Reviewed by Shikhandin
It Takes a Murder
Author: Anu Kumar
Publisher: Hatchette India (2013)
Pages: Paperback, 281
Buy: Available on Amazon and in book stores
It seems like years since I first read Anu Kumar’s It Takes a Murder. In reality, it has been only five. A recent news item reminded me of her book — it has been long listed in this year’s MAMI (Mumbai Academy of Moving Image) Words to Screen Awards. This certainly is interesting and goes to show that reposeful books have lives of their own. I remember that I had enjoyed it – its literary, ruminative, lyrical prose. Now, spending the summer in the unlikeliest of places, a city that everybody tries to escape during this season, I thought of browsing through it, re-reading parts with care while glossing over other bits. At the end of it, I found, unsurprisingly, that my original reactions had remained the same, except for a heightened awareness of Kumar’s prose. It felt like walking down a place I had visited before, only noticing more details the second time round. It’s a good feeling, comforting, I must add, when impressions first formed have no cause to change. It reiterates my feeling of the quiet timelessness of Kumar’s It Takes a Murder.
The book involves a murder (obvious from the title) — that of a prominent resident of Brooks Town. But Kumar’s book is no ordinary murder mystery. It is not a literary thriller or a suspense story, but a literary novel – a dark one, with layered characters that demand closer scrutiny, events that need to be re-looked against a larger historical backdrop.
The narrative, innocuous like a sluggish river, is nevertheless punctuated with suspenseful and hold-your-breath passages, even as it deals with the most basic of all human relations – love. The story is narrated in flashback by an unreliable witness, one who keeps the reader guessing about everything, including the true inclination of her heart. She keeps feeding morsels of information in every chapter, just enough to whet the appetite (or should I say to keep the starved from dropping off?), and sometimes a little more. It’s a device that serves more to throw one off the track than reveal the truth. Finally, towards the end of the novel, she reels the reader in and actually confides, laying bare the whole web of intricacies.
By Rajat Chaudhuri
Short stories? Who writes short stories these days? Aren’t we reminded time and again that publishers are no more interested in this form? But then, isn’t the novel too going to give up its ghost in a couple of hours as grey haired Cassandras predict with the regularity of automatons? Aren’t we advised that narrative nonfiction and its close cousin the diary or even the memoir, is the go-to form for the author who doesn’t want to be put on an artificial respirator? And just when this cumulonimbus of bad news bears down upon you, the fiction author (or the reviewer) you chance upon a book which simply says the “genre” is in safe hands and that this oldest of storytelling arts still has a lot to offer.
The Girl Who Ran Away in a Washing Machine and Other Stories is a collection of stories by Anu Kumar, published by Kitaab. The stories in this slim volume travel the distance from tony upper class neighbourhoods of Singapore to back of beyond villages of India, from futuristic urban settings with robot newsreaders to the ruins of the Indus Valley civilisation, taking the reader on a journey of discoveries that she will cherish for long. But what is definitely the strength of this book is the range of subjects and themes in which Kumar engages, without overburdening her audience.
Here you will find a wonderful story of love lost and found, a magical adventure with a ghost among the ruins of an ancient civilisation, a couple of tales where you chance upon men with weird eyebrows, a sprinkling of magic everywhere, a dash of the absurd sometimes and a wink and a nod towards science fiction. Elsewhere social evils like dowry, corruption, religious intolerance or the crisis of farmer suicides are spun into the narrative with an expert hand, imbuing those tales with a sense of urgency, without being stilted or preachy.
In the eponymous story set in rural Punjab, we meet Neha, newly married to Manjit, finding solace and a hiding place from her in-laws inside the symbolic space of a washing machine that was part of her dowry. “Washing Machine” and indeed a few other stories have an alluring quality that gives the reader the sense of drifting on a calm current as she gets engrossed by the storytelling. Delectable prose coupled with a narrative that slowly circles inwards, curling towards the beating heart of the plot, perhaps imparts this quality to Kumar’s stories. But this is not to say that there are no surprises here, no spindrift or maelstrom, no intrusions of the fantastic or the absurd. In fact, surprises are aplenty and some of these stories wear the edginess on their sleeves.
By R. Krithik Author Anu Kumar on her book on Chandragupta Maurya, historical fiction in India, and why […]
Very few writers even dare to test a reader’s credulity. Anu Kumar stretches it, almost risking collapse, in her latest collection of short stories: TNS
Packed in 128 pages are ten well-written short stories by Anu Kumar. She’s penned 19 titles, for young adults, children, and adults. I have read three of them, including two of her previous novels, Letters for Paul (Mapinlit) and It Takes a Murder(Hachette), which I reviewed here last year. This is her second collection, the first being In Search of a Raja and Other Stories, which I haven’t read so far, but plan to. Her current book is one of the first books published by an independent publishing house, Kitaab.