Forget islands and flats, most Hindi film writers cannot even afford a snug suburban existence, even after years of sweating it out. (Open Magazine)
A clear sunny day. Anjum Rajabali, whose screen credits read such politically-conscious films as Drohkaal, Raajneeti and Satyagrahaamong others, is slouched over the sofa. He shuts his Mac and starts off with the Zanjeer dispute. Calling it a “tricky” case, he says, “Salim-Javed showed tremendous integrity and insisted on a legal route. If they had won, it would have become a landmark case. Unfortunately, it did not quite work out that way.”
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