Indian writing: The changing tales of communal violence


Manto
Manto

At the recently concluded literary festival at Aligarh Muslim University, authors dwelt on the changing representation of communal violence in literature – many noticed the stark changes in the depiction of such violence, from the time of Partition to more recent instances. The raw power of Manto, for instance, has been replaced by writing for readers less shocked – communal violence has become almost part of the nation’s “common sense”. Fiction too now reaches out for answers and solutions.

While at the time of Partition, the Muslim was almost solely the communal “Other”, groups like the Pandits of Kashmir and tales from insurgency in Punjab have expanded the number of communities that have experienced such violence.

Tariq Chhattari of the Urdu department of AMU, who has also dealt with communalism in fiction, said, “Partition was sudden. The manner of writing about it was also like that – with no care for such things as political correctness. Now, communal violence is planned. How we deal with it in literature has also seen some change.” Besides, he points out, “Readers too have evolved. There may not even be direct references to events, but reading short stories like “Akhri vanvas” by Syed Mohd Ashraf or “Gumbad ke Kabootar” by Shaukat Hayat, one can infer that the setting is the demolition of the Babri Masjid.”

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