By Farah Ghuznavi
Let’s get down to brass tacks. Why do you write?
I enjoy playing god with my characters. I like building worlds that are not quite real, but reflect parts of reality for different people. There are a lot of hypothetical situations you can explore when you’re writing fiction, and even more when you’re writing fantasy and sci-fi. But mostly, I like telling a good story, I like making up characters, I enjoy the idea that I’m creating something that other people might appreciate.
Tell us about your most recent book or writing project. What were you trying to say or achieve with it?
I’m editing my second novel, which is tentatively called Djinn City. It’s about djinns living in Dhaka, causing mayhem, and the subset of humans who interact with them. I’m not taking the folk tale approach to djinns, but I’m building up their culture, their history, their character from the ground up.
This is a Bengal centric novel. In genre fiction, the centre of the world, the kind of focal point of history and the future is always some place like London, or New York, white places with Eurocentric cultures. This is normal, since almost all genre writers in English are of European descent. In my novel, Bengal is the centre of history and magic and the future, everywhere else exists in peripheral darkness.
Describe your writing aesthetic.
I got nothing. Writing aesthetic is for prize winners. I’m a genre guy. The most I can hope for is to rip off George RR Martin twenty years from now and get on HBO. If HBO still exists in 2036.