April 25, 2024

KITAAB

Connecting Asian writers with global readers

Keeper of The Sacred Wood

1 min read
Mirror of Beauty
Mirror of Beauty

Shamsur Rahman Faruqi is said to be a formidable, forbidding figure. As a literary theorist and scholar of  , he looms so large that a fellow academic, a professor at Aligarh Muslim University, described him as the TS Eliot of  criticism. Eliot, famously, worked at a bank, while Faruqi, equally incongruously, was a career civil servant, employed by the Indian Postal Service. There is little evidence of that career in his conversation, peppered with allusion to French theorists, and imperious manner; he has a reputation for treating interviewers with asperity. In short, this is not a man who suffers fools. And journalists are nothing if not fools. Foolish questions, partially informed questions, are the operating currency of journalism. Unlike scholars, journalists have to be generalists, pick up information as widely and indiscriminately as possible and hope to perform, if only for the length of one piece, a convincing impression of familiarity with the subject at hand. Some readers might buy the performance (it is, after all, for their benefit); experts are likely to scoff.

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