By Mitali Chakravarty

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Nidhi Mishra, CEO and founder of Bookosmia

Nidhi Mishra is an ex-banker who pivoted from a ten year banking career to her passion for reading and luring others to read (admittedly, at times forcibly). Nidhi studied at Lady Shri Ram College , Delhi University, to pick up an Honours in Mathematics and a feminist flair on the side. An MBA from IIM Lucknow took her to a decade long career in the financial sector, finally quitting as VP, HSBC as she wanted to do something more meaningful with her time, which led her to found Bookosmia. Bookosmia (smell of books)  is a children’s content company hoping to make children fall in love with reading, writing and everything else around Indian stories. Over the last two years, the company has built a significant spread of content, across formats- physical books, digital stories and audio stories with one common thread — to curate homegrown, relatable and fun content for Indian children. In this exclusive, Nidhi talks of their present and future, how she feels book publishing is still viable and needed…

Mitali: You have founded a publishing firm, which took up a challenge and pulled it off… selling 1000 copies of a book that was seen as a failure by others in a week. What made you take up the book?

Nidhi: At Bookosmia, we look to not publish more than 2-3 physical books every year. A very strong driver for us is to be able to find the topic / basic storyline meaningful and one that moves us. It helps to start out being very clear to yourself and the team that book publishing is not about making great money — it is about using books as a medium to amplify reach of a certain cause. We took up this book because we were excited about the challenge of using a children’s story book as a medium to spread awareness of a dying Indian dance form in a fun way and we were confident that we would be able to tap into our steadily growing network of parents /schools/ organisations that engage with kids across India.

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Bhupen Hazarika

Bhupen Hazarika was posthumously awarded the highest civilian honour in India this year, the Bharat Ratna. He was a man who dreamt, felt and sang international solidarity. An award for international solidarity was named after him in 2011 and was given out this year to Singapore film-maker, Eric Khoo.

Bhupen Hazarika was born in Assam, India, on 8th September 1926. He has been the recipient of numerous awards and accolades. His lyrics have crossed the borders of time and place and celebrate humanitarian concerns of mankind. Today we commemorate his 93rd birth anniversary with a recording of a Bengali rendition of his song, Aami ek Jajabar (I am a wanderer), by the maestro himself and a translation into English of the lyrics so that it can reach out to everyone with its large-heartedness and compassion…

Bhupen Hazarika’s rendition of Aami ek Jajabar (I am a wanderer)

I am a wanderer

(Translated by Mitali Chakravarty, edited by Nabina Das)

I am a wanderer.

The world has made me its own, 

I’ve forgotten my home.

I’m a wanderer.

I’ve seen the Ganga, the Mississippi

Uma Trilok in conversation with Mitali Chakravarty

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Dr Uma Trilok

Dr Uma Trilok is a small vivacious woman, well-dressed and polite… almost more like a retired college professor. She could be a heroine of one of the novels she writes. But as one reads her poetry in both Hindi, Hindustani, Punjabi and English, one is left wondering what goes on behind that serene, calm exterior.

With her writing, Uma draws word pictures which vividly converse with herself as well as the world outside. Through them she asks questions which enquire and eventually appear on her canvas as expressions of love, anguish, loss, hope, smiles and unions. Acclaimed and awarded, she has the rare art of  balancing joy with pain which subtly leaves the reader with a profound sense of hope, courage and enterprise. “Her moving and touchy narrative brings out the deeply spiritual aspect of her writing,” writes India Today.

Besides being an acclaimed bilingual poet, her short stories and novels have been staged as plays. “She presents her lines with a  unique facility of phrase and depth of feeling. In the play of her words, myriad moods of anguish and  ecstasy come to the fore vividly,” writes the Journal of Poetry Society of India.

Uma Trilok has written award winning books including her much acclaimed debut novel, Amrita  Imroz: A Love Story. In all, she has penned 16 books. Here, in this exclusive, she talks of how she started writing and what she sees as her future.

 

Mitali: When did you start writing? Can you tell us what put you on the path of writing? What was your inspiration? Do you have any book, music or art that inspires you?

Uma: At the age of 32,  I was the heading a college for women in Mahashri Dayanand University. While sitting in a quiet environment, when students were taking their exams, a poem arrived, and I put it on a paper…That was the beginning.

Prior to that, I taught at Delhi University. Trained in Indian classical Music and Kathak dance, I sang at the All India Radio and gave dance performances at places like Triveni Kala Sangam, New Delhi. I had to conceal this part of myself from the conservative management of the women’s college. My journey as a poet started as a result of this trammel, way back in the 1970s. My creativity needed to flow somehow in some direction. I picked up the pen, a safe medium.

Writing was not a choice, it was a compulsion.

Translated by Mitali Chakravarty, excerpted and edited by Ratnottama Sengupta from Nabendu Ghosh’s autobiography, Eka Naukar Jatri/ Journey of a Lonesome Boat.

India Independence Day Special

In April 1942, our independence movement took on a new vigour. That month, Mahatma Gandhi in his article in the magazine, Harijan, demanded the Imperial government grant India a ‘sovereign’ status and withdraw peacefully. On 7th August, when the All India Congress Committee convened in Bombay, they decided to launch the ‘Quit India’ movement, forcing the colonials to leave India without resorting to violence. When on 9th August all the leaders including Gandhi were arrested, Indians were inflamed with outrage and anger.

On 11th August, while I was sorting letters in the office of the AIG-Police, I could hear distant strains of “Van-de-ey Maa-ta-ram! I bow to thee O Mother”; “Bharat mata ki jai— Victory to Mother India” and “May the British rule perish”.  When I went to the teak-floored verandah to check what the commotion was about, I saw a crowd of people raising these slogans as they marched off the main road towards the entrance gate of the Secretariat. Many carried the tri-coloured flag of the Congress and some held banners that read “British, Quit India”.

Vande mataram… British leave India” — the chant drew nearer. Two constables ran forward to shut the gates, but the demonstrators pushed past them into the main compound of the Secretariat.

By Mitali Chakravarty

 

Singapore has completed more than half a century of independent existence. It is now a thriving country with an intrinsic personality of its own. What went into making Singapore a distinctive island cannot be just found in history books but between the borders of fact and fantasy, where lingers fiction that tunes us to the distinct flavour of this unique metropolitan city-state.

As Lee Kuan Yew, the founding father said in one of his speeches, Singapore started with people of  “many races who speak many languages, who worship different gods, who have different diet habits” and yet they all unified under the banner of a single flag. The kind of culture that evolves out of the union of these diversities is best explored in stories that are of the people, by the people and for the people.

These are some novels that showcase the culture and history of Singapore and how it evolved out of the colonial past to become what it is today. These are all books that focus on issues against the backdrop of a national landscape. The issues addressed transcend to become larger than the personal. Some of the writers are Singapore Literature Prize and S.E.A. Write Award winners and have been translated to multiple languages.

Book Review by Mitali Chakravarty

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Title: Billionaire Raj

Author: James Crabtree

Publisher: One World, 2018

Billionaire Raj by the former Financial Times Bureau chief in India, James Crabtree,  is a journalistic assessment of not only how the British Raj in India has been replaced by entrepreneurs and politicians who work symbiotically to create a close nexus of exclusive crony capitalism but also gives an optimistic outlook for the future… with a few strings attached.

The book comes across as a series of clear well-researched articles strung together thematically in logical order. From British Raj, India moved to ‘License Raj’, where a license was needed to start any venture. Once that was lifted, the age of billionaires sets in. He has compared this period to the Gilded Age of American history, an era in the nineteenth century of robber barons and rich bankers, just after the American Civil War.

Crabtree plunges in with stories of people he calls ‘Bollygarchs’, a new term which has evolved to define billionaire-entrepreneurs with Russian oligarchic tendencies like, Vijaya Mallya, Ambani and Adnani and more. The best way to understand the Bollygarchs is perhaps to imagine the flashy Bollywood culture (like that seen in the Bollywood blockbuster Kabhi Khushi Kabhi Gham) brought to life.

By Mitali Chakravarty

Three Idiots, The Reluctant Fundamentalist and  Crazy Rich Asians have made history in cinema and they started out as mere books, Five Point Someone by Chetan Bhagat, The Reluctant Fundamentalist by Mohsin Ahmad and Crazy Rich Asians by Kevin Kwan.

Bhagat was cited by The New York Times as “the biggest selling English language novelist in India’s history” and was also included in the Time magazine’s list of the world’s 100 most influential people. Ahmad’s book made it big not just in its own rights, climbing up to #4 on the The New York Times Bestseller list and winning multiple awards and accolades, the film catapulted his book as one that addressed humanitarian concerns and won the German film award for peace and at least five more international awards. Kwan also made it to the Times list of the hundred most influential people and was named as “five writers to watch” on the ‘Hollywood’s Most Powerful Authors’ in The Hollywood Reporter. Their cinematic launches helped them make it huge!

But did you ever wonder how their books made it to the big screen? How did they sell their film rights? And as an author, what all should you be looking out for when you sell your book’s film rights?

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Siddharth Jain

Today, we meet the man who can help authors evade controversies and make it from books to movies… He is the man who has made it a business to help writers sell their books to film-makers. Meet Siddharth Jain, the founder of The Story Ink (TSI), India’s first story company for premium content for screen. It is also “India’s No.1 Book to Screen Adaptation Company” and has sold the adaptation rights of almost 70 books to Producers/Studios in India. It is now expanding its footprint by solving the story problem for Indian regional language content producers and international producers, who are searching for local stories for global audiences.

TSI was founded in April 2018 by Jain who had earlier worked for India’s largest OTT (over the top) — Hotstar.com (now acquired by Disney from Fox), iRock Films, Adlabs Films (Reliance Entertainment), Hyperion Studio — Los Angeles and Baazee.com (Ebay India). In a recent  interview with scroll.in , Jain said that five years from now he sees himself “reading a book a day” and curating great stories for films.  In this exclusive interview, he explains how books are made into films… through options agreements.

 

Kitaab: What do you mean by an options agreement?

Reviewed by Mitali Chakravarty

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Title: Squeaky Wheels: Travels with My Daughter by Train, Plane, Metro, Tuk-tuk and Wheelchair

Author: Suzanne Kamata

Publisher:  Wyatt-Mackenzie Publishing, 2019

Squeaky Wheels: Travels with My Daughter by Train, Plane, Metro, Tuk-tuk and Wheelchair by award-winning author Suzanne Kamata is more than just a memoir. It is a travelogue written by a mother about travelling with her disabled daughter, a manual on parenting, not only for a disabled child but also for a normal one, a heart-warming account of an expat well able to adjust and enjoy her life in a country where she was not born and an extensive guide to living cheerfully and with optimism despite hurdles.

Suzanne Kamata moved to Japan to teach English, fell in love and married a Japanese man. She gave birth to premature twins one of who suffers from cerebral palsy. Though Kamata’s daughter, Lilia, spends her life on a wheelchair, she loves travelling and dreamt of going to Paris. To realise her daughter’s dream, Kamata applied for a grant to travel to Paris and to write this book. She received a grant from the Sustainable Arts Foundation to fund her trip to Paris. In an earlier interview , Kamata explained that though for funding the writing of this book, she won the Half the Globe Literati Award in the novel category, her narrative is “actually a memoir”.

Reviewed By Mitali Chakravarty

 

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Title: Vital Possessions

Author: Marc Nair

Publisher: Ethos books, Singapore

 

Vital Possessions is a collection of poems, haikus, monologues and photographs by award winning Singaporean poet and photographer Marc Nair. The content reflects the tussle between city life and nature.

Marc Nair takes us on a journey through ASEAN countries — Taiwan, Japan, Indonesia, Malaysia and of course Singapore. He finds nature pushing its way through the crevices of city life. In one of his haikus, accompanied by a photograph of a worn out wall with grass growing out of the gaps, he writes,

“Nature never fails

to push against the grain

of forgotten cities.”

When I see the picture and read the lines, what springs to my mind is the St Paul’s church in Malacca, built in 1521, a forgotten church of a bygone era. The monument has vegetation growing out of crevices, which many old buildings would have. However, a sense unique hopefulness is brought to the fore by Marc Nair’s brevity of words to create a picture perfect perspective.