FT has described Arundhati Roy’s second novel, The Ministry of Utmost Happiness, as “Compelling”.
“Ultimately, Roy’s admirers will not be disappointed,” writes Claire Messud in her FT review. “This ambitious new novel, like its predecessor, addresses weighty themes in an intermittently playful narrative voice. Whereas The God of Small Things — the tale of Rahel and Esthappen, a pair of twins, and their family’s tragedies in Kerala, southern India — approaches big issues such as caste divisions and molestation through the personal and domestic, The Ministry of Utmost Happiness embarks from the outset with a broader societal perspective.”
“Now, finally, the second novel has come out, and it is clear that her politics have been part of its gestation,” writes Joan Acocella in the New Yorker. ““The God of Small Things” was about one family, primarily in the nineteen-sixties, and though it included some terrible events, its sorrows were private, muffled, personal. By contrast, “The Ministry of the Utmost Happiness” is about India, the polity, during the past half century or so, and its griefs are national. This does not mean that Roy’s powers are stretched thin, or even that their character has changed. In the new book, as in the earlier one, what is so remarkable is her combinatory genius.”