Tag Archives: Keki Daruwalla

Always trust the witches: Keki Daruwalla on poetry from the Northeast and elsewhere in India

Let’s draw a circle on a sheet of paper and call it earth, say these poets.

The instruments of darkness, by which Shakespeare, and perforce I mean the witches, came to me a few nights ago and they first said:

“I see through dark, take my call

The queen will win but still she’ll fall.”

The second witch, more explicit, said:

“Double double toil and trouble

Trump will win. All will be rubble.”

The third:

“Fair is foul and foul is fair

Poisoned will be Delhi’s air.

New York? Worse, if you walk in

to a liberal’s affrighted lair.”

Being less credulous than Macbeth, I paid no heed and am left with regrets. If I knew a bookie and had trusted the witches, I could have made some demonetised money by betting on Donald Trump. Moral of the story: never underrate a huckster or a groper in an election.

To poetry then. There are some poets you feel honoured to write about. Two of them — Eunice de Souza and Saleem Peeradina — have published recently. Peeradina, once from Bombay (not Mumbai then), lives now in Michigan and teaches at Siena Heights University. His fifth collection, Final Cut, published from Valley Press, Scarborough, U.K., is as effortlessly chiselled a volume as you are likely to find. The poems are still life vignettes on birds, fruit, and ruminations. To quote Craig Raine, “These poems are hymns of praise — to birds, to objects, to fruits and to our human bodies…” He goes on to say that “Saleem Peeradina is one of the most important Indian poets writing in the English language.” Read more

Source: The Hindu

Tata Literature Live festival: Talks, performances to feast on from November 17

Over 130 writers and thinkers like John Gray, Amitav Ghosh, Simon Armitage and former finance minister, P Chidambaram will be a part of the seventh edition of the Tata Literature Live! festival from November 17-20.

The festival will be held at two venues — the NCPA and Prithvi Theatre. Those listed for this edition include Nicholas Shakespeare, literary critic and descendant of William Shakespeare; John Gray, political philosopher and author of False Dawn: The Delusions of Global Capitalism; Ramachandra Guha, Indian historian and Padma Bhushan recipient; Simon Armitage, the sardonically witty British poet, famous for the dramatisation of the Greek epic poem The Odyssey; former minister and writer, Jairam Ramesh, Girish Karnad, Keki Daruwalla, Kiran Nagarkar and Jayant Narlikar, besides Gulzar and Karan Johar. Read more

DSC prize for South Asian literature shortlist sets stars against debut novelists

Pulitzer winner Jhumpa Lahiri’s The Lowland is one of five finalists, alongside two fiction debuts, in contention for $50,000 award: The Guardian

From the story of a bomb blast in the heart of Karachi to a portrait of postwar Sri Lanka, the shortlist for the DSC prize for South Asian literature pits acclaimed authors including Kamila Shamsie and Jhumpa Lahiri against two debut novelists.

The $50,000 (£32,000) award is given to a writer of any nationality writing about South Asia and its people, with five writers on the shortlist this year.

Shamsie and Lahiri are joined on the 2015 DSC shortlist by Romesh Gunesekera, who was shortlisted for the Booker prize in 1994 for Reef, and for debuts from first-time novelists Bilal Tanweer and Shamsur Rahman Faruqi. Read more

Report: Panel discussion on “Conflict and Literature” held in India

Report by Jaya Bhattacharji Rose

panel

On Thursday, 16 Oct 2014, H.E. Ambassador Feilim McLaughlin of Ireland hosted a literary soiree at his residence. It was organized to commemorate the centenary of World War I.  The event consisted of an exhibition on the Irish poet W.B. Yeats and a panel discussion on “Conflict and Literature”. The panelists were three Indian authors/journalists—Paro Anand, Samanth Subramanian and Amandeep Sandhu and the discussion was moderated by Ambassador McLaughlin. Ambassador of Ireland Feilim McLaughlin said the event was intended to explore the role of the writer in portraying or interpreting conflict, drawing parallels between the experience in Ireland and South Asia. The evening was curated by Jaya Bhattacharji Rose. Read more