The Life of Z_Jpeg

 

Title: The Life of Z: Understanding the Digital Pre-teen and Adolescent Generation

Author: Debashish Sengupta

Publisher: SAGE India (SAGE Select), 2020

Links: Sage Publishers 

 

 

A radio buzzing in a corner, the transmission is unclear, the signal seems to be wavering. I adjust the antennae that we have fixed near the roof of the room. The voice on the side becomes better. By this time, I had repeated this ritual several times. However, the crackling commentary of the cricket match on the other side made up for all the hard work and irritation. Both me and my younger brother are stuck with the radio for the whole day. Our parents are not at home. My mother wanted to call our grandma and therefore she went to the post office to book a trunk call. It would take few hours of waiting before her turn comes and she can speak over the government run public land phone, before returning home. We had the whole day to ourselves. It took longer than expected for our parents to come back home. They could not find a taxi near the post office and had to walk for nearly a kilometer before they found a transport. Poor mom, she had to cook the dinner after a long day. Meanwhile, India had lost the match. We spent the whole evening helping our mom in the kitchen. Another uneventful day had come to an end. But we had some excitement coming-up. Sunday was just a day away when we will catch another episode of ‘Star Trek’ and by that time we should also be getting letter from my cousin brother who was sharing our secret encryption code, as he had promised in his last letter. This was to prevent elders from finding out the contents of our letter. And yes, he was also sending some photos from his recent vacation.

When I tell this childhood story of mine to my son, after listening to me with rapt attention, he tells me that there are technical flaws in my story. What? Technical flaws… I find his expression amusing, he finds it even more. He asks me – ‘Why were you listening to the radio and not streaming live cricket over internet?; Why did your parents go to the post office to make a call and not use their mobile to make a video call?; Why did your parents not call an Uber instead of walking a long distance?; Why didn’t you order food over an app instead of letting your tired mom cook the dinner?; Why did you wait for Sunday to watch your favourite show and not stream it over Netflix?; And why were you waiting for days for a letter instead of using WhatsApp or Instagram?’

Books to Film by Mitali Chakravarty

 

Little Women Poster

Humility. Kindness. Gratitude.” and “Love is the answer.”

— The Good Day I Died: The Near-Death Experience of a Harvard Divinity Student by Desmond Kon Zhicheng-Mingdé

Desmond’s post-structuralist book was released in good time to be wrapped as a Christmas present in Singapore — with the values he speaks of, it deserves that. Meanwhile, on Christmas, 2019, was released a film in United States that spoke of similar values — a film called Little Women adopted from a quasi- autobiographical series written from the 1860s to1880s by Louisa M Alcott, a movie that hopes to take Singapore by storm from 16th January, 2020.

As of January 12, 2020 — in two weeks of its world release — the film grossed $74 million in the United States and Canada, and $33.2 million in other territories, for a worldwide total of $107.2 million. It has won much critical acclaim and was chosen by both the American Film Institute and the Time magazine as one of the top ten films of 2019. At the 77th Golden Globe Awards it received two nominations; in the British Academy Film Awards, it received five and six Academy Awards nominations —  with all three-nominations naming Saoirse Ronan for the Best Actress and the last two including Florence Pugh for the Best Supporting Actress, and Greta Gerwig for the Best Adapted Screenplay.

With a star-studded cast — Meryl Streep, Emma Watson, Saoirse Ronan, Pugh, Timothée Hal Chalamet, James Norton — and more, the family drama centring around the American Civil War had the audience at the screening in its grip. It was little surprising while leaving the hall at the Singapore preview, that a woman was excitedly talking to a friend in part-Chinese part- English about how she empathised with the characters in Little Women. And through the screening, one could sense the audience palpitate emotionally in waves with murmurs rising and falling in a crescendo — fully absorbed by the events on the screen.