A city is emitting fragrance without a reason — such a sweet, soothing smell! People living in this city behave like bees. They go hurriedly, work fast, eat quickly, sleep less, do not gamble, quarrel less, and laugh a lot. The city is very beautiful and splendid. It has spacious parks, tall trees, perfect housing, clean air and is plastic free. The residents enjoy their lives to the fullest. Children can play happily at all times and everywhere lost in wonder — as if they were in a perpetual Disneyland. Peace and harmony reigns supreme. The city is charming and stately. Even big cities like Paris, New York, Venice, Sidney or Tokyo cannot compete in beauty and grandeur to the fragrant city.
The residents are very hardworking, energetic, and ambitious. Also, they do not much care about any politics, even, social, and economic matters. They are only focused on attaining satisfaction in life. They tend to do what they think is right — informally and independently. They have no worries over food, cloth, and shelter. They have plenty. The system is very good; there are no hurdles that need to be overcome in everyday life. The long term plans provided by the government are perfect. They welcome any immigrants who come to this city heartily. Food is abundant, people are sweet, and places are nice and fanciful.
They communicate with each other using their special olfactory lingua franca. Only the city dwellers can understand. They just only have to conjure ideas which travel like waves. These waves spread from their brains and touch another person’s skin or any part of the body, they can accept the waves and decipher the meaning. They do not have to exert to make a sentence. They do not have to speak like us or worry about knowing a language. They can communicate with each other easily.
About: War, loss, love, compassion, nightmares, dreams, hopes and catastrophes; this is literary Asia at its best. From a wide range of geographies spanning from Palestine to Japan, from Kazakhstan to the Malaysia, mobilizing a wide array of innovative narrative styles and writing techniques, the short stories of this anthology, carefully curated by one of Asia’s prominent and daring writers, will take you on a power trip of deep exploration of local (yet global) pains and hopes, a celebration (and contemplation) of humanity and its impact, as explored by 24 writers and 6 translators, many of whom identify with many homes, giving Asia what it truly represents across (and beyond) its vast territory, expansive history, and many traditions and languages. This book is an open celebration of multi-faceted creativity and plurality.
Contributors:JOEL DONATO JACOB (Philippines); LANA ABDEL RAHMAN (Lebanon): RAZIA SULTANA KHAN (Bangladesh); DEENA DAJANI (Palestine); ALAN IRID FENDI (Syria); SAMIDHA KALIA (India); SCOTT PLATT-SALCEDO (Philippines); ANITHA DEVI PILLAI (Singapore); ANGELO WONG (Hong Kong); ODAI AL ZOUBI (Syria); SIMON ROWE (New Zealand / Japan); SEEMA PUNWANI (Singapore); VRINDA BALIGA (India); NAMRATA PODDAR (India / USA); T.A. MORTON (Ireland / Hong Kong); HAMID ISMAILOV (Uzbekistan); SUCHI GOVINDARAJAN (India); YD CHANG (China / Malaysia); JOLIN KWOK (Malaysia); IMRAN KHAN (Bangladesh); YAN TI (Taiwan); ZIRA NAURZBAYEVA (Kazakhstan); KAISA AQUINO (Philippines); JOSE VARGHESE (India)
About: Unconfined to a single theme, this new collection of twenty short stories by Tunku Halim offers five distinct worlds—the paranormal mysteries from ‘The occult world’, with its dark settings reveal supernatural existences in the characteristic Halim style.
Nobody with his head screwed on would consider visiting a tiger reserve with family and friends on his honeymoon. I know. But my husband-to-be is a man with a difference. As they say, you get to know the guy after it’s too late to wriggle out of the commitment. I should have known; this is my second go at matrimony.
Until last month, things were cruising along perfectly. Pun intended. We were debating between an Alaskan and a Mediterranean cruise for our romantic getaway. You get the picture—why I want to hitch my wagon to his, that is—DK is loaded, and my mission is to help him make the best use of his money. Then he drops the bomb, over lobster thermidor at the Otters’ Club.
“Darling, did I tell you Mahee is coming for our big day? Although the poor child is burdened with coursework, she requested the school to give her a fortnight off for her grandfather’s wedding, and guess what, they agreed!”
From the hills that surround the town it indifferently drifts. Upon bare soil and barren rocks, upon the base of trees, it sweeps. From my window this morning, the trees were grey, feathery and clinging like ghostly hands to the low clouds but now, in the wintry breathe of evening, they are like conquering warriors marching down shadowy slopes. My boots, hard and heavy, follow empty pavements. A car, a van, a bus, occasionally passes through our slushy streets. There is hardly a sound except for the click, click, click from the pedestrian crossing.
I’ve walked here all my life. I know every crack in the pavement, every blemish on the shop walls, every angle of the stooping buildings, every flutter of the koinobori, the carp-shaped wind-socks that now colourfully flutter high up over the gorge to mark the change of season. Hundreds there are, strung up on lines, but one has fallen far below and is stuck between two jagged rocks, one end flapping like a useless flag as the river tries to drag it away.
I’ve never left this place, this hot spring town where tourists flock like hungry gulls during the holiday season. There are better jobs elsewhere but I choose to remain a janitor at the high school. That’s all I’ve been these thirty- eight years. I’ll retire next month. They’ve kept me well past retirement age as I do a pleasing job. Now I have to go though as I’m too old.
JUMPSTART: Generating New Writing
Wanting to write, but not sure how to start? Stuck in a rut where your writing is concerned? Jumpstart will help you perceive the world in a new fashion, fuel your creativity and give impetus to new writing.
BREVITY: The Art of Flash Fiction
Wanting to write fiction, but don’t know how to start? Already creating stories, but having trouble condensing your thoughts down within a word count? Or are you fascinated by very short stories and simply want to try your hand at developing one?
Speculative fiction can no longer be dismissed as low-brow, trashy or pulp, or at the very least, unimportant and weird fantasy if one reads the collection edited by Rajat Chaudhuri, The Best Asian Speculative Fiction. To many readers’ surprise, this marginalised genre has lot to contribute philosophically to the dream of a technocrat’s world. The present age that can be well-described as an era of artificial intelligence (AI) is surely complementary to human intelligence developed with the purpose of mitigating our works in future. But the rise of AI and the philosophy of technocracy have, at the same time, given rise to multiple speculations regarding future of humanity — the fear of Frankenstein.
Speculative fiction is too large a subject to be represented exhaustibly in a book or a collection of Asian speculative narratives. The unique character of this specific genre lies in an impossibility to hold all its threads within a watertight definition. It encompasses several genres under its shed. Chaudhuri’s The Best Asian Speculative Fiction is indeed a suitable example of this broad compass. We are on an enchanting rollercoaster ride as we leap from one imaginative narrative to another coming from diverse authors from sixteen countries of Asia plus more diasporas.
Did you know the first science fiction with aliens and outer space was written in Greek in the second century, almost two thousand years ago?
The novel, A True Story, was written by Lucian of Samosata, an author of Assyrian descent. He wrote of aliens and outer space and battles between the residents of the sun and moon and also a battle inside the stomach of a whale. It seems like a highly amusing plot from the current day perspective.
British critic, academic and novelist Kinglsey Amis wrote about A True Story in New Maps of Hell: A Survey of Science Fiction (1960): “I will merely remark that the sprightliness and sophistication of True History make it read like a joke at the expense of nearly all early-modern science fiction, that written between, say, 1910 and 1940.”
When we travel or go on a holiday, we look forward to discovering spaces and cultures new to us. Here is a list of ten books that can vicariously give us a flavour of diverse cultures in the same way. The selection zips across Asia collecting books that have won Man Booker Prize, Man Asian Literary prize and more.
The books sail from Philippines to China, Mongolia, India, Japan, Vietnam to satisfy the fussiest of palates with fiction from different cultures.
Books by award winning and popular writer Haruki Murakami of Japan; Man Asian literary prize winner Bi Feiyu of China; Man Booker prize winning writer Arvind Adiga from India and the last and only female winner of the Man Asian Literary Prize, Korean writer Shin Kyung-sook , are featured in this listing.
Taiwan sits on a piece of colourful and multi-splendoured island real estate, south of Japan and east of Hong Kong and China. As an independent, sovereign nation since 1945, it has produced its share of Asian literature since the beginning of the Japanese Colonial Period (1895-1945) to the present. In this brief essay, I want to introduce two Taiwanese writers; one a novelist with an international reputation, Wu Ming-yi, who writes in Chinese, and the other a short story writer based in Taipei, Jane Wu, who writes in English and has recently published a collection of nine stories about the martial law period of Taiwan history (1949 to 1987).
Nature writer and university professor Wu Ming-yi (吳明益) wrote a popular novel titled The Man with the Compound Eyes in 2011, with translations in English and French following in 2013 and 2014. Largely ignored at first for the novel that was published in Chinese, Wu’s eco-fantasy later attracted attention overseas in translated editions, thanks for the eagle eye and savvy marketing skills of Taipei-based literary agent Gray Tan, who took Wu under his wing and introduced the novel to agents and publishers in Europe and America.