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Kitaab’s The Best Asian Short Stories (TBASS) 2018: Winners and selected authors

Today, when latitudes shift, cultures collide, and we are all travellers in one form or another, in ways perhaps unprecedented, these stories must be told.
              — Dr Debotri Dhar, editor TBASS 2018

 

Putting together an anthology of short stories is not easy. Reading across a continent and picking from among the best of its writers and their stories is a daunting endeavour. TBASS 2018 is the fruit of this undertaking — 24 writers, 13 countries — led by Dr Debotri Dhar, Editor, TBASS 2018 and Zafar Anjum, Series editor.

‘The winners of TBASS 2018 are Rakhshanda Jalil (India), Aditi Mehrotra (India), and Martin Bradley (Malaysia; originally UK),’ said Dr. Debotri Dhar. ‘I also loved the translation of Japanese writer Mogami Ippei by Avery Udagawa (Thailand; originally USA), and there were many other excellent entries, from more than 13 countries.

‘While Rakhshanda Jalil is a seasoned writer known to many in South Asia, Aditi Mehrotra is an aspiring Indian writer whose story delightfully juxtaposed textual passages and news clippings on women’s empowerment with everyday life vignettes of domesticity from small-town India. Martin Bradley’s story highlighted the intersecting themes of travel, historical memory, and communication across differences. Today, when latitudes shift, cultures collide, and we are all travellers in one form or another, in ways perhaps unprecedented, these stories must be told.’

‘The response to TBASS 2017 has been tremendous. That really encouraged us to continue the series and redouble our efforts,’ said Zafar Anjum, Series Editor of TBASS and founder of Kitaab. ‘TBASS tries to represent the best of Asian voices, and we are specially keen to provide a literary platform to emerging, new voices from the region.  The sheer writing talent that we have gathered in this volume is a testament to Asia’s creative fecundity.’

Winners: 

  1. Rakhshanda Jalil (India) Story title: ‘Diamonds are Forever’
  2. Aditi Mehrotra (India) Story title: ‘Don’t Ask! Poocho mat!’ aditi.mehrotra@hotmail.com
  3. Martin Bradley (Malaysia; originally UK) Story title: ‘Bougainvillea’ martinabradley@gmail.com
  4. Also, Avery Udagawa (Thailand; originally US) Story title: ‘Festival Time.’ Translation of Japanese writer Mogami Ippei. She is working on the translation rights. averyudagawa@yahoo.com

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Short story: The Dog Catchers by Mir Arif

The old city rises out of the mist on the Buriganga River on a cold wintry morning. Slowly, it gropes its way into the many byzantine alleys that are proverbial for their lost tales and histories. After a long, chequered life, these alleys still contain old houses with frieze cornices, fretted eaves and worn out wooden doors and casements; mosques with egg-shaped domes and towering minarets; centuries-old red forts; kattras and landing ghats — all witness to many generations of local and foreign rule.

The alleys of this part of the city are packed with people and shabby tea stalls, groceries and trinket-selling vendors. Houses with one or two feet frontage scrabble for the sun all year round. Throughout the winter their residents come out on the street to gather in the narrow, twisted alleys, to squat by small fires. Children hopscotch all day and chase after stray dogs that are periodically inoculated by dog catchers.

Today is such a dog inoculation day. A small group of dog catchers gathers at the intersection of Dhakeshwari Temple Road. A faded blue jeep waits for them. They carry odd instruments: three hand nets with wooden handles and large hoops; a long pincer that closes on hinges made of iron clamps; and an obsolete rifle equipped with darts to tranquilize dogs that bark too much or are identified as disease-stricken.

There are five dog catchers in the group, all wearing white caps with an embossed seal on the front panel that reads: Mosquito Repelling Department. Since the city is yet to diversify its Animal Control Department, which is supposed to respect differences between the canine and the mosquito world, these men will always masquerade as catchers of the entire animal kingdom, except their own species. The youngest one in the group is a little boy in grey sweater, who carries a frayed leather bag with many pockets. Each of them is full of syringes and vaccine-filled vials that will inoculate dogs against rabies. The little boy seems to be excited and hoots like an owl. The eldest, the leader of the group — a middle-aged man with a thick beard — hushes the boy, slapping the back of his head, ‘Save it for when you notice a dog, you little punk!’ The other dog catchers, of mixed ages, notice it and remain silent; they haven’t been able to rub the sleep from their eyes yet.

A small crowd, amused by the dog catchers’ instruments and the little boy’s hooting, swirls around them like bees. They swarm the group on all sides until the blue jeep driver revs up the engine and whooshes past them. But before it reaches the next bend that leads to the Lalbagh Fort, a three-and-a-half-centuries-old architecture, the driver stops the car. The little boy in grey sweater hoots cheerfully as he spots two half-asleep dogs lying curled up on the pavement.

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Call for Submission: The Best Asian Short Stories Anthology, 2018

Kitaab is seeking high quality short stories for The Best Asian Short Stories 2018 anthology to be published in 2018. Well-crafted stories with innovative characters, gripping plots, diverse voices.  Contemporary or historical, realist or fantasy, serious or humorous. Women-centered stories and social justice themes also very welcome. Give us mind-blowing originals.

The best three stories (decided by the editor) will get cash prizes or Amazon vouchers (worth $50 each)! All selected contributors will each receive 2 complimentary copies of the final publication.

The Best Asian Short Stories 2018 anthology will be edited by Dr. Debotri Dhar on behalf of Kitaab, Singapore. Debotri is an academic, essayist, novelist, editor, and columnist. She obtained a Bachelors degree from Delhi University, a Masters with Distinction from Oxford University, Ph.D from Rutgers University, and teaches at the University of Michigan, USA. Debotri’s curated and edited a book on Education and Gender that was published by Bloomsbury Academic (London, New York) in 2014. A curated collection of essays is forthcoming. Her novel The Courtesans of Karim Street (New Delhi, 2015) was praised in a slew of newspapers and shortlisted for a Young Writers’ Award. Her work has been published in journals and anthologies worldwide. In 2017, Debotri founded the Hummingbird Global Writers’ Circle, a travelling literary series to promote books, cultural exchange and global understanding.

Rules and regulations

Submissions between 3000-5000 words should be e-mailed to debotri_kitaab@outlook.com and kitaab.sg@gmail.com. Submissions must be made to both ids to qualify.

Asians of all nationalities living anywhere in the world are eligible. By ‘Asian writers’, we mean all writers who belong to the continent of Asia. Non-Asian authors who have resided in and written extensively about an Asian country will also be considered.

Submissions must be MSWORD (.doc/.docx) attachments, typed double spaced in legible fonts, preferably Times New Roman 12. The submission should also be pasted within the body of the covering mail. The subject line of the email should read as: Submission/TBASS/author’s name. Please include an author bio note of 100 words. Up to two submissions will be considered from each writer.

Previously published work in print or online (including blogs, magazines or other online fora) will not be accepted. Translations are welcome, provided prior permissions are taken by translators from original authors. Simultaneous submissions will be considered. Please intimate us immediately if the story is accepted elsewhere.

Deadline: April 30, 2018


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Kitaab’s The Best Asian Short Stories

By Mitali Chakravarty

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Title: The Best Asian Short Stories
Editor: Monideepa Sahu
Series Editor: Zafar Anjum
Publisher: Kitaab

The Best Asian Short Stories is one of the finest compilations of short stories I have read in a long time. The short stories cover a diaspora of Asian cultures, histories, societies in transit, shifting borders and values. They embrace an array of emotions that are universal and touch the heart of the reader. Established authors (Shashi Deshpande, Poile Sengupta, Farah Ghuznavi, Park Chan Soon, to name a few) and newcomers (N.Thierry, Wah Phing Lim, etc.) rub shoulders with stories that nudge one another, creating a wide range of reading experiences.

In this one book, I have travelled from the backstairs of Singapore’s government subsidized flats to Malaysian ports, to Phillipino slums, to Mao’s China, to Korea’s madly competitive society, to the lonely world of an Old Japanese, to a Syrian refugee’s boat, to the shifting borders of India, Pakistan and Bangladesh, to the rebellion against restrictions in the conservative Middle East, to Canada, America and England. These stories have grasped values that leave the reader absolutely spellbound.

Universal truths are stated by the characters that come to life with a few strokes of the creator’s skilled pen. When a dying man discovers, ‘I’m neither Indian nor Bangladeshi. I’m human’, the character reaches out beyond the pages of the book and brings home that politics and nationalism draw borders where none exist for the poor man. In another story, around the eve of Indian independence, a little girl is ‘bewildered’ when she fails to find her homeland, Sindh, on the map of the new country and says, ‘It’s gone’. One is startled by the pathos that these two words can create and compelled to question why Indians mutely accepted the line drawn by Cyril Radcliffe. When in Canada, a middle aged Sindhi befriends a Hindi speaking Chinese, he contends, ‘I knew that we immigrants, Sindhi, Indian or Chinese, needed to look after each other’. This is an eternal truth faced by universal globetrotters traipsing through countries. The whole world becomes their home.

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Call for Submissions: The Best Asian Speculative Fiction

Kitaab is seeking high quality short stories for The Best Asian Speculative Fiction anthology to be published next year. We take a liberal approach towards defining the speculative and will look beyond popular categories of science-fiction, fantasy and horror though these are very much welcome. Our anthology editor is looking forward to reading a variety of stories which could include dystopian, apocalyptic, post-apocalyptic, weird, utopian, alternate history, superhero and any permutations and combinations of these. But first and foremost your story should be engaging with attention to characterisation and plot.

Give us stellar tales that slip past the quotidian and the mundane, transporting your reader to the edges of the possible and realms further still. Whisk us away to Murakamiesque wonderlands or Huxleian cacotopias; indulge us with the outré, the outlandish, the uncanny. We are looking here for a whiff of the Asimovian imagination, a taste of Lovecraftian weird, a dash of Atwoodesque futures. Take us on journeys through chinks of space-time, fling us into situations of climate change horror. No fan fiction please. Give us mind-blowing originals.

The best three stories (decided by the editor) will get cash prizes or Amazon vouchers (worth $50 each)! All selected contributors will each receive 2 complimentary copies of the final publication. 

If you are interested to delve a little deeper into speculative fiction, here is an article by Annie Neugebauer. Continue reading


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Mumtaz Ahmad’s riveting selection of ‘Afsanay’ serve to enrich Urdu Literature

Mumtaz Ahmad Sheikh has a passion to serve the literary community the world as far as Urdu literature is concerned. He has ventured to capture selected Afsana (short story) writings from 1901 to 2017 in his quarterly magazine, ‘Lowh’ (June – December 2017) as a gift from Old Ravians (old students of Government College, Lahore) to the present students of Urdu literature. Starting with traditional Hamd-o-Naat and Salaam sessions, he gives the selected stories for six eras; first era from Akhtar Aureenvi to Niaz Fatehpuri, second era from Ahmad Ali to Rasheed Jahan, third era from Akhtar Ansari Dehelvi to Mumtaz Mufti, fourth era from Agha Babar to Hajira Masroor, fifth era from Agha Gul to Younis Javed and the sixth from Asif Farkhi to Nuzhat Abbasi. It was Mumtaz Sheikh’s dream since forty years to start a literary magazine, and the closure of Naqoosh, Auraq, Funoon and Symbol encouraged him to start this venture – an effort he has carried out selflessly.

Selecting the short stories in alphabetical order, he has only picked those of six eras of the twentieth century to-date. He does not include critical appraisals or criticism to avoid any uncalled for debate among the rival groups prevalent in literary factions (Page 16). The pattern of writing short stories, themes, and change in techniques are some of the areas that can be appreciated in his present selection. Mumtaz had to undergo a lot of trouble especially when it came to collecting short stories of the pre-independence era (before 1947). This reviewer had no option but to take a sample from each era and see the changes in themes, writing styles etc. if any.

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Submissions open for The Best Asian Speculative Fiction anthology!

This Call for Submissions is now closed. Authors of selected stories for the anthology have already heard from us. As informed in our emails earlier, we are unable to send individual rejections. We wish you good luck with your submissions elsewhere. Please do bookmark our website and check for future calls. 

Kitaab is seeking high quality short stories for The Best Asian Speculative Fiction anthology to be published next year. We take a liberal approach towards defining the speculative and will look beyond popular categories of science-fiction, fantasy and horror though these are very much welcome. Our anthology editor is looking forward to reading a variety of stories which could include dystopian, apocalyptic, post-apocalyptic, weird, utopian, alternate history, superhero and any permutations and combinations of these. But first and foremost your story should be engaging with attention to characterisation and plot.

Give us stellar tales that slip past the quotidian and the mundane, transporting your reader to the edges of the possible and realms further still. Whisk us away to Murakamiesque wonderlands or Huxleian cacotopias; indulge us with the outré, the outlandish, the uncanny. We are looking here for a whiff of the Asimovian imagination, a taste of Lovecraftian weird, a dash of Atwoodesque futures. Take us on journeys through chinks of space-time, fling us into situations of climate change horror. No fan fiction please. Give us mind-blowing originals.

The best three stories (decided by the editor) will get cash prizes or Amazon vouchers (worth $50 each)! All selected contributors will each receive 2 complimentary copies of the final publication. 

If you are interested to delve a little deeper into speculative fiction, here is an article by Annie Neugebauer.

The Best Asian Speculative Fiction anthology will be edited by Rajat Chaudhuri on behalf of Kitaab, Singapore. Rajat is the author of three works of fiction – Hotel CalcuttaAmber Dusk and a collection of stories in Bengali titled Calculus. He has been a Charles Wallace Creative Writing Fellow at the University of Chichester, United Kingdom, a Hawthornden Castle Fellow, Scotland, a Korean Arts Council-InKo Fellow resident at Toji Cultural Centre, South Korea and a Sangam House India resident writer. This year, he was a judge for the short story segment of Asian English Olympics organised by BINUS university, Indonesia.

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Short Story: The White Envelope

By Juanita Kakoty

Sameera baji rushed down the narrow steep stairs of the building, her sandals going ‘clap clap’ with every step she descended, ignoring the pain in her knees that morning when every other day she cried out curses for the anonymous builder who planted these, what she called, ‘high rise stairs.’

She tore down the stairs of the scraggy yellow building calling out to her friend who lived in a small plot of land right across. Ameena baji! Ameena baji! Did you hear?

Ameena baji came out of the two-room humble dwelling into the courtyard and looked up. Thank God her husband had not succumbed to the lucrative temptation of selling their little plot of land to builders who have built stiff ugly buildings all over Shaheen Bagh such that if one wanted to stare at the sky, only a strip of it would peer through the mesh of buildings, or one would have to climb up to a terrace. But from Ameena baji’s house, one had the luxury to stare at a good patch of the sky from the ground – a rectangular piece of blue that soared above the pale yellow and grey buildings towering over her little plot of land.

There she saw Sameera baji at one corner of the second floor landing, leaning against the intricately carved black railing and looking down excitedly. The tenants living on that floor had tied a thick yellow synthetic rope above the railing from which hung a purple bed sheet with huge red and white flowers merging with each other, still moist. Sameera baji was so excited that she did not even push the bed sheet to the side. She stood there looking down at Ameena baji’s courtyard, the moist bed sheet clinging to her back.

What? Ameena baji cried out.

Did you get the white envelope? Sameera baji asked with a strange gleam in her eyes.

***

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‘The Best Asian Short Stories, 2017’ from Kitaab

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The stories in this anthology by Asia’s best known and well-respected contemporary writers and promising new voices, offer fresh insights into the experience of being Asian. They transcend borders and social and political divisions within which they arise. While drawing us into the lives of people and the places where they come from, they raise uneasy questions and probe ambiguities.

Explore Asia through these tales of the profound, the absurd, the chilling, and of moments of epiphany or catharsis. Women probe their own identities through gaps between social blinkers and shackles. A young Syrian mother flees from war-ravaged Aleppo into a more fearsome hell. The cataclysmic Partition of India and its aftershocks; life and death in a no-man’s land between two countries; ethnic groups forced into exile; are all part of the wider Asian experience.

Life flows on in the pauses between cataclysms, bringing hope. Fragile dreams spread rainbow wings through the struggle to succeed socially, earn a living, produce an heir, and try to grasp at fleeting joys and love. These symphonies of style and emotions sweep across Asia – from Jordan and Syria to Pakistan, India, Bangladesh, Singapore, Malaysia, the Philippines, Thailand, Japan and Korea. Crafted with love, they continue to resonate after the last page.

As editor Moniddepa Sahu says, these stories come ‘from the heart of Asia, not from the Western perspective trying to make sense of the quaint and the exotic. The home-grown Asian identity runs as a strong undercurrent, with no need to explain and offer apologetic footnotes.’