Bhaskar Parichha reviews Musicophilia in Mumbai by Tejaswini Niranjana (Published by Tulika Books , 2020) calling it a fascinating journey across the city.
“The inexpressible depth of music, so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from its pain…Music expresses only the quintessence of life and of its events, never these themselves.”
Who doesn’t comprehend the power of music that moves us and affects our mood? And when it is Hindustani music and the city of Mumbai, things ought to go cerebral. For being a wonderful mix of social science research and creative non-fiction, this is a stupendous book.
Rakhi Dalal reviews The Flavours of Nationalism,(Speaking Tiger, 2018) analyzing how through this personal memoir, Nandita Haksar hopes for a future where every Indian will have Justice of Eating.
Nandita Haksar is a pioneering human rights lawyer, campaigner, teacher and writer. She is the author of over 15 books including: Framing Geelani, Hanging Afzal: Patriotism in the Time of Terror (2009); The Judgement That Never Came: Army Rule in North East India (with Sebastian Hongray, 2011); ABC of Naga Culture and Civilization (2011); Across the Chicken Neck: Travels in North East India (2013); The Many Faces of Kashmiri Nationalism from the Cold War to the Present Day (2015), Framed as a Terrorist (with Mohammad Aamir Khan) (2016) and the Exodus is Not Over: Migrations from Ruptured Homelands of Northeast India (forthcoming). The Flavours of Nationalism won the Book of the Year award at LF Epicurean Guild Awards 2020.
The introduction to the book is titled “The Justice of Eating”, which takes its name from the poem “The Great Table Cloth” by the Communist Chilean poet, Pablo Neruda. Through this poem, Neruda expresses his wish for a world free of hunger. Nandita Haksar quotes the poet to bring forward the still pertinent question of inequality, when it comes to accessibility of food in Indian society. That the farmers continue to commit suicide, that some of those unprivileged go without square meals for days, that the social fabric is still marred by discrimination and oppression practiced towards people with respect to their food choices because of their caste/class/religious/regional identities, are some of the questions that the author grapples with in this book.
Dr. Sutanuka Ghosh Roy explores Sanjukta Dasgupta’s Sita’s Sisters calling it a poet’s exhortation of womanhood.
ISBN: 978-93-87883-89-5 ( Paperback)
Published by Hawakal Publishers, Kolkata-India.
Price: INR 300. $11.99
Sita’s Sisters is the sixth book of poetry by Sanjukta Dasgupta, former professor, head and dean, faculty of Arts, Calcutta University. She is a poet, critic and translator. She is the recipient of numerous national and international grants and fellowships and has lectured, taught and read her poems in India, Europe, USA and Australia. She is a member of the General Council of Sahitya Akademi New Delhi and Convenor of the English Advisory Board, Sahitya Akademi. Her published books include Snapshots (poetry), Dilemma (poetry), First Language (poetry), More Light (poetry), Her Stories (translations), Manimahesh (translation), Media, Gender andPopular Culture in India: Tracking Change and Continuity, SWADES—Tagore’s PatrioticSongs (translation), Abuse and Other Short Stories, Lakshmi Unbound (poetry) 2017.
Namrata explores Kabul through Taran N Khan’s Shadow City which according to her isn’t just about a city.
Stories in Kabul begin with the phrase ‘Yeki bood, yeki na bood.’ There was one, there was no one.
Taran N Khan (Shadow City)
Taran N Khan’s first book, Shadow City takes us around Kabul highlighting the varied experiences the city and its people have been through over years. It is neither a memoir, nor a travelogue. Lying somewhere in between, Khan has found the perfect voice to depict a place which has been through so much and yet continues to thrive in various ways.
Growing up in Aligarh, Khan grew up with a fascination for Afghanistan due to her Pashtun background. After completing her education in Delhi and London, she has now decided to call Mumbai her home for the time being. Her works have been widely published in India and internationally, including in Guernica, Al Jazeera, the Caravan and Himal Southasian. Her writing has also received support from the MacDowell Colony, the Jan Michalski Foundation for Writing and Literature and the Swiss Arts Council Pro Helvetia, among others.
Rakhi Dalal observesThe Machine is Learning by Tanuj Solanki, which poses the question of human redundancy as AI/ML make headway in the techno savvy Capitalist world. (Published by MacMillan, 2020)
Tanuj Solanki’s first book Neon Noon was shortlisted for Tata Literature Live! First Book Award. For his second book Diwali in Muzaffarnagar, he was awarded the Sahitya Academy Yuva Puraskar in 2019. The Machine is Learning is Solanki’s third book.
In the third chapter of the novel, the narrator recalls the famous game of Go, between Lee Sedol and Google Deepmind AI’s AlphaGo, where in the five match series AlphaGo had defeated Sedol, one of the best Go players of all time, by 4-1. He remembers how the IT buzzwords, Artificial Intelligence (AI) and Machine Learning (ML) were began to be used aggressively by IT sellers and how Lee Sedol’s loss was employed by the so called thought leaders to create hype by declaring the advent of a final Industrial Revolution where machines would become so smart that they would replace humans.
Tan Kaiyi reviews Tunku Halim’s latest work, Scream to Shadows calling it a collection of tales full of shocks and gore!
Scream to the Shadows is a retrospective collection of Tunku Halim’s career. These 20 spine chilling tales give a great introduction to one of the leading horror writers in Asia. Over a span of two decades, Tunku has written dark stories in the form of novels and short stories—most notably Dark Demon Rising and the Rape of Martha Teoh & Other Chilling Stories.
Evocative and alluring , Namrata reviews Laksmi Pamuntjak’s Fall Baby (Published by Penguin SEA, 2019)
‘Somewhere in mid-flight, it occurs to me that I’m still at home and without a home; its just that now there are two homes instead of one and that must count for something.’
With lines akin to poetry, Pamuntjak’s latest novel Fall Baby is a compelling read. Interestingly, one of the main protagonists of this novel, Siri, is the illegitimate daughter of Amba and Bhisma, the protagonists of Laksmi Pamuntjak’s award winning first novel, Amba/ The Question of Red.
Laksmi Pamuntjak is a bilingual Indonesian novelist, poet, journalist, essayist and food critic. Her debut novel Amba/The Question of Red won many awards and has been translated into several languages followed by her second novel, The Birdwoman’s Palate which was adapted into a movie. She writes across genres dabbling in a poetry collection, a food guide, collection of short stories on painting and a treatise on violence and the Iliad. Pamuntjak also writes opinion and features articles for various Indonesian publications.
Dr. Nabanita Sengupta reviews Gopal Lahiri’s latest poetry anthology, Return to Solitude and shares how she thinks the poet provokes his readers to think.
Title – Return to Solitude (Poetry anthology)
Poet – Gopal Lahiri
Publisher and Date of Publication – Hawakal Publishers, 2018
Reviewed by – Nabanita Sengupta
Gopal Lahiri is an internationally acclaimed and widely published poet based in Kolkata. A Geo-physicist by profession and a poet by choice, the earth, its flora and fauna seep into his work as comfortably as do complex emotions. Return To Solitude, his collection of haikus, senryus and other short poems vouchsafe the bond that the poet shares with nature.
‘crevice and gap
questions buried, eyebrows raised
glide into history’
The above can be an example of three succinct lines that merge the persona of the perceptive poet and the earth scientist.
Dr.Meenakshi Malhotra talks about Witnessing Partition by Tarun K.Saint, which according to her, is a valuable addition to the corpus of Partition literature
In his book ‘’Witnessing Partition: Memory, History, Fiction’’(2020), Tarun K. Saint attempts the ambitious literary enterprise of a sweeping account of the major literary writing generated by the partition of 1947, when two separate countries, India and Pakistan were created. A moment which should have been a joyous celebration of freedom from colonial rule, turned into a tragic moment of violent and acrimonious division.