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Reviewed by Mitali Chakravarty
Title: B-Sides and Backslides: 1986-2018
Author: Felix Cheong
Publisher: Math Paper Press by Books Actually
B-Sides and Backslides is the award-winning Singaporean poet Felix Cheong’s collection panning the development of his poetry from 1986 to 2018. In the foreword, the poet writes, ‘These are pieces which… could not find their place in my published volumes.’ The title alludes to ‘the flipsides’ of his poetry. He compares them to the B-Sides of Beatles’ albums, which often had songs that were really interesting but not top of the charts. They remain an interesting part of a creative process. However, he claims that he has not ‘blackslid even if it might appear so,’ and in that spirit, his poetry touches our lives with its humour and variety.
The book is divided into different periods of his development as a poet. In “Juvenalia”, the section tracing his development as a poet for the first nine years, he says, ‘In various voices and versions, I have been trying to rewrite Prufrock the past thirty years…’ However, through the course of his poetry we can see how he transcends the torpor of the procrastinating Prufrock (“Love Song of J. Alfred Prufrock”, T. S. Eliot, 1910) and the angst generated by Hollow Men (T. S. Eliot, 1925) to become a caricaturist of Singapore life, politics and culture. In “We are the Salarymen”, with an epigraph of the first two lines of Hollow Men, he concludes,
We maybe the hollow men,
but the least we own
is our honesty to know
we have the means to fill
and fulfil this emptiness,
stuffed fool and full of yourself,
little more than moans and bones
on a high horse galloping
with the weight of a lost world.
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9TH AFCC Celebrates Singapore as country of focus: Spotlights literary heritage through 3-day children’s festival; two award shortlists announced
SINGAPORE, 20 August 2018 – In conjunction with the 50th anniversary of the Singapore Book Council, the Asian Festival of Children’s Content (AFCC) celebrates Singapore as the Country of Focus with a three-day programme that showcases over 100 local writers, illustrators and publishers; an exhibition on illustration pioneer Kwan Shan Mei; and a Singapore Night gala dinner and awards ceremony. The 9th AFCC will run from 6 to 8 September at the National Library, marking the theme Imagine-Asia.
Over three days, participants can attend over 130 ticketed and free programmes, featuring 150 Singapore and international speakers.
AFCC has also announced the shortlists for two awards this year, the Hedwig Anuar Children’s Book Award (HABA) and Scholastic Asian Book Award (SABA), which come with a top prize money of SGD10,000 each. Six books have been shortlisted for HABA, which include titles by Xie Shi Min, Ben Lai and Low Ying Ping. Recognising the best Singapore children’s book, the award received 71 submissions this year. SABA has shortlisted six works by writers from Singapore, Hong Kong, India and The Philippines. A joint initiative between SBC and Scholastic Asia, it is given to the best unpublished manuscript by a writer of Asian descent. The winners will be announced at the Singapore Night-cum-50th Anniversary dinner and awards ceremony on 8 September. Please refer to Annex V and VI for the full shortlists and panels of judges.
AFCC casts the spotlight on Singapore’s literary heritage in children’s books as the Country of Focus, whilst highlighting new means of content creation and digital platforms for storytelling. Boasting a line-up of speakers that range from established writers and illustrators – such as Adeline Foo, Colin Goh and Yen Yen Woo, David Liew, David Seow, Emily Lim, Patrick Yee, Rilla Melati and Rosemarie Somaiah – to new, emerging ones (Eunice Olsen, Eva Wong Nava, Quek Hong Shin) and Gen-Z writers like Gabby Tye and Ashley Koh, the programmes will tackle a wide range of topics. The topics include creating iconic kid lit characters; advocating for inclusivity; getting children to read Sing Lit; and learning our history through children’s books.
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