Dr. Meenakshi Malhotra talks about Witnessing Partition by Tarun K.Saint, which according to her, is a valuable addition to the corpus of Partition literature
In his book ‘’Witnessing Partition: Memory, History, Fiction’’(2020), Tarun K. Saint attempts the ambitious literary enterprise of a sweeping account of the major literary writing generated by the partition of 1947, when two separate countries, India and Pakistan were created. A moment which should have been a joyous celebration of freedom from colonial rule, turned into a tragic moment of violent and acrimonious division.
Today is Saadat Hasan Manto‘s birthday. Considered to be one of South Asia’s finest fiction writers, he is known for his candid and honest style of writing which was often considered provocative. There has been a lot of debate on his style of writing since time immemorial. While one may continue to argue on that but the fact still remains, that he is one of the greatest short story writers till date. Which leads us to the question: Why does Manto arouse antagonism amongst the intelligentsia?. Let’s try to decipher that.
A lot has been happening around the world. With the global pandemic locking us down in our houses, we are fighting new battles everyday. We struggle with day to day activities and wonder if all this is a nightmare which will end once we wake up only to find ourselves staring at the ceilings at night, sleepless and hopeless.
“This virus will leave us entirely newborn people. We will all be different, none of us will ever be the same again. We will have deeper roots, be made of denser soil, and our eyes will have seen things.”― C. JoyBell C
This story/video essay was written by Mahmood Ahmed Khan Daryabadi and Dr. Mohammad Tauqeer Ahmad provided the Voice […]
Book review by Tan Kaiyi
With the rise of the Asian Century, the global community typically shines its spotlight on the economic progress of the region. Much is made of the advancing wealth of nations like India, China, Singapore and Vietnam. But while the economic progress is an easy unifying narrative that could be woven through the different countries, equally important — but much more challenging — is charting the breadth and depth of the Asian literary imagination.
The Best Asian Short Stories 2019 is up to the monumental task. The editor of the anthology, award-winning author Hisham Bustani, highlights the main obstacle to the endeavour when assembling the collection:
“…there is no such thing as a well-defined, self-contained, concrete, unified Asian identity…”
He explains the issue by contrasting it with Europe. While similar to Asia with a geography that contains multiple language and cultures, the region “claims a unique identity and set of ‘European values’ that separate it from others…” This consequently gives a literary landscape in the region a halo of universalism. Whether it is true at heart or not is certainly up for debate, as Bustani rightly points out that some communities like Turkey are isolated from the Eurocentric ideological bloc.
Booker Prize-winning author and activist Arundhati Roy has become one among many prominent figures to criticise the implementation of the […]
By Shah Tazrian Ashrafi
Rosey, formerly Jameel, lived in Dhaka, a city which fumed like a truck in trouble and grew out of an old patch of fertile land. When the first rods seeded its soil, buildings bloomed like concrete flowers and native tigers ran away for dear life, their footprints erased by the tires of metallic animals. The new city with its poor infrastructure, claimed its victims on a regular basis — rivers, animals, earth, air, people. Rosey walked the streets dressed like a paste jewellery store, a shiny horse with a rose in her hair and high heeled hooves. Her hair was an undulating ocean of embers when lit by the sun’s fiery rays. She trotted on the busy roads like a cautious horse as her high heels rang in the pedestrians’ ears — thak, thak, thak.
Some children would run away when they noticed her, some would hide behind their mothers as their mothers would say, “Bhoy er ki ache? Kicchu hobena. (What is there to fear? Nothing will happen.)” She was aware of their dread when they saw her emerge from a crowd of ordinary and ‘acceptable’ people. She knew they thought she would abduct them and turn them into her kind. She also knew how stereotypical the human mind was — how unwholesome, how hostile it was towards anything different. As opposed to the children who feared her kind and those grown-ups who abhorred them, there were still some she knew who wore the garb of humanity, who did not fling the term “Hijra (eunuchs)” as a slur — people like Saleem bhai (brother), Ruma chachi (aunty), the vegetable vendor, Kakoli, and Rubel, the postman.
On that day, the air in the market was thick with flies and the unholy stench of meat, sacrificial animal gut and excrement; the ground was tinged with blood and boric acid. Beggars, Hijras and Bedes (nomadic tribals) populated the streets; some in their usual clothes, some in their best; and some with all of their limbs in proper places, some amputated. It was as though Qurbani Eid ( where animal sacrifices are made to God on a particular date by a particular person) had given them a secret clarion call — a call only those living in the cages of poverty and in the margins of society could decipher — as if it was their turn to sacrifice the meat.
Reviewed by Haimanti Dutta Ray
Title: Beyond the Himalayas Journeying through the Silk Route
Text: Goutam Ghose, Michael Haggaig
Photographs: Goutam Ghose
Publisher: Niyogi Books
Date of publication: 2019
Beyond the Himalayas Journeying through the Silk Route is joint collaboration by award-winning Indian filmmaker Gautam Ghose and British writer and producer, Michael Haggiag. Ghose in his introduction has named this venture ‘a film-book’ because it is based on his five-part documentary, a cinematic marvel, also named Beyond The Himalayas.
Made in 1996, his documentary had been screened extensively on Doordarshan (India), Discovery and BBC in the late 1990s. The book, Beyond the Himalayas, commemorates the silver jubilee of the journey he undertook to make the documentary in 1994. Ghose writes in his introduction:“The so-called ‘present’ is a fraction of fractions between the past and the future and hence the present moments are stored in our memory as recent or remote past. …. This book narrates one such vivid memory , a once-in-a-lifetime kind of adventure.”
In his introduction to the book, Ghose reveals how he came across old negatives and slides which featured their journey through the meandering valleys and endless deserts of the fabled Silk Road more than two decades ago in a ‘caravan’ of jeeps. Breath-taking reproductions of these negatives and slides intersperse the narrative which is based on the script of the documentary.
Title: The Billionaire Raj
Author: James Crabtree
Year of publication: 2018
About: India’s explosive rise has driven inequality to new extremes, with millions trapped in slums as billionaires spend lavishly and dodge taxes. Controversial prime minister Narendra Modi promised ‘to break the grip’ of the Bollygarchs, but many tycoons continue to thrive amidst the scandals, exerting huge influence over business and politics. But who are these titans of politics and industry shaping India through this period of breakneck change? And what kind of superpower are they creating? A vivid portrait of a deeply divided nation, The Billionaire Raj makes clear that India’s destiny – prosperous democratic giant or corrupt authoritarian regime – is something that should concern us all.
Title: Indigo Girl
Author: Suzanne Kamata
Year of publication: 2019
Price: US$14.95/ Rs 1,326.00
About: Fifteen-year-old Aiko Cassidy, a bicultural girl with cerebral palsy, grew up in Michigan with her single mother. For as long as she could remember, it was just the two of them. When a new stepfather and a baby half sister enter her life, she finds herself on the margins. Having recently come into contact with her biological father, she is invited to spend the summer with his indigo-growing family in a small Japanese farming village. Aiko thinks she just might fit in better in Japan. If nothing else, she figures the trip will inspire her manga story, Gadget Girl.
However, Aiko’s stay in Japan is not quite the easygoing vacation that she expected. Her grandmother is openly hostile toward her, and she soon learns of painful family secrets that have been buried for years. Even so, she takes pleasure in meeting new friends. She is drawn to Taiga, the figure skater who shows her the power of persistence against self-doubt. Sora is a fellow manga enthusiast who introduces Aiko to a wide circle of like-minded artists. And then there is Kotaro, a refugee from the recent devastating earthquake in northeastern Japan.
As she gets to know her biological father and the story of his break with her mother, Aiko begins to rethink the meaning of family and her own place in the world.
Tagore’s bust at his ancestral home at Joransankho, Kolkata
Debendranath, Rabindranath’s father’s bust
On May 7 th, 1861, was born a man who left an indelible mark in the world of literature, philosophy, music, education and on the lives of many people. He wrote the national anthem for at least two countries, India and Bangladesh, and influenced the writer of the national anthem of a third country, Sri Lanka.
Rabindranath Tagore, the first non- European Nobel prize winner, was a remarkable man. Despite having his songs picked for national anthems and providing inspiration to other national anthem writers, he was critical of a system that drew borders among men and created hatred or intolerance. He withdrew from the politics of nationalism. He wrote: “…my conviction (is) that my countrymen will gain truly their India by fighting against that education which teaches them that a country is greater than the ideals of humanity.”
Front view of the Tagore mansion
The Tagore family car
Prayer hall in Tagore’s home