By Tammy Lai-Ming Ho and Jason Eng Hun Lee

KF profile pic 2

Author of two poetry collections, Kit Fan (范進傑) was born in 1979 in Hong Kong and currently resides in the UK. His first volume Paper Scissors Stone (Hong Kong University Press, 2011) won the inaugural Hong Kong University (HKU) Poetry Prize, and his second collection As Slow As Possible (Arc, 2018) was a Poetry Book Society Recommendation for Autumn 2018 and listed in The Guardian’s 50 biggest books of Autumn 2018 and in The Irish Times Best Poetry Books of the Year. Other accolades include being shortlisted for the 2017 TLS Mick Imlah Poetry Prize and The Guardian 4th Estate BAME Short Story Prize consecutively in 2017 and 2018. His novel-in-progress Diamond Hill, about the last shanty town in Hong Kong, received a Northern Writers Award 2018. A regular reviewer for the Poetry Review, Kit’s work traverses between Hong Kong and European cultures and histories, as well as between poetry and fiction.

As part of an ongoing collaborative project entitled ‘Anglophone City Poetics and the Asian Experience’, Kit talks to Tammy Lai-Ming Ho and Jason Eng Hun Lee about his first poetic influences, his migration to the UK as a young writer, his musings on Hong Kong from afar, and his perspectives on the evolving Asian cityscape.

Tammy Ho & Jason Lee: How long have you been writing poetry? Can you list some important moments in your early experiences as a poet?

Kit: I’ve been writing for roughly 18 years. One of my first inspirations came from a commission by Hugh Haughton who challenged me to write a poem about me being brought up by and in a library. Other important moments include: reading Elizabeth Bishop’s ‘Crusoe in England’; meeting Christopher Reid who asked me to send my poems out to editors; having my poem ‘Reading Thom Gunn’s Notebooks at Bancroft Library’ published in the Poetry Review (UK).

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Reviewed by Shruthi Rao

Memories Cached

Title: Memories Cached
Author: Cameron Su
Publishers: Cameron Su (co-funded via the Act!on for a Cause programme of Kids4Kids Hong Kong)
Pages: 302

Across the world, there are tremors of the beginnings of a youth movement, sparked by young people tired of the status quo – teenagers who are no longer satisfied with sitting around and waiting for adults to do things for them; youngsters who want change, and are not afraid to take on any situation by the horns.

There is still a considerable amount of eye-rolling about millennials and disapproving head-shakes at ‘this new generation’ that will ‘never amount to anything’. I believe that this attitude is unfair to those young people out there who are actually standing up and making a difference.

Cameron Su is one such person. He is a 17-year-old high school student in Hong Kong, who wants to tackle the issue of bullying through his book Memories Cached. Set in a high school in Singapore (which is ranked by a study as third in the world in bullying among 15-year-olds), Memories Cached takes the reader through a few months in the life of a handful of high school kids on the cusp of college. Dominic Chiu is a regular high school guy who, on a dare, kisses his girlfriend in school. Savannah Dixon, another high school student, captures it on her camera, and on an impulse, uploads it on YouTube. The video promptly goes viral.

Dominic is now in trouble, both from the principal (PDA is banned in the school!) and from Ryan Chang, the school bully and the brother of Talinda, the girl he kissed.

The rest of the book takes us through the repercussions of this incident, in two POVs – that of Dominic Chiu, and that of his cyber bully, Savannah Dixon. Savannah’s POV is interesting. It highlights the reason why she chose to upload the video, her almost-immediate regret but with the knowledge that once a video is out there, she has no control over it. It takes us through her insecurities, her wanting to fit in, and makes us feel sorry for her. She wants to make amends, however, and at the end, she redeems herself.

This incident in the book highlights a very important aspect – that a private moment that would’ve gone unnoticed or uncommented upon in an earlier era is now potentially in the public domain, up for everybody to see. You need to have eyes at the back of your head; if you drop your guard for a moment your privacy is not yours any longer.

Tintin

HONG KONG. – 11 October 2017 – HOCA Foundation is proud to announce a landmark exhibition exploring the adventures of global icon Tintin. The largest presentation in Hong Kong to date, it showcases 8 albums from the renowned “The Adventures of Tintin” series. The immersive experience, featuring vivid scenography, celebrates the imaginative world created by the Belgian illustrator and creator of Tintin, Hergé. Presented in collaboration with the Hergé Museum, “THE WORLD OF TINTIN,” will run from November 17 – December 26, 2017 at the new ArtisTree, venue sponsored by Swire Properties. A public two-day conference, as well as a series of educational comic art workshops will run in parallel, tailored for students in collaboration with local schools.

Created in 1929, the Tintin adventures have been translated into over 100 languages and sold more than 230 million copies worldwide. Each thematic section of the exhibition has been designed by HOCA Foundation to bring the intrepid boy reporter to life. “THE WORLD OF TINTIN” traces Hergé’s path from his first stories to his mature works, following Tintin as he crosses continents between North America, Africa, Asia, Europe and beyond.

A cultural touchstone of the 20th century, the canonical series of Tintin albums featured include Tintin in America; Cigars of the Pharaoh; The Blue Lotus; The Broken Ear; King Ottokar’s Sceptre; The Shooting Star; The Red Sea Sharks and Tintin in Tibet. Packed with gripping adventures, action and page-turning humor, the show highlights Tintin beyond the fictional narrative, offering a lens into the social and political contexts of its time. Visual art has played an important role in documenting historical events, and the series serve as vehicles to express Herge’s views on the conflicts and topics of his time. Ushering a new dimension in comic strips, the Tintin series has since been recognized as an important work of art that reflects the changing perspectives of its audience throughout the 1900s.

The welcoming exhibition also includes three specially created models of Tintin scenes, including a model of Tintin’s apartment; a large diorama of the ticker tape parade in Chicago from Tintin in America, highlighting Hergé’s sophisticated use of perspective; and a collector’s model of a street scene populated by signature Tintin cars, accurately rendered from the automobiles of the time. Flanked by colorful scenes set in vinyl throughout the space and reconstituted as the show’s wallpaper, the exhibition design transforms Hergé’s motifs into a compelling environment that befits his trademark characters and evokes the illustrator’s magical world and limitless imagination.

Committed to art education and enabling access to art for the wider public, HOCA Foundation also presents a 2-day public conference exploring the importance of comic art in contemporary society. The free event will feature panels exploring Tintin’s legacy, as well as a keynote lecture by Michael Farr, the world’s foremost ‘Tintinologist’. In collaboration with local schools, a series of comic art workshops, led by local illustrators will also activate families and students to engage with and be inspired by Tintin stories. All educational events are generously sponsored by blueprint and Semeiotics, with additional support from the ticket sales of Freespace at Taikoo Place, co-presented by Swire Properties and West Kowloon Cultural District Authority. (Please refer to Appendix I for full details of Educational Program)

To celebrate the first full-scale exhibition of Tintin in Hong Kong, 3 pop-up shops will also be presented around Hong Kong, at ArtisTree, CityPlaza and Central, presenting a wide range of Tintin gifts, books and memorabilia.