In this literary essay, Ramlal Agarwal explores the classic novel A passage to India highlighting how readers were drawn to the novel because it was about India, a subject close to the heart of the British and the Indians.
In the 1940s and the 1950s there was one novel the students and scholars of English literature in India were taken up with and that was E.M.Forster’s A Passage to India. It was essentially prescribed in all courses in English literature, it was discussed in all highbrow magazines and there could be no seminar without it. It was one book no teacher or student of English literature could afford to neglect. But with the passage of time, like all classics, it receded from the center-stage to the back-stage.
Anushree Joshi takes us through interrogation and confrontation of Gender Roles in Kamala Das’ works in this literary essay
This paper attempts to analyze the feminist tones in the poetry of Indian-English writer and poet, Kamala Das, particularly focusing on the expression and problematization of gender roles in her 1965 poetry collection, Summer in Calcutta. It argues that her gendered identity manifests itself in her poetic style and aesthetic, wherein she questions the patriarchal expectations of gender – of women rooted in immanence and domesticity and of men rooted in transcendence and the public sphere. The custom of arranged marriage, domestic emotional abuse, confinement to the private sphere of domesticity, and daunting standards of feminine beauty, are some of the gendered expectations in the Indian woman’s experience that Das’ poetry interrogates. The confessional movement of poetry in the West, iconized in the poetry of women writers like Anne Sexton and Sylvia Plath, also appears to influence Das’ mode of expression, since she emphasizes on the ‘I’ in her poems, while voicing the experience of not only her own self, but also of women as a community who have been disenfranchised socially, linguistically, politically, or culturally due to the gendered roles and expectations imposed upon them.
Keywords: gender roles, confessional poetry, domesticity, Kamala Das, feminist
In this literary essay, Shaswato Sarcar explores Edgar Allan Poe’s works highlighting how Poe flourished because of his unprecedented approach and narrative technique, which was one of a kind.
Even though Edgar Allan Poe was considered as one of the most popular figures in the genre of ‘Romanticism’, he did introduce the audience of that age to a completely distinct style and genre of his own. He was known around the world and still is, because of his signature genre of ‘psychological horror’. Though the Victorian era was flooded with horror story writers, still Poe flourished because of his unprecedented approach and narrative technique. His narrative style was one of a kind. He made sure that his readers were as much moved by his storytelling as by the context.
Poe was a pioneer of Macabre. He completely transformed the genre of the horror story with his masterful tales of psychological depth and insight not envisioned in the genre before his time and scarcely seen in it since.
Exploring all that Bhishma did to order and protect the lives of two generations of Kurus, Neera Kashyap dissects his character to bring out the finer nuances.
Bhishma Pitamah, the grand patriarch of the Kuru clan in the epic of the Mahabharata lived a long life spanning five generations. From scholarly estimates, it appears he may have lived for over a hundred years, for he enjoyed the boon from his father King Shantanu of choosing his own time of death – ichcha mrityu. He earned this boon by making the most astounding vows: giving up his claim to the throne and taking a life-long vow of celibacy so that there would be no claimants to the throne from his own bloodline. Read more