A Case of Exploding Mangoes is centred around General Zia ul Haq’s mysterious assassination in 1988. It is a comical take of the incident with real and fictionalised characters calling out for a laugh — a satire at best. The writer says “writing the novel was his attempt to make sense of Zia’s dictatorship and the military.” He added, “By mocking them…You’re also in a way trying to humanize them.”
The book was originally written in English and, therefore not easily read by many in Pakistan.All the trouble started after the book was translated to Urdu. Now, the army is cracking down on the book — 250 copies have been confiscated.
Fatima Ijaz, is currently teaching English and Speech Communication at Institute of Business Administration, Karachi. She is an English graduate from Hartwick College, N.Y and York University, Toronto. She also holds a Master in English Linguistics from Eastern Michigan University. She won first prize at the Mclaughlin Poetry Contest in Toronto, 2007. Her work was featured in a poetry and art collaboration for #NomeansNo at the Music Mela, Islamabad’18 and at Art Baithak, Karachi University in March 2019. Her work has been published in Zau, Red Fez, Rigorous, The Write Launch, Abramelin, Della Donna, Whirlwind, These Fragile Lilacs, Writer’s Asylum and Praxis magazine.
Aysha Baqir, is an author with mission, vision and commitment. A development consultant in Singapore, she was born and raised in Pakistan. She has recently launched her powerful, debut novel titled Beyond the Fields. Growing up in Pakistan, it was not a norm for parents to send their daughters to colleges abroad. But for Aysha, things were different as her parents agreed when she won a scholarship to pursue her studies at Mount Holyoke College. Her university experience sparked her passion for development and Aysha chose to return to Pakistan where she discovered that girls and women in villages needed access to economic resources before they could voice their demands for social justice.
She founded Kaarvan Crafts Foundation in 1998, shortly after completing her MBA. A pioneering economic development not-for-profit organisation, Kaarvan Crafts Foundation, is focused on poverty alleviation through the provision of business development and market-focused trainings for girls and women. Aysha headed the foundation until 2013 when she relocated to Singapore. She is a member of the Singapore Writers Group since August 2013 and is currently working on her second novel.
Kye Lee: Your debut novel, Beyond the Fields, is hauntingly beautiful. How did the idea come about for this book? What moved your muse? Had you ever written before? Did any writers, films or art have anything to do with it?
Aysha: Beyond the Fields is the story about a young village girl called Zara. Zara is carefree – she has dreams, she wants to study, and wants to become someone important. She loves kairis (raw mangoes); so, she disobeys her mother and steals into the orchard. And then on one ordinary day, Zara’s twin sister, Tara, the one she is closest to in the whole wide world, is kidnapped from the fields while they are playing a game of hide and seek and raped.
Having worked in the villages of Punjab in Pakistan for over fifteen years, I wanted to show the plight of village girls and women. Thousands of girls and women are assaulted each year and the abuse continues without any substantial family, community, or legal support. And, just not in Pakistan, but across cultures and continents.
I deliberately set the story under Zia-ul-Haq’s regime. I was twelve years old when my mother dragged me to a march called by WAF or Women’s Action Forum. Being an introverted teenager who studied in American School, I didn’t want to go. But my mother insisted saying it was important for me to see what was happening in our country.
Beyond the Fields is an impressive and poignant debut novel from the Pakistani writer, Aysha Baqir, who also founded the Kaarvans Crafts Foundation to provide business development and market-focused training for women in her country.
Baqir centres her narrative around grief and family bond and then expands into a macrocosm of larger issues. The story starts with a young teenage girl’s harrowing life changing journey from a remote village in Punjab to the big city of Lahore. It was Zara’a first trip out of her remote village in Bahawalpur, a district in Southern Punjab. She has a mission to complete — she needs to rescue her twin. Born to a poor, landless farmer, Zara was inseparable from her twin sister, Tara, and their elder brother Omer.
Growing up in a village, Zara and Tara are already at a disadvantage in life. Living in an agrarian society, where acres of land are controlled by big land owners, the girls are not allowed to go to school unlike their brother Omer. They are also not allowed to pursue dreams which will give them independence as their fate is determined by their parents, especially their father, whom they refer to as ‘Abba’.
Mohandas Karamchand Gandhi opposed the Partition that came as an edging of India’s Independence movement. In 1947, he told Rajendra Prasad,”, “I can see only evil in the plan.” Rajendra Prasad went on to become the first President of India and the pacifist father of the nation, Mahatma Gandhi, was shot by Nathuram Godse, the fanatic Hindu nationalist. Jawaharlal Nehru, the first Prime Minister of India, gave in to the Partition as he saw it as a necessary step to accommodate the growing divisions with Jinnah, the first Prime Minister of Pakistan, and the Muslim League.
Urdu with the Nastaliq script was adopted as the national language of Pakistan and Hindi written the Devanagari script became the national language of India.
Hindi and Urdu both started as dialects of Hindustani. Both the dialects continued to diverge both linguistically, politically and culturally. Hindi drew words from Sanskrit, and Urdu from Arabic, Persian and Chagatai, an extinct Turkic language. Culturally, Urdu was associated with Muslims and Hindi with Hindus.
Three Idiots, The Reluctant Fundamentalist and Crazy Rich Asians have made history in cinema and they started out as mere books, Five Point Someone by Chetan Bhagat, The Reluctant Fundamentalist by Mohsin Ahmad and Crazy Rich Asians by Kevin Kwan.
Bhagat was cited by The New York Times as “the biggest selling English language novelist in India’s history” and was also included in the Time magazine’s list of the world’s 100 most influential people. Ahmad’s book made it big not just in its own rights, climbing up to #4 on the The New York Times Bestseller list and winning multiple awards and accolades, the film catapulted his book as one that addressed humanitarian concerns and won the German film award for peace and at least five more international awards. Kwan also made it to the Times list of the hundred most influential people and was named as “five writers to watch” on the ‘Hollywood’s Most Powerful Authors’ in The Hollywood Reporter. Their cinematic launches helped them make it huge!
But did you ever wonder how their books made it to the big screen? How did they sell their film rights? And as an author, what all should you be looking out for when you sell your book’s film rights?
Today, we meet the man who can help authors evade controversies and make it from books to movies… He is the man who has made it a business to help writers sell their books to film-makers. Meet Siddharth Jain, the founder of The Story Ink (TSI), India’s first story company for premium content for screen. It is also “India’s No.1 Book to Screen Adaptation Company” and has sold the adaptation rights of almost 70 books to Producers/Studios in India. It is now expanding its footprint by solving the story problem for Indian regional language content producers and international producers, who are searching for local stories for global audiences.
TSI was founded in April 2018 by Jain who had earlier worked for India’s largest OTT (over the top) — Hotstar.com (now acquired by Disney from Fox), iRock Films, Adlabs Films (Reliance Entertainment), Hyperion Studio — Los Angeles and Baazee.com (Ebay India). In a recent interview with scroll.in , Jain said that five years from now he sees himself “reading a book a day” and curating great stories for films. In this exclusive interview, he explains how books are made into films… through options agreements.
Gun workshop in Darra Adam Khel … Wikimedia Commons
The acclaimed book Three Cups of Tea: One Man’s Mission to Promote Peace … One School at a Time by Greg Mortenson and David Oliver Relin propounded that peace could be had through education. That was published in 2007, remained on the New York Times best seller list for four years, won the Kiriyama Prize, given for creating better understanding among people and nations, and then the book was drowned in a flood of controversy.
Perhaps Mortenson’s is a voice that can be used to showcase what this new library is doing in Darra Adam Khel, a small town near Peshawar that makes its living by trading and making weapons in Pakistan.
The Darra Adam Khel Library houses 2500 books and was built only last year.Says the founder of the library , Shahnawaz Zeb : “Times are changing and we should change too…We need to take the guns away from our younger generation and arm them with books instead.”
MV Red Fin was a very small ship. She was also a very old ship. As soon as the wave swell hit medium, she would start to make ungodly sounds — as if she were breaking. More often than not she had taken her crew to the brink of disaster. She was a problem child, but that’s what made her so special. Like any difficult ship, she was very close to her crew’s hearts. The crew took pleasure in the feeling of being the only ones who could resist her every whim… who could understand her mind. It was an unwilling compromise. They tried to keep her happy; she tried to keep them safe. The crew comprised of twenty men with Captain Mohandass in command.
Captain Mohandass was quite different from Mohan the man. Behind a façade of a long, magnificent, philosopher-like, snow white beard lay a supremely bigoted mind. He had never liked visiting Pakistan and was rather unshakable in his ‘hindutvavadi’ (Hindu supremist) beliefs. But he tried to contain his resentment…to keep his nerves calm. However, as time passed that day, Mohan was starting to get grouchy. ‘They better not harm my ship or my crew.’ Mohan thought, ‘Or ill teach them a lesson.’ The last thing he wanted was ‘an incident’. Not at this port. Not in the ‘enemy territory’. All operations had to be meticulously executed. It was his responsibility to ensure that.
The soldiers formed a firing squad on Shaukat’s order, waited for the officer to be clear of the scene as they had been ordered, and emptied their rifles into the prisoners.
‘Sir? Wasn’t this night a complete waste?’
Shahbaz had been watching the soldiers dump the bodies into the river. The ones from inside were brought out and also thrown in.
‘Fifteen Muktis a waste?’ Shahbaz said. ‘Nights like this are what we need.’
‘I understand, sir, but – ’
‘You want to keep telling what’s better and what’s not?’ Shahbaz’s head turned slowly.
‘No sir, of course not.’
‘Did you know that in a nuclear holocaust the only living survivors would be cockroaches?’
‘I didn’t know this, sir.’
‘It’s true. The determined, nasty little bastards will survive it all. That’s what these Muktis are. That’s what their race is. They’re nasty little bastards, meant to be crushed, but you can’t get rid of them if you think they’ll just go away, disappear, die on their own. The only good thing is that these Bengalis are flesh and blood humans, and those we can get rid of.’
Shaukat allowed the convoluted analogy to sink in. Offered a cigarette, he accepted it with a quick glance at Shahbaz. Shahbaz’s attention was still pinned on the soldiers’ activities. Shaukat lit his cigarette and felt the wave of the momentary release wash over him.