistan’s multireligious past, and how it frittered away advantages of impressive growth in the first three decades of its existence by embracing religious conservatism.
Humility. Kindness. Gratitude.” and “Love is the answer.”
— The Good Day I Died: The Near-Death Experience of a Harvard Divinity Student by Desmond Kon Zhicheng-Mingdé
Desmond’s post-structuralist book was released in good time to be wrapped as a Christmas present in Singapore — with the values he speaks of, it deserves that. Meanwhile, on Christmas, 2019, was released a film in United States that spoke of similar values — a film called Little Women adopted from a quasi- autobiographical series written from the 1860s to1880s by Louisa M Alcott, a movie that hopes to take Singapore by storm from 16th January, 2020.
As of January 12, 2020 — in two weeks of its world release — the film grossed $74 million in the United States and Canada, and $33.2 million in other territories, for a worldwide total of $107.2 million. It has won much critical acclaim and was chosen by both the American Film Institute and the Time magazine as one of the top ten films of 2019. At the 77th Golden Globe Awards it received two nominations; in the British Academy Film Awards, it received five and six Academy Awards nominations — with all three-nominations naming Saoirse Ronan for the Best Actress and the last two including Florence Pugh for the Best Supporting Actress, and Greta Gerwig for the Best Adapted Screenplay.
With a star-studded cast — Meryl Streep, Emma Watson, Saoirse Ronan, Pugh, Timothée Hal Chalamet, James Norton — and more, the family drama centring around the American Civil War had the audience at the screening in its grip. It was little surprising while leaving the hall at the Singapore preview, that a woman was excitedly talking to a friend in part-Chinese part- English about how she empathised with the characters in Little Women. And through the screening, one could sense the audience palpitate emotionally in waves with murmurs rising and falling in a crescendo — fully absorbed by the events on the screen.
Still from 2019 production showing the four sisters
Every holiday is accompanied by reminiscences of one’s kith and kin.
Knowing from afar, the heights one’s elder and younger brothers have scaled;
Side Wearing Cornus officinalis, there is one soul less, amiss.
This poem has been written by Tang dynasty poet Wang Wei (701-761CE), who was known both for his poetry and paintings, in celebration of the ninth month festival, Chong Yang, which coincides with the Indian Navratriand Durga Puja, the Korean Jungyangjeol, the Japanese Chōyō or Chrysanthemum festival.
On 31 st December, 2017, some met in Fort Shaniwarwada in Pune to commemorate a historic event from January 1st 1818, a battle in which the Peshwas (Brahmins) were defeated by the British forces though the loss was huge on both sides. This had been a part of the third Anglo Maratha wars which led to British domination in Maharashtra ultimately.
The programme had speeches and cultural performances and police presence. The British victory nearly two hundred years ago was seen as a Dalit victory over Peshwas as Dalits had manned the British army against the Brahmin Peshwas. On January 1 st 2018, one Dalit was killed in the violence that ensued over the meet among different groups who clashed over differences of opinion.
Number of activists, some of them allegedly communists as Maoist involvement was suspected, were arrested over the event. What bordered on the ludicrous was that one activist was arrested for possessing incriminating documents like Tolstoy’s War andPeace. The judge is reported to have said: “War and Peace is about war in another country. Why were you keeping these books at your house?”
About: In this debut collection focusing on Indian immigrants in the United States, characters deal with conflict, growth, dislocation, and renewal in a new world. But their old world is present as well, and this “in-betweenness” shapes their lives. Once immigration involved leaving all behind, assuming a new identity with your new culture. Now we move back and forth — between continents, cities, our different mores no longer tidily compartmentalised, sometimes more migrant than immigrant. Straddling two worlds, the characters in this book are acute observers—and diffident interpreters—of a much larger world that will never feel fully familiar again.
“ In 1915, one of the fathers of modern Korean literature, Yi Kwang-su, laid out his modern manifesto. ‘We are a new people, without ancestors, without parents, that came from Heaven in the present.’ (Kim Hunggyu, 194.) This belief was amplified in 1930 by Ch’oe Caeso, who argued, ‘In terms of contemporary culture, our attitudes are dominated by those of Western culture, and not by those from the Choson period and before,'” wrote Charles Montgomery , who taught English, Literature, and Translation Department at Dongguk University, Seoul.
Choson, also known as Choseon or Joseon, was the dynasty that ruled Korea for the longest period — five hundred years — before the Japanese invasion in 1910. Though Japan had tried to invade Korea earlier in 1592 and 1597-98, their impact at that time was minimal.
However, in the twentieth century, the Japanese invasion lasted longer —for four decades — till Japan was defeated in 1945 at the end of the Second World War by the dropping of an atom bomb. Subsequently Korea was split along the 38th parallell, one part being allied to the American and the other to Soviet Union. The pain of this partition was projectedbeautifully by Park Wan Suh in her classic novel, Was The Mountain Really There?.
“In the World Economic Forum’s gender gap report, Turkey ranks 130 of 149 countries. Only around 15% of child and adult sexual abuse cases are reported. The number of child brides is alarming. We need to talk about our problems rather than pretending they do not exist. The art of storytelling should dare to talk about difficult subjects.
“In all my novels I have tried to give voice to the voiceless. I have written about outcasts, minorities, the displaced and exiled … I wanted to make their stories heard. So I really find it tragic that instead of changing the laws, building shelters for abused women and children, improving the conditions for the victims, they are attacking fiction writers. That is very sad.”
The first Africans came to Japan in 1546 in a Portuguese ship as slaves and shipmates. But that did not impact Japanese lore as much as the black samurai who came to Japan in 1579 in the service an Italian Jesuit missionary fromthe Indies, India in the case of this missionary. (The term Indies was inclusive of the South East Asian areas influenced by Indian culture.)
His story has captured much media attention this year with Chadwick Boseman of Black Panther (2018) fame cast as the black samurai for an MGM movie and with Netflix planning an animation on him.
When the young man arrived in Kyoto in 1579, he was not a samurai. He rose to be one after a powerful Japanesefeudal lord, Oda Nobunaga, in the Sengoku period (1467 to 1600) took a fancy to him. He became a famous samurai known as Yasuke . After the death of his master, he became a ronin, a samurai without a master.
Ratnottama Sengupta is a well-known personality in the world of media and films in India.
Formerly Arts Editor with The Times of India, she has been writing for newspapers and journals, participating in discussions on the electronic media; teaching mass communication, writings books on cinema and art, programming film festivals and curating art exhibitions. She has written widely on Hindi films; served the CBFC, the NFDC Script Committee, the National Film Awards jury and has herself won a National award. In recent times she has authored, translated and edited Chuninda Kahaniyaan, Kadam Kadam, Me and I, That Bird Called Happiness. In 2018, she debuted as a film director with And They Made Classics, a film that captures the journey of her eminent father, an award winning screenwriter cum author, Nabendu Ghosh.
Having grown up in an atmosphere surrounded by all the Bollywood greats, Ratnottama Sengupta gave Team Kitaab an exclusive with stories of growing up amidst Bollywood legends like Dilip Kumar, Meena Kumari and Nutan, taking us with her through her unique journey to both penmanship and films. We present her journey to you in two parts…
Team Kitaab: What made you choose your calling that of a person who writes on cinema? From what stage in your life have you been writing, especially on cinema?
Ratnottama: Sometimes, life decides your choice of calling…
I was born into a household which had books on the shelves, on the table, on the bed, underneath the bed too. I grew up ‘playing’ with books, ‘reading’ books even before I knew the alphabet, looking at the illustrations and admiring the images. Since my father was an MA in Literature, he had the cream of world literature in his ‘library’. And because he was simultaneously writing screenplays (for most of the major names of Hindi screen through 1950s-60s), he would get the film magazines and cine broadsheets too. So I grew up symbiotically connected with the parallel worlds of letters and images.