15 Books to Look Forward to in 2020/2021 from Kitaab
Kitaab celebrates its 15th anniversary in 2020. What started as a literary blog in 2005 has now grown to a credible indie publishing house, connecting Asian writers with global readers.
To mark this milestone in the journey of Kitaab’s life, we are announcing 15 titles that we are very excited about–they will be launched this year and next year. A few of them have just been released, and some will be released at the virtual Singapore Writers’ Festival this year.
Dreams in Moonless Night by Hussain Ul Haque (Eng. translation by Syed Sarwar Hussain)
This much-appreciated multilayerednovel spans the traumatic years of the aftermath of Indian Independence to the current apocalyptical state of affairs. Ittells the story of Ismael Merchant who even after losing his whole family in a communal carnage represents the intrinsic Indian passion for love and brotherhood.
This title will be virtually launched at the Singapore Writers Festival 2020.
Rituparna Mahapatra in conversation with Avni Doshi talking about her journey, the writing process and the future plans.
The first sentence came to me as a revelation, within it was the shape of the whole story. I wanted to begin with something powerful!
Avni Doshi, writer of Indian Origin, longlisted for Booker 2020.
Not many can claim their debut novels to make it to the list of the World’s most prestigious literary awards. Dubai based Indian novelist Avni Doshi has done that; her debut novel ‘Burnt Sugar’ has been long-listed for the 2020 Booker prize. The novel made it to the ‘Booker Dozen’ after judges assessed 162 novels, published in the UK or Ireland between October2019 and September 2020.
‘Burnt Sugar’ was earlier released in India under the title ‘Girl in White Cotton‘ to critical acclaim. The judges at the Booker panel called it an “‘utterly compelling read’ that examines a complex and unusual mother- daughter relationship with honest , unflinching realism” it is “emotionally wrenching but also cathartic, written with poignancy and memorability”.
The Japanese work of fiction, “The Tale of Genji” was written over one thousand years ago by Murasaki Shikibu. It is considered by many to be the world’s first novel. What’s the story behind this groundbreaking work and the woman who put it all together? Watch the video to find out.
Critically acclaimed, award winning author Rahman Abbas needs no introduction. A Mumbai based fiction writer whose book Rohzin won the prestigious Sahitya Akademi Award in 2018, Abbas is known to captivate the readers with unique storylines and unforgettable characters. Since his debut in 2004 with Nakhalistan ki Talaash ( The Search of an Oasis), he has penned one masterpiece after another. From winning awards to having his books translated into various foreign languages, he has done it all. Rohzin was not only the first Urdu novel to be discussed in Germany, it was also adopted as a part of Urdu curriculum in INALCO. Sometime last year, he won a research grant for his next novel and travelled to Europe.
Tan Kaiyi in conversation with Tunku Halim: The Dark Lord of Malaysian Horror
In Tunku Halim’s illustrious career in horror writing, his beginning could be the strangest story of all in the history of the genre.
His first ever published work was Everything the condominium developer should have told you, but didn’t, containing his musings on buying condominiums during the Klang Valley real estate boom in the ‘90s. He followed that up with a sequel, Condominiums: Purchase Investment & Habitat, before publishing his first ever horror novel, Dark Demon Rising, in 1997. The hero of the story is Shazral, a city lawyer, who returns to his home kampong to attend his father’s funeral. It is there that he realises that he has been given a supernatural inheritance, in the form of a Hantu Penanggal, a Malay nocturnal vampiric entity.
In recent times, the ‘Opioid Crisis‘ has taken the world by storm. When one says opioid crisis, the immediate questions to come to the mind are, What is it about? What is this opioid dependency so many medical practitioners seem to be talking about?
Today, we have with us Dr.Aafaque Akhter, one of the co-authors of the book Opioid Odysseywhich aims at answering all of this and much more.
Rituparna Mahapatra in conversation with Tishani Doshi
“Girls are coming out of the woods,/ wrapped in cloaks and hoods,/ carrying iron bars and candles/ and a multitude of scars.”
“Even those girls / found naked in ditches and wells, / those forgotten in neglected attics, / and buried in riverbeds like sediments / from a different century”.
These lines from the title poem of Tishani Doshi’s book, ‘Girls are coming out of the woods‘ in 2017, came at a time when the world, India, in particular was waiting to explode & rage at the heinousness towards the ‘female’. Doshi painted an imagery about what it meant to be a woman; the dangers of being one, on a larger canvas, talking about women brutalised and murdered ; their stories refusing to be forgotten. It touched the nerve of a society attuned to not ‘speaking out’. This book went on to be shortlisted for the Ted Hughes prize in 2018.
So much of sci-fi uses science as a starting point and then uses fiction to fill up the gaps in our present knowledge. We use what we know today to imagine a different tomorrow –- a better tomorrow — for the world. Still, sooner rather than later, sci-fi that looks out-dated as science fiction becomes a scientific fact. Don’t we all know that Sage Valmiki wrote in Ramayana of the Pushpak Vimana ( mythical flying chariots in Hindu lore) and the giant bird Jatayu that clashed in mid-space aeons before the Wright Brothers wrote their names into aviation history or before the Central Science Laboratory in UK estimated that worldwide, the cost of bird-strikes to airlines had soared to US$ 1.2 billion annually!
But why does this possibility of fiction becoming a fact excite me? Admittedly because of my association with Me and I, which my father, well-known author and scriptwriter Nabendu Ghosh, had written for his two grandsons, and was translated by my son Devottam Sengupta for his grandpa’s birth centenary. Published by Hachette India, the novel breaks the barriers of space and time. Let me quote from the synopsis to give readers a glimpse of this. “They all had the same question for Mukul: ‘Why didn’t you recognise us? And why did you look so dark?’ Mukul was perplexed. The day had started as any other Sunday morning would, with him going out to meet his aunt, his friends and his mentor Noni Kaku of the Telescope. But when everyone, including his own parents insisted that he was lying about his whereabouts, Mukul had to look around for this imposter. And he found Lukum, who had travelled light years to meet his intergalactic ‘twin.’ Little did Mukul know that he had set out on the longest Sunday of his life…” Read more