The Curse: Stories by Salma ( Translated by N. Kalyan Raman)
Publisher: Speaking Tiger
Year of publication: 2020 / October
Price: INR 350
In The Curse, acclaimed author and poet Salma blasts through the artifice of genre an language to reveal the messy, violent, vulnerable and sometimes beautiful realities of being a woman in deeply patriarchal societies. Loosely rooted in the rural Muslim communities of Tamil Nadu, these stories shine a light on the complex dramas governing the daily lives of most women moving through the world.
In the title story, a young spinster is caught between her desire for marriage and a dark family history that haunts her like a curse. In ‘Toilets’, a woman recounts in stunning, visceral detail how access to the most basic human space has been regulated by trauma, shame and the male gaze. In ‘The Orbit of Confusion’, a daughter writes a heartbreaking letter, struggling to come to terms with her anger and love for the woman who raised her. In these and five other emotionally charged stories that are at times humorous, even spooky, Salma crafts exquisite and contradictory inner worlds like Alice Munro with the playfulness and spirit of Ismat Chughtai—in a voice that is entirely her own. Available together for the first time in English—in a lively, nimble translation by Kalyan Raman—these stories will grab you by the throat and leave you fundamentally changed.
In this no-holds-barred memoir, Devaki Jain begins with her childhood in south India, a life of comfort and ease with a father who served as dewan in the Princely States of Mysore and Gwalior. But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.
Turmeric Nation: A Passage through India’s Tastes by Shylashri Shankar
Publisher: Speaking Tiger Books
Year of publication: 2020 / August
Price: INR 499
What exactly is ‘Indian’ food? Can it be classified by region, or religion, or ritual? What are the culinary commonalities across the Indian subcontinent? Do we Indians have a sense of collective self when it comes to cuisine? Or is the pluralism in our food habits and choices the only identity we have ever needed?
Turmeric Nation is an ambitious and insightful project which answers these questions, and then quite a few more. Through a series of fascinating essays— delving into geography, history, myth, sociology, film, literature and personal experience—Shylashri Shankar traces the myriad patterns that have formed Indian food cultures, taste preferences and cooking traditions. From Dalit ‘haldiya dal’ to the last meal of the Buddha; from aphrodisiacs listed in the Kama Sutra to sacred foods offered to gods and prophets; from the use of food as a means of state control in contemporary India to the role of lemonade in stoking rebellion in 19th-century Bengal; from the connection between death and feasting and between fasting and pleasure, this book offers a layered and revealing portrait of India, as a society and a nation, through its enduring relationship with food.
A glimpse of Malathi Ramachandran’s epic historical romance, Mandu- The Romance of Roopmati and Baz Bahadur (Published by Niyogi Books, 2020)
The evening gathering of music lovers – the mehfil – would begin after the day cooled and the sun sank, leaving the world poised and quivering with anticipation, a cacophony of bird calls filling the ears like clamouring silver bells, The evening skies would scurry away to dress themselves up in honour of another bewitching night in Mandu. They would return when the lamps had been lit all over the city and the sounds of music and ghungroos rang in the air; and they would glimmer gold in the waters of the lakes and fountains and flicker silver in the shadows of the forests. So enticing was the night life of the city, that they say even the creatures of the day, the peacock and the pigeon and the partridge, would hide behind pillars and in the crevices of rafters to catch a glimpse of the celebrations, night after night, in hall after hall.
The fifty-odd poems in this collection all reflect the different hues of life as well as different stages of growth of a person. The poems find themselves divided naturally into four sections: Green (birth), Yellow (disillusion), Purple (rebirth), and Red (self-realization). The irrepressible current of life, in its various manifestations, runs through them all. Read more
Gone Away: An Indian Journal by Dom Moraes (with an introduction by Jerry Pinto)
Publisher: Speaking Tiger
Year of publication: 2020
Price: INR 294 (E-book)
One of the most unconventional travelogues ever written, Gone Away covers three months of Dom Moraes’ life spent in the subcontinent at the time of the Chinese incursions on the Tibetan border in 1959. In that short time, a remarkable number of memorable things happened to him, some of them the sort of fantastic situations that could only enmesh a poet, perhaps only a young poet—a visit to a speak-easy in Bombay; an interview with Nehru and an hour spent closeted with the Dalai Lama in Delhi; and a meeting with the great Nepalese poet, Devkota, whom he found already laid out to die by the side of the holy river Basumati. After a short stay in Calcutta, where he tried, with limited success, to investigate the lives of prostitutes, he went up to Sikkim, the north-eastern border state into which no visiting writer had been allowed for almost a year.
About: In this debut collection focusing on Indian immigrants in the United States, characters deal with conflict, growth, dislocation, and renewal in a new world. But their old world is present as well, and this “in-betweenness” shapes their lives. Once immigration involved leaving all behind, assuming a new identity with your new culture. Now we move back and forth — between continents, cities, our different mores no longer tidily compartmentalised, sometimes more migrant than immigrant. Straddling two worlds, the characters in this book are acute observers—and diffident interpreters—of a much larger world that will never feel fully familiar again.