Pegged on journalist Sameer Arshad Khatlani‘s visit to Pakistan, The Other Side of the Divide provides insights into the country beyond what we already know about it. These include details on the impact of India’s soft power, thanks to Bollywood, and the remnants of Pakistan’s multireligious past, and how it frittered away advantages of impressive growth in the first three decades of its existence by embracing religious conservatism.
Namrata looks at Krishna Udayasankar’s new novel set in Mumbai in the backdrop of the dark underbelly of the city amidst the world of Saimhas (werelions)
Released in : March 2019
An urban fantasy set in the mega city of Mumbai, Beast by Krishna Udayasankar reminds you of the folklore of Lord Narsimha and Prahalad. The description of one being ‘Neither a man, nor an animal’, is the common thread between the two.
Rituparna Mahapatra in conversation with Tishani Doshi
“Girls are coming out of the woods,/ wrapped in cloaks and hoods,/ carrying iron bars and candles/ and a multitude of scars.”
“Even those girls / found naked in ditches and wells, / those forgotten in neglected attics, / and buried in riverbeds like sediments / from a different century”.
These lines from the title poem of Tishani Doshi’s book, ‘Girls are coming out of the woods‘ in 2017, came at a time when the world, India, in particular was waiting to explode & rage at the heinousness towards the ‘female’. Doshi painted an imagery about what it meant to be a woman; the dangers of being one, on a larger canvas, talking about women brutalised and murdered ; their stories refusing to be forgotten. It touched the nerve of a society attuned to not ‘speaking out’. This book went on to be shortlisted for the Ted Hughes prize in 2018.