January 22, 2021

KITAAB

Connecting Asian writers with global readers

In Mo Yan’s win the disappointment of the Harukists

1 min read

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The annual autumn buzz here in Tokyo for the Nobel Prize in Literature was more intense last week than in any years past. The Japanese novelist Haruki Murakami, whose global audience and literary stardom confound conventional publishing wisdom (he’s not American, doesn’t write in English, and not a single vampire or wizard appears in his oeuvre), has been in the running several times, but this year he topped everyone’s list of favorites. Leading up to the word from Stockholm, early evening local time, a major domestic TV network aired a segment in which Murakami readers worldwide expressed their love for him and his books in a babel of languages. One Chinese reader declared that the latest China/Japan spat over disputed island territories had zero impact on China’s love for Murakami, despite the author’s recent newspaper article calling for both sides to lay off the liquor of nationalism. (Some Japanese newspapers were reportedly banned in China last month, so the reader may not have seen it.)

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