The Ahmednagar Fort is a fort located in Maharashtra, India.
This fort was used by the British Raj as a prison.
India’s freedom fighters like Jawaharlal Nehru, Abul Kalam Azad, Sardar Patel and nine other members of the Indian National Congress were detained in this fort for almost three years after they passed the Quit India Resolution in 1942.
Namrata reviews One Drop of Blood by Ismat Chugtai based on the battle of Karbala.
Published by Women Unlimited (An Associate of Kali for Women), 2020
Featured in Hindustan Times as one of the interesting books early this year, One Drop of Blood by Ismat Chugtai is a unique book in many ways. Firstly, it is the last work of Ismat Chugtai and secondly, it so different from her usual line of work.
One drop of Blood is based on the battle of Karbala fought in 680 A.D. in present-day Iraq between Yazid, the reigning Caliph and his mighty soldiers and Imam Husain, the grandson of Prophet Muhammad with his small army. According to the Islamic calendar Muharram is the first month of the year and the second holiest month, after the month of Ramzan. Muharram is also a period of mourning the martyrdom of Imam Husain and his family (including his infant grandchild) in the battle of Karbala.
(From Greater Kashmir. Link to the complete article given below)
In the literary field, especially Urdu language, the Muslim Writers’ of the Sub-Continent have contributed a great deal of work in different genres—poetry, prose, fiction, novels, literary criticism, etc. Numerous works have been written on highlighting this contribution, since many decades. Among this galaxy of literary figures, there are very few writers’ who have contributed in English language as well; viz. Ahmed Ali (Twilight of Delhi), Attia Hossain (Sunlight on a Broken Column), Mumtaz Shah Nawaz (The Heart Divided), Qurratulain Hyder (River of Fire; A Woman’s Life; and Fireflies in the Mist), Rokeya Sakhawat Hossain (Sultana’s Dream), Shama Futehally (Frontiers: Collected Stories), etc. However, there is no such work which highlights or explores this genre of literature, collectively and comprehensively.
In this backdrop, ‘Literary Selfies’—an Edited Volume by Prof. Abdur Raheem Kidwai (Aligarh Muslim University [AMU]) and Sherin Shervani (ELT Consultant)—explores different aspects of ‘Self Identity in Indian Muslim English Fiction’ by examining the works of above mentioned writers, and addresses the ‘question of self-representation by Indian Muslims in English fiction’, published since 1940s. Consisting of 13 chapters, this Volume also includes a ‘Foreword’ (pp. 14-20) by Prof. M. Asaduddin (Jamia Milia Islamia), and ends with an “Interview with Mr. Zafar H. Anjum” (Ch. 13, pp. 243-52). Written predominantly by the faculty members and researchers of Department of English, AMU, it examines and explores the literary works of the above mentioned Muslim writers to see how they have “represented their community in the literary space in different historical epochs” (p. 14; italics mine).
Read the complete article at this Greater Kashmir link