Reviewed by Nandini Varma
Title: The Sunlight Plane
Author: Damini Kane
Publisher: Authorpress (2018)
To reach out and urge us to inquire into our deepest emotions is the most beautiful gift a writer can give to a reader. To flap open an ear, to have our feet dangling from our beds, to imagine carefully the sound of an airplane pass by in a book, and listen to its heightened music in our heads, to brush the air as if for a moment it weren’t needed: these are acts of a reader only witnessed when a writer has produced something marvellous. Readers live double lives, much like writers, when they kick the earth unexpectedly, when they dance to a silently beating heart, when they crouch as though scared to break the dream.
Damini Kane’s first novel The Sunlight Plane does exactly that. It is a beautiful exploration of a friendship between two 9 year old boys — Tharush and Aakash, living in the posh Reyna Heights in Bombay. The cover art carries a paper plane flying across the city of Bombay, illustrated by Nivedita Sekhar. The book is divided into three sections: ‘The Sun’, ‘The Clouds’ and ‘The Sky’, each depicting a phase in their friendship – a brightness, or tension.
As we begin reading, we’re introduced to the protagonist, Tharush, the embodiment of curiosity and imagination, giving us a rich insight into the questioning mind of a child. We’re also introduced to his parents and find in them a family that doesn’t attract much trouble. Humour is therefore often seen paying a light and lovely visit in the moments shared between Tharush and his mother, another powerful character that represents deep intelligence and sensitivity, especially in her response to Tharush’s appeal for another fighter plane when they sit for dinner with eggplants floating ‘in the middle of yellow curry like dead rats’.
Quite early in the narrative, we’re given hints of what is to become a contrasting second main character of the book, Aakash, also meaning the sky as Tharush, but another shade of it – much darker as the clouds on a rainy day, more mysterious as a ‘stealthy, almost invisible, shadow’.