TBASS

I figured I must have fainted and dropped the phone. Probably I got a bump on the head, and that was the cause of the change in my eyesight. I hurried to pick up my phone before anyone could step on it. I saw my arm reaching out—but somehow my hand couldn’t pick the thing up. I tried several times, thinking I had bumped my hand as well as my head and numbed it, like when you hit your funny bone. The feeling was different, though. Not a flash of painful sensation in my elbow or tingling in the wrist. Just—nothing. I was puzzled. How could I have hurt myself so badly that I didn’t even feel any pain?

Thinking I’d go and find some help, I stood up slowly, my feet on either side of the smartphone to keep it from being stepped on. That’s when I noticed that there was no one nearby. Turning carefully, I saw that a small crowd had congregated in front of a train which had stopped on the other side of the platform. The light and the colours were still blinding, but the sounds from the scene came up only gradually. I began to hear exclamations, and one or two women screaming breathlessly. Suddenly, a brilliant flash of white rushed past me—two men in white uniforms, with a stretcher between them piled with blankets. A group of policemen followed closely behind. Like the light and the colours, the movement of the men was so intense it made me dizzy. The policemen hustled the crowd aside while the men in white jumped down in front of the train and busied themselves with something there.

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By Rajat Chaudhuri 

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“Anything conceivable I believe is possible.”

Black to the Future, Walter Mosley (Dark Matter)

A sorcerer-librarian in ancient Korea who transforms people into books locking them up in his shelves for ever, a far-future civilisation on the planet Ruo, remembering their ancestors in the drowned world of BlueGemm — finished off by greed and climate change, a time travelling ghost in Hong Kong disconcerted by the rules of afterlife.

These are just a few of the characters and situations that we present before you dear reader in this book of amazing tales — stories from Asia, a continent blessed with mindboggling creativity and chutzpah, zen and brio, or what they sometimes call the Asiatic imagination, which is born of course out of its chequered fabric, the diversity of its peoples, the textures of our histories. Asia, a multitudinous hundred-headed medley of contemplativeness and chaos, a mélange of landforms, a kedgeree of ideas, a crucible of cultures, and you get it all here in this book, served fresh, sizzling, wok-fried and ready to tease your taste buds.

Memory in 324 Words

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Adil Hasan was born in 1971 in Shillong, north-east India and has made Bangalore his home for the past eighteen years. He is a visual artist and freelance writer, having previously worked in the banking industry. Escape The Dark, an exhibition of his digital art was held in 2014. He is presently working on a mixed media project titled Great Industrial Dreams which pairs artwork with speculative prose and poetry. 

By Mariyam Haider

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Title: Becoming

Author: Michelle Obama

Publishers: Crown Publishing Group, Viking Press

Michelle Obama’s memoir, Becoming, is powerful, personal and fulfilling. Her writing takes us with her on her journey, from growing up in Euclid Avenue on the South Side of Chicago to calling White House her home. In the course of this larger-than-life story, Michelle Obama offers her readers an insight into how a strong value-based system allowed her to take risks, commit mistakes and learn from them, address failure as a mentor, be honest to herself and develop authenticity as her crusading feature.

The book is divided into three segments: Becoming Me, Becoming Us and Becoming More. She sets the theme of the book in the preface by writing, “I think it’s one of the most useless questions an adult can ask a child — What do you want to be when you grow up? As if growing up is finite. As if at some point you become something and that’s the end.” The title of the book is thus the threadline of how each one of us is in a constant flux of evolution and rediscovery, embracing the unknown and resonating with the deeper voice that commands us to remain true to ourselves.

Reviewed by Gouri Athale

Title: Divided by Partition United by Resilience
Editor: Mallika Ahluwalia
Publisher: Rupa Publications India (2018)
Pages: 210 (Paperback)

The title says it all, these are the first person accounts of people who suffered the partitioning of their provinces (now called states) and of some, like those from Sindh and Northwest Frontier Province, who lost even that province/state.

An important and positive contribution of this book is that it reminds us that our history does not end with gaining independence; that history continues to be made even after 1947. The anthology has stories mainly on the fallout of partition of the Punjab, a few from Sind and the North West Frontier Province (NWFP) and just one story from Bengal. Yet, this is the most touching, heart wrenching, made worse because it is so rarely heard. There ought to have been more, since Bengal was first partitioned in 1905 and then again in 1947.

For most Indians born after 1991, partition is believed to have affected only the Punjab, because that is a well-documented story and it happened in one stroke, around August 1947. Bengal, on the other hand, had as great a trauma in 1947 but refugees came in waves, going on well up to 1971, which leaves Sindh, or Sind, where there was no partition. The entire state was given away so that those who came as refugees from Sindh lost not only their property, their culture but also their entire state, making them state-less. Bengal and Punjab got some part of their old states so they didn’t lose their identity totally in the form of a home state.

This collection of short stories, told most of the time in the first person, gives the impression that partition happened across many more than the two states; it makes no differentiation between Sindh and the NWFP (which weren’t partitioned) and Punjab and Bengal, which were.

Reviewed by Vineetha Mekkoth

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Title: The Who-am-I Bird
Author: Anuradha Vijayakrishnan
Publisher: Bombaykala Books (2018)
Pages: 70
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As you read them, these poems by Anuradha Vijayakrishnan appear oddly familiar. Familiar like half-forgotten dreams, sometimes nightmares that tug at you from within as your eyelids flutter open. Lyrical and richly allegorical, Anuradha’s poems are diverse – they are poems of sisterhood, of coming of age, of warnings, of celebrating womanhood and freedom, of woman to woman sharing, of the vulnerability of being a woman/girl, of love and adventure, of temptation, passion, of family, of tender love, of death, of violence and more death, of life and minutely vivid observations on her journey as a poet. In Anuradha’s poems you will find the whole gamut of life as a woman.

A poem which first caught my attention was “Listen”. In this, the poet leaves unsaid the fears and warnings that rise unbidden when we see a girl unfettered, unaware of the dangers around her and of the choices she faces and her identity, as adolescence creeps upon her. Anuradha concludes the poem by freeing her own fear and repressions, thus giving and finding freedom.

 

Listen, listen. Or even better find your way, your unique gender,
your loosened tongue, your anger, your flawless game on the field,
streets, of the country you choose to be yours, not the other
way around. Forget we ever met
or that I tried to stop you. I did not.

There are the mother-daughter poems that resonate in you. Both, “The Woman Who Once Loved Me” and “What My Dark Mother Meant”, speak of the connect between the poet and her mother, of the love and of the prejudices faced. “Daughter” too belongs to this class of poems and is lyrical in its quality.

But remember, you were born of a woman.
Her love is the secret
you carry.
“Notes On Visiting Your Mother’s Grave” is a poignant poem. Remembrances that

She liked good things, handmade soap,
cowhide bags gifted by admirers, expensive
footwear. Her last pair was simple cotton
her skin could bear, but before that

SBC

1. Good, Clean Copy – How good editing can make you a great writer

1 OCTOBER 2018 (Mon) | 9:30AM – 5:30PM

Truman Capote famously said: “I’m all for the scissors. I believe more in the scissors than I do in the pencil.” In fact, many great writers refer to the editing stage as “where the real work happens.” The fine art of editing really can make good writing great and time and time again proves the old adage that less really is more. This workshop looks at distilling and crystallizing your writing to make it shorter, sharper and – most importantly – better. The workshop will include practical exercises and will teach you a number of tried and tested editing techniques. As Dr Seuss says: “So the writer who breeds more words than he needs, is making a chore for the reader who reads.”

Suitable for: Writers of any experience level, from both fiction and non-fiction, who want to develop a disciplined approach to their work and gain an understanding of the importance and effectiveness of good editing.

Trainer: Simon Clews – Simon is in great demand as a writing coach and has delivered training around the world, including in Singapore, Canada, the UK, Thailand and Hong Kong. Prior to that he ran the Melbourne Writers’ Festival for fourteen years, as well as a slew of other literary events, including Writers at Como, Writers at the Convent, Stories Alive and Crime & Justice.

Register here or https://academy.bookcouncil.sg/courses/detail/good-clean-copy-how-good-editing-can-make-you-a-great-writer#discount

 

2. The New Self-Publishing – How the entrepreneurial writer can challenge publishing’s status quo

2 OCTOBER 2018 (Tue) |  9:30AM – 5:30PM

There has never been a better time to be a writer; the power balance is shifting away from the traditional gatekeepers, the commercial publishers, and back into the hands of the writers. The traditional publishing process is fast becoming known as ‘legacy publishing’ and the canny writer is reinventing themselves as an entrepreneur with a significant digital presence. As part of this revolution, self-publishing has been reborn and is now a force to be reckoned with. Done properly, the new self-publishing allows the writer to carefully cultivate their audience and deliver a book to them that is a hotly anticipated product, rather than just being a small cog in the machine of the very speculative process that is traditional publishing. But it’s crucial to get this right. This workshop will look at taking advantage of this publishing revolution and avoiding any pitfalls that might come your way.

Suitable for: Writers of any experience level, from both fiction and non-fiction, who are new to self-publishing and who have a specific publishing project in mind.

Trainer: Simon Clews – Simon is in great demand as a writing coach and has delivered training around the world, including in Singapore, Canada, the UK, Thailand and Hong Kong. Prior to that he ran the Melbourne Writers’ Festival for fourteen years, as well as a slew of other literary events, including Writers at Como, Writers at the Convent, Stories Alive and Crime & Justice.

Register here or https://academy.bookcouncil.sg/courses/detail/the-new-self-publishing-how-the-entrepreneurial-writer-can-challenge-publis