By Ronald Tuhin D’Rozario
I have never been intrigued about the world of ornithology nor by the phonetics of a Horbola ( a Bengali word covering the sounds of birds, animals and other things of everyday life) but can identify the sounds – call, hum or chirp — of certain birds that have a strong attachment to my childhood memories. Humans have this unfailing dependency on instincts which make them to try to classify everything that their senses gather. Just as I have dissected the DNA of light depending on their changing textures during different times of the day into thin, thick, bright, warm and dull, I feel an urge to relate each call of these birds to various ragas signifying a different hour of the day. My usage of the word, ‘to relate’ now creates a ‘relationship’ between me and the birds as — ‘relatives’ converting their calls into a recital around the sphere of my consciousness. Crows, pigeons, sparrows, parrots and bulbuls are some of the birds whose sounds have grown with me like my age.
As I write, my thoughts intensify into an introspection of my life with these birds. Apart from their sound heralding the advent of a season, a wakeup call at dawn or just making me aware of their presence in my vicinity, I realise that during various stages of my life, there have been some birds whom I have caged for my amusement and there have been some I have consumed on my plate.
Quite strangely now in all these years, for the first time, a deep sense of guilt gnaws at me. In order to justify my belief in my own guilt, I begin to accept the punishment given by avians. When a bird has spoilt my shirt with its dropping or stooped low enough to slap my head with a wing during their flight, I accept it as an expression of disgust over certain habits of mine.