Book review: Losing Kei by Suzanne Kamata
2 min readReviewed by Mitali Chakravarty
Title: Losing Kei
Author: Suzanne Kamata
Publisher: Leapfrog Press
Pages: 195
Losing Kei, a novel by Suzanne Kamata, an American expatriate living in Japan, highlights the story of a mother who abandons her child, torn by the clash of cultures. Kei is the child from a marriage sundered by the incompatibility of the parents. The American mother leaves the Japanese father and their six-year-old son. Set in Japan, the focus of the story is on the mother’s struggle and inability to adjust to her marriage with a Japanese man in his own country.
Jill Parker, the mother and the protagonist, states at the very beginning of the story, ‘I came to Japan because a man had broken my heart.’ The author uses the perspective of the protagonist to narrate the story in first person. Jill takes an art scholarship to Japan to get over her boyfriend, Philip. When she meets her well-to-do Japanese spouse, Yusuke, a businessman who owns an art gallery, she is down and out. She has no money to pay her rent and works in a bar in Tokushima City to support herself. Yusuke is the solution to her monetary hardships and heartbreak. Jill marries Yusuke, telling him that she is exploring the world like Blondelle Malone, a nineteenth- early twentieth century impressionist artist who never married. However, unlike Malone, Jill is willing to marry. Jill doesn’t speak of her earlier heartbreak to Yusuke. As she struggles to conform to her Japanese marriage, she grows increasingly resentful of parental interference. The last straw for her is when Yusuke’s father dies and her husband declares that they would have to continue looking after his mother and live in the same house. For Jill, Yusuke’s grief at his father’s death is unattractive as is his clean-shaven face, which makes him seem ‘like a stranger’.
As she leaves him and her young child, one is left gaping at the heartlessness and self-centeredness of an irresponsible mother who is unable to put a child’s needs above her own.
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