Amit Chaudhuri has grown from a writer with humour to one in love with excess words. Dilip D’Souza reads out loud.
I’ll return to that.
For now, consider: “The problem of sexuality gives to [EM Forster’s fiction]… its modernist disquiet, its obsession with duplication, alterity, otherness, and with echoes.”
Consider: the “decorative peacock feather [that] was still”, and “that stillness comprises, for me, an inalienable continuity with the child who first observed this world of relatives”.
