The status and role of women is an issue which affects every Muslim home. When The Prophet and his group arrived in Medina they noted the different behaviour of the Medina women. Umar, the champion of male privilege, commented, ‘We men of Quraysh dominate our women. When we arrived in Medina, we saw that the Ansar let themselves be dominated by theirs. Then our women began to copy their habits.’ One day when he was railing at his wife, she answered him in the same tone of voice. When he expressed his shock and disappointment, she replied, ‘You reproach me for answering you! Well, by God, the wives of The Prophet answer him.’ It did not help that the two most influential leaders of early Islam, The Prophet and his most powerful and admired lieutenant, Umar, had very different views on women and how they should be treated.
After the wedding feast on the marriage of The Prophet and Zainab, the guests stayed too long and didn’t leave. This led to the Quranic verses instituting seclusion,
Title: Sunita De Souza Goes to Sydney Author: Roanna Gonsalves Publisher: Speaking Tiger (2018) Pages: 227
Sunita DeSouza Goes to Sydney is the Indian version of The Permanent Resident published in Australia in 2016, published by Speaking Tiger Books in India in 2018. A collection of 16 stories, it is refreshing like a splash of cold water in Bahrain’s heat.
Roanna’s characters have something at stake; their stories keep you on the edge of your seat, you root for them as she explores the depths of her characters with themes like child loss, divorce, writing, maternal love, ambition and more. I think some of the writer’s strengths show in the stories in her exploration of the dark hidden corners of a relationship, the domestic setting, work-life balance and more; however, these are not the only things she addresses in the collection.
Roanna’s craft is brilliant. Her prose is poetic and the sentences make you pause and savour them, reminding me of poets I have read. There are no superfluous lines but the restraint doesn’t affect the stories – they feel full and complete.
Most metaphors and similes are Catholic. Here’s an example of a character struggling with Catholic guilt – ‘Fuck off, I said to them, pretending to be filled with the fearlessness of someone who has nothing to lose – I, who once told my best friend she should wash her mouth with Holy Water when she called a bus conductor stupid behind his back.’ Another one – ‘I will, I said, like Judas.’
Title: The Hippie Trail – A History Authors: Sharif Gemie and Brian Ireland Publisher: Aleph
The Hippie Trail is a long awaited book about the history of an era that still evokes fascination. While the ‘hippies’ who made the journey from the west to the east were ordinary people, to the people of the countries they passed through, they were not. They had fixed ideas about white women, formed from images in magazines and in films, and, sometimes, looked upon these visitors as intruders, ‘people looking for drugs and sex’; but that was not the truth, as the 57-58 interviews in the book tells the reader. By the time they finished their journey and returned home, the travellers themselves did not remain ordinary any longer. There were those who were fascinated by the Eastern religion, more specifically the development of Western Buddhism and Hinduism, and by practices like yoga, meditation and alternative medicine. Many looked at their journey as an inner journey; they were simply not interested in drugs.
The Best Asian Short Stories 2017, edited by Monideepa Sahu, series editor Zafar Anjum, set the tone for Kitaab’s Best Asian series that includes literary and speculative fiction, travel writing and crime. Zafar Anjum shares with us his vision for this seminal book and for the series that he has envisioned. Monideepa talks about her experience as editor for TBASS 2017.
Sucharita: Zafar, what was your vision for the series? Why did you feel the need to bring together short stories from across the continent?
Zafar: The whole idea behind Kitaab is to connect Asian writers with readers everywhere in the world. Coming from this context, I felt that we needed to collect the best contemporary Asian writing across themes in edited annual volumes. I had seen this kind of anthologies in the USA, but nobody was doing it in Asia, collecting Asian voices. That’s how the idea behind the Best Asian series took shape. The vision is to create a series of The Best Asian writing in fiction (literary and speculative), crime writing, and travel writing. Each volume is a mix of new and seasoned voices that makes it so exciting. Through the pages of these volumes, you get a glimpse of what the respective societies in Asia are going through. If there is enough support by readers, hopefully we will be able to sustain the series. That’s my hope.