Emily Parker talks with Yiyun Li about self-censorship in China, the line between fact and fiction, and whether it’s possible to create good art under a repressive regime: Guernica
Yiyun Li: It’s not based on the Zhu Ling case, but I’m very familiar with it. I think this case has always been in the back of my mind, and it seems to me that it has a lot of significance to a whole generation of Chinese.