by Dan Bloom( Dan Bloom coined the term cli-fi )

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Foyles bookshop in London has jumped on the cli-fi trend, creating a climate fact and fiction display table.

 

Based as a newspaper reporter and climate blogger in Taiwan, since 2011 I’ve been promoting the rising ‘cli-fi’ movement to boost the literary fortunes of  ‘climate change fiction’, a new genre of literature now accompanying ‘sci-fi’ within modern literature’s classification system. I’m not a novelist or a short story writer myself, just a reader and what I described as ‘a climate activist of the literary kind’. I use my PR skills learned over a lifetime of newspaper and magazine work in North America, Europe, Japan and Taiwan to communicate my cli-fi passion with editors, novelists, literary critics and fellow readers.

I’m not the only one doing this now. There’s a veritable army of PR people and literary critics shepherding cli-fi novels and short story anthologies into publication in over a dozen languages. What started out as a small movement in the anglophone world in 2011, has now become a global phenomenon among literary people in India, Singapore, Sweden, France and Australia. among other nations.

So what is cli-fi? As a subgenre of science fiction, it crosses the boundary between literary fiction and sci-fi to imagine the past, present, and future effects of man-made climate change, allowing readers to see what life might be like on a burning, drowning, dying planet. But the genre also encompasses writers who pen utopian novels and short stories full of hope and optimism. Cli-fi is not all dystopian and nightmarish visions of the future. There’s a lot of room for hope and better days, too.

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By Rajat Chaudhuri 

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“Anything conceivable I believe is possible.”

Black to the Future, Walter Mosley (Dark Matter)

A sorcerer-librarian in ancient Korea who transforms people into books locking them up in his shelves for ever, a far-future civilisation on the planet Ruo, remembering their ancestors in the drowned world of BlueGemm — finished off by greed and climate change, a time travelling ghost in Hong Kong disconcerted by the rules of afterlife.

These are just a few of the characters and situations that we present before you dear reader in this book of amazing tales — stories from Asia, a continent blessed with mindboggling creativity and chutzpah, zen and brio, or what they sometimes call the Asiatic imagination, which is born of course out of its chequered fabric, the diversity of its peoples, the textures of our histories. Asia, a multitudinous hundred-headed medley of contemplativeness and chaos, a mélange of landforms, a kedgeree of ideas, a crucible of cultures, and you get it all here in this book, served fresh, sizzling, wok-fried and ready to tease your taste buds.