In Teheran, Noir is a political act
Writing crime fiction in post revolution Iran
Back in the day, so my mother tells me, on the rare occasions when my father took her along to one of the cabarets of old Tehran, the tough guys—the lutis—the bosses, the knife brawlers, and the traditional wrestlers, would lay out their suits and jackets on the floor of the place for my mother to walk on. It was a gesture of supreme respect for one of their own. And it says a lot about a Tehran that simply doesn’t exist anymore—a Tehran of chivalry and loyalty, a place where allegiances meant something, where friendships harked back to a classical world of warriors from the great Persian epic, the Shahnameh (The Book of Kings), and to the medieval Islamic notion of the ayyar brotherhood in Iran and Mesopotamia where the bandit and the common folks’ champion were one and the same, and where every man followed a code of honor set in stone.
Or else, all of this may simply be wishful nostalgia for something that didn’t exist even back then. Back then means a time before the Islamic Revolution of 1979. That watershed event that sits in the mind of every Iranian as a chasm, a sort of year one after which everything strange became law. The brutal eight years of war with Iraq—the longest conventional war of the twentieth century—the persistent pressures from America in its own everlasting twilight war with Iran, the official corruption of the new ruling class, and the snowballing inflation turned just about everyone into a “night worker.” Living an honest life was no longer an option. Prostitution, theft, an explosion in the drug trade and addiction, the selling off of raw materials and historic national treasures—plus endemic, in-your-face bribery—became a way of life. Meanwhile Tehran grew and grew, until it was one of the megacities of the world, now pushing at fifteen million stray souls—a leviathan that can barely stand itself, a purgatory of unmoving traffic, relentless pollution, and noise and anger and inequity, surrounded by some of the most beautiful mountain scenery in the world.
Tehran, then, is a juxtaposition of ugliness and beauty that breaks the heart. A place where not one but two inept dynasties came to miserable ends, and where, arguably, the third most important revolution in history (after the French and the Russian) was started. It is also the city where Churchill, Stalin, and Roosevelt met to divvy up the world while the flames of WWII were still burning. And it was where one of the CIA’s first manufactured coups (with the prodding and support of the British—who else?) against a democratically elected government was put into motion, thus ushering in years of a dictatorship which in turn was swept aside by the first real fury of fundamentalist Islam, a harbinger of the world we now live in and call post–9/11.
