By Carly O’Connell In 2015, Chinese Sci-fi hit the American literary scene when Ken Liu’s translation of The Three-Body […]
From the University of Washington Post Blog
There’s a famous Chinese saying that “the misery of the state leads to the emergence of great poets” (guojia buxing shijia xing)–or more literally, “when the state is unfortunate, poets are fortunate.” These words come from a poem by the Qing dynasty historian Zhao Yi (1727–1814), observing the phenomenon in which classic works of poetry often appear during times of calamity: war, famine, dynastic downfall, and so on.
There are two very different ways of retracing China’s tumultuous years before Mao, when the disintegration of the foreign Qing dynasty opened the doors to both wondrous and disastrous possibilities, for individuals and their families, and for the Chinese world as a whole: Rowan Callick in The Australian
The more optimistic options were of course slammed shut by Mao Zedong’s three disastrous decades, from which the country still has not fully recovered. But individuals could make a difference even within such a teeming stage.
Craig Collie’s book The Reporter and the Warlords focuses on a remarkable Australian, William Henry Donald. A case might be made that he had more influence over more lives than any other Australian since Federation. Donald’s story is painted within a massive canvas, with a vast supporting cast of colourful players.