Tag Archives: Writers of colour

Editor’s Pick: The Week that was…

Apart from the pandemic, globally we seem to be battling on so many other fronts as well. From floods to forest fires, the natural calamities around us are scary. Every day as we wake up, our hearts pray for some good news amidst all the chaos that surrounds us. And it is this positivity which has helped us stay afloat. Positive stories of humanity, compassion and love show us how together, we will come out of this stronger and better.

“In times of this corona pandemic, people often ask when the world will return to its normal days! Don’t wait for normal days! Assume that abnormal days are normal days! Today’s abnormal normal is now our new normal! The world may not return to its old days; the smart person is the person who adapts to the changing world! All days are normal as long as you adjust yourself to the changes no matter how dramatic these changes are!”

Mehmet Murat ildan
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After decades of dwarfs and elves, writers of color redefine fantasy

(Courtesy The Christian Science Monitor)

N.K. Jemisin, the first black writer to win the Hugo Award for best novel, packs a powerful idea into a few lines of dialogue in “The Fifth Season,” in which an otherworldly woman’s search for her daughter resonates with the emotions of African-Americans after the Civil War desperate to reunite families ravaged by slavery.

“There’s a hole, a gap,” Ms. Jemisin writes. “In history.”

History suffers when perspectives are left out, Jemisin points out. The same may be said of literature. After decades of dwarves, elves, and other Norse-based mythology, the world of fantasy is changing, incorporating the myths and legends of cultures around the world.

While the field was largely dominated by white men in decades past, today diverse writers are bringing new voices to the conversation, imagining futures based on more inclusive readings of the past, and creating multiethnic worlds that can help people understand their own. Certainly, speculative fiction writers since at least Octavia Butler – the first science-fiction writer to win a MacArthur grant – have looked beyond Europe for inspiration. But no longer can they be dismissed as niche. From the $1 billion-plus box office of “Black Panther,” directed by Ryan Coogler, to this spring’s breakout debut novel, “Children of Blood and Bone,” by Nigerian-American author Tomi Adeyemi, audiences and readers are flocking to well-drawn worlds inspired by African and Asian countries.

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