Poetry
Malcolm Carvalho writes poetry and fiction when he is not occupied with his daytime job of a software engineer. His work has been featured in Bengaluru Review, 365 Tomorrows, Narrow Road, Spark, Reading Hour, Literary Yard, Muse India and in Urban Shots, an anthology of stories with urban settings. He has attended the Bangalore Writers Workshop and is a regular at weekly poetry meet-ups at Lahe Lahe in Bengaluru. You can read more of his work at www.grainsofthought.wordpress.com.
Preeti Vangani is a poet & personal essayist. Her work has been published in BOAAT, Juked, Gulf Coast, Threepenny Review among other journals. She is the winner of the RL Poetry Award 2017 and her debut book of poems titled Mother Tongue Apologize was published in Feb 2019 (RLFPA Editions). She holds an MFA from the University of San Francisco.
Paula Puolakka (1982) is a Beat poet, writer, and MA (History of Science and Ideas) who has won poetry and short story contests held in the USA and Israel. In April 2019, her long essay concerning the problems with technology and the invisible warfare was given credit by The Finnish Reserve Officers’ Federation and in June 2019, Puolakka’s poem was given an honorable mention by Tiny Spoon Literary Magazine. Her work can be found through Poetry Potion. Puolakka has also been judging a few small writing contests in Finland.
To learn more, please go to: https://refiction.com/community/2019-01-10-paula-puolakka/
Compiled by Mitali Chakravarty
In 1980, Satyajit Ray made a movie with a story he had written which won him both national and international acclaim — Hirak Rajar Deshe (In the Land of the Diamond King). A sequel to his earlier Goopy Gyne Bagha Byne, this film depicts a tyrant who brainwashed people with a machine to think: “Lekha pora kore je, anahare more she (Those who study, die of starvation).”
Does this strike a chord?
Perhaps that is why we find educational institutions coming under flak and violent strikes on professors and students who are trying to study and lead a peaceful life. The attack on Jawaharlal Nehru University students yesterday has the social media filled with empathy for the victims. Is this reenactment of Hirak Rajar Deshe?
Poetry by well-known writers of yore used to express student solidarity and hope has also been coming under attack. In Kanpur, IIT (Indian Institute of Technology) students organised a meet to show solidarity towards the students of Jamia Millia Islamia in Delhi and recited a well-known poem by Faiz Ahmed Faiz, a 20th century legend who was even nominated for the Nobel Prize. One of the faculty and fifteen students initiated a complaint and demanded expulsion of the protest organisers, accusing them of “spreading hate against India”. A panel was set up to ban the poem. The empowering poem that led to all this controversy is called ‘Hum Dekhenge’ (we will see).
Rahman Abbas, the 2018 Sahitya Akademi winner for Urdu, had much to say in favour of Faiz’s poem: “It is disgusting to have to give clarifications of Faiz’s poem ‘Hum Dekhenge’ to absolve it from being called critical of the Hindu faith or any faith. It is as absurd and laughable as absurd as claims such as the RSS was a cultural wing of the Jamat-e-Islami of Pakistan, or Rabindranath Tagore’s Novel Gora was anti-Christian, or Kabir had mocked Charlie Chaplin in his dohe*. Such absurd parallel could only be drawn by an insane or moron appointed to create deflection and disharmony.
“Faiz Ahamd Faiz is best known for being a revolutionary poet who aesthetically merged romanticism with the desire for a revolution, a social struggle or peoples uprising against the tyrant rulers. His poetry and life were a struggle to become the voice of the voiceless — it challenges dictatorship and repression. ‘Hum Dekhenge’ can be seen as the voice of the masses against the tyrant rulers or dictators who have subjugated poor people. The poem is a beacon of hope against darkness spread by authoritarian regimes. The poet imagines a world where tyrannical persecutors would be defeated and people will govern crushing falsehood and its followers. The tyrant rulers will be humiliated when their crowns will be thrown off and the people will reclaim being the God of the planet. The people will rule — we all are people — and we should celebrate that time and that day as it is a victory of people over tyrannical systems.
Samriddhi Raj is a graduate of B. A. (Hons) English from the University of Delhi. She has previously published her work in the Criterion Journal.
“When I stand before thee at the day’s end, thou shalt see my scars
and know that I had my wounds and also my healing.”
~ Rabindranath Tagore
We have all experienced pain of some kind — heartbreak, illness, distress, abuse, violence, disaster, loss, grief. What kind of personal suffering have you endured and weathered? If one were to navigate such trauma, what are some of the coping mechanisms? How, then, will you render your personal experience into lyric and narrative, to transform the pain into something of profound beauty? Poetry has long been known to be one of the great traditional healing arts, alongside dance, music, painting, theatre. As a creative practice, poetry can become a remarkable way to enhance personal healing, wellness and change. It can be as mending as it is ameliorating, as renewing as it is restorative.
This anthology will be edited by Eric Tinsay Valles and Desmond Kon Zhicheng-Mingdé, scheduled for publication in 2021.
Title: Beast
Author: Krishna Udayasankar
Publisher: Penguin SEA
Year of publication: 2019
Pages: 320
Price: SGD 20.90
Links : Penguin Random House
About: When mythical creatures commit a real crime, who gets to be the judge? It was always the same dream, a dream that began with darkness and blood. When Assistant Commissioner of Police Aditi Kashyap is called upon to solve a gruesome triple homicide, she is dragged into the terrifying world of the Saimhas — werelions — who have lived alongside humans, hiding amongst them, since ancient times.
Title: Boys from Good Families
Author: Usha K R
Publisher: Speaking Tiger
Year of publication: 2019
Pages: 472
Price: Rs. 599/-
Links: Speaking Tiger
About: Thippy, the beautiful ‘girl from the outhouse’. Ashwath, only son of a feudal family of landowners. A love that could never be blessed by Destiny.
Disillusioned by his family’s rejection of his love for Thippy, stifled by its traditions and conservative ways, Ashwath leaves Bangalore for a university town in America’s Midwest. It is 1981, and the American economy is booming. Ashwath enjoys the three C’s of success: a condominium, a car and a credit card. But a decade later, when the market crashes, he sees the other side of the American dream—joblessness, dingy one-room tenements, and loneliness.
Casting its shadow over it all is Neel Kamal, his family home in Bangalore, now a piece of prime real estate. Ashwath is compelled to return after twenty-five years to lay claim to his inheritance. He finds that he has returned to a city changed unrecognisably by new wealth, a family who are strangers to each other, and a home that is now a contested piece of real estate, valuable enough to kill for. His childhood love has been transformed into the reigning deity of a new age ashram. His attempts to meet her lead to a violent spiral of events.
Born in Dhaka, Bangladesh and educated in Germany and the United States, Ronny Noor is now an English professor at The University of Texas Rio Grande Valley, U.S.A. His poems, stories, and essays have appeared in The Toronto Review, Palo Alto Review, South Asian Review, Short Story, Taj Mahal Review, FreeXpresSion, The Weekend Independent, The Ghazal Page, The Daily Star, Kokako, and Contemporary Literary Review India. He is also the author of Snake Dance in Berlin (a novel), Slice of Heaven and Other Essays (a collection), and Where Heaven Spreads Wide & Other Stories (a collection).
By Gargi Vachaknavi
In the heydays of ABBA, there was a popular song called ‘Nina Pretty Ballerina’, which spoke of a girl who led an ordinary life but became the ‘queen of the dancing floor’ when she stepped into the role of a ‘pretty ballerina’. Sarita Jenamani is a bit like that. She works as a marketing manager in Austria but turns into a lyrical whiplash when she picks up her pen to write poetry.
Sarita Jenamani, with a background of economics and management studies in India and Austria, is a poet, a literary translator, anthologist, editor of a bilingual magazine for migrant literature – Words & Worlds – a human rights activist, a feminist and general secretary of PEN International’s Austrian chapter in the literary world.
Perhaps the most conspicuous aspect of her personality is her poetry that has so far been published in three collections, the latest being Till the Next Wave Comes. English is the chief medium of her creative process. The other two languages she writes in are, Odia, the state language of the place of her origin Odisha (India), and German, the language of her country of residence, Austria. She uses these languages for translation projects that she undertakes from time to time. Sarita translated Rose Ausländer, a leading Austrian poet, and an anthology of contemporary Austrian Poetry from German into Hindi and Odia. She has received many literary fellowships in Germany and in Austria including those of the prestigious organisations of “Heinrich Böll Foundation” and “Künstlerdorf Schöppingen”. In this exclusive, she talks of how poetry empowers her to find her individuality and address social issues, of how being in PEN has taught her that thought stretches beyond all borders and of a past and present that shuttles between varied cultures.
What moved your muse? When and how did you start writing?
Actually, I did not want to be a poet rather poetry, as Neruda once said, arrived in search of me. All my joys, sufferings, passions, and memories that significantly leave deep impact on me, turn into ash, sink into my being and again rise like a phoenix in the lines. This provides me the pleasure of seeking an enigmatic truth in some ancient temple. Such feelings compel me to write poetry. Poetry for me is an act of introspection, self-realisation and a sanctuary.
Fatima Ijaz, is currently teaching English and Speech Communication at Institute of Business Administration, Karachi. She is an English graduate from Hartwick College, N.Y and York University, Toronto. She also holds a Master in English Linguistics from Eastern Michigan University. She won first prize at the Mclaughlin Poetry Contest in Toronto, 2007. Her work was featured in a poetry and art collaboration for #NomeansNo at the Music Mela, Islamabad’18 and at Art Baithak, Karachi University in March 2019. Her work has been published in Zau, Red Fez, Rigorous, The Write Launch, Abramelin, Della Donna, Whirlwind, These Fragile Lilacs, Writer’s Asylum and Praxis magazine.
