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Suhayl Saadi Uncensored

1 min read

14 years ago Zafar Anjum

The bottom line is that writing, invented in Iraq 5,000 years ago, is important and at some level, is feaerd by those in power. Stalin, the one-time published and acclaimed poet, knew - and stated - this perfectly well when he attempted to justify banning Dostoevsky's works. Stalin was terrified of Dostoevsky and even eventually, of Gorki. The process of capitalist censorship is more systemic, less directed, more subtle, less obvious, but in the end it is even more effective in the engineering of pliant societies. Of course, Google is a big white corporation, too. We have to be attentive - to paraphrase from the Spanish writer, Ibn Tufayl, in order to stay alive, we have to remain awake!

Suhayl Saadi was born in Yorkshire in 1961 of Afghan-Pakistani parents, and grew up in Glasgow, becoming a medical doctor. He is a widely published novelist, dramatist and poet, and the author of a short story collection, The Burning Mirror (2001), shortlisted for the Saltire Society Scottish First Book of the Year Award. His radio and stage plays include The Dark Island, broadcast on Radio 4 in 2004, Saame Sita (2003), The White Cliffs (2004), and The Garden of the Fourteenth Moon (2006).

He has written articles and essays for several national newspapers, and song lyrics for classical and folk-rock combos. He has co-edited three anthologies, and is co-director of an arts production company, Heer Productions Ltd., which established the Pakistani Film, Media and Arts Festival in the UK. (Suhayl Saadi above, photo by Basharat Khan)

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