By Lucy Scholes
With novels like The Reluctant Fundamentalist and How to Get Filthy Rich in Rising Asia, Mohsin Hamid has proved himself a writer able to speak directly of and to the moment. His latest work, Exit West, is no exception. In it he situates a love story amidst the refugee crisis, painting a nuanced portrait of contemporary migration, from the horrors of Western hysteria to what it really means to leave one life behind in the hope of building another.
It begins like any “boy meets girl” story – eyes are locked across a classroom, an invitation to get a drink after class is declined but not rebuffed, accepted a week later, and two young people begin to spend more and more time together. The relative gentleness of this courtship, however, is contrasted against a backdrop of increasing civil unrest. The unnamed Middle Eastern city in which Hamid’s two lovers, Saeed and Nadine, live is on the brink of disaster, “swollen with refugees but still mostly at peace, or at least not yet openly at war”, but, as Hamid expertly shows, the slide into conflict, violence and the frightening curtailment of civil liberties happens all too easily. Read more