People in Turkey and around world have reacted with mixed feelings after the Turkish government announced its controversial decision to turn Istanbul’s iconic Hagia Sophia back to a mosque. President Recep Tayyip Erdogan’s declaration on Friday came after a Turkish high court stripped the sixth-century Byzantine site’s museum status, paving the way for it to be converted into a mosque. Is it a bad move by Erdogan?
Category Archives: identity
(From Greater Kashmir. Link to the complete article given below)
In the literary field, especially Urdu language, the Muslim Writers’ of the Sub-Continent have contributed a great deal of work in different genres—poetry, prose, fiction, novels, literary criticism, etc. Numerous works have been written on highlighting this contribution, since many decades. Among this galaxy of literary figures, there are very few writers’ who have contributed in English language as well; viz. Ahmed Ali (Twilight of Delhi), Attia Hossain (Sunlight on a Broken Column), Mumtaz Shah Nawaz (The Heart Divided), Qurratulain Hyder (River of Fire; A Woman’s Life; and Fireflies in the Mist), Rokeya Sakhawat Hossain (Sultana’s Dream), Shama Futehally (Frontiers: Collected Stories), etc. However, there is no such work which highlights or explores this genre of literature, collectively and comprehensively.
In this backdrop, ‘Literary Selfies’—an Edited Volume by Prof. Abdur Raheem Kidwai (Aligarh Muslim University [AMU]) and Sherin Shervani (ELT Consultant)—explores different aspects of ‘Self Identity in Indian Muslim English Fiction’ by examining the works of above mentioned writers, and addresses the ‘question of self-representation by Indian Muslims in English fiction’, published since 1940s. Consisting of 13 chapters, this Volume also includes a ‘Foreword’ (pp. 14-20) by Prof. M. Asaduddin (Jamia Milia Islamia), and ends with an “Interview with Mr. Zafar H. Anjum” (Ch. 13, pp. 243-52). Written predominantly by the faculty members and researchers of Department of English, AMU, it examines and explores the literary works of the above mentioned Muslim writers to see how they have “represented their community in the literary space in different historical epochs” (p. 14; italics mine).