Not Native is a collection of short stories by Murali Kamma, an accomplished short story writer and the managing editor of Khabar, an American Indian magazine. The stories are of “Immigrant Life In An In-Between World” we are told in a subtitle on the title page of the book.
What is this ‘in-between world‘? It is the world created by migrants to America between 1983 and 2018 — both in America and India. Like the characters in his stories, Kamma with these narratives “straddles” between his country of birth, India, and the country he migrated to, America.
Kamma has divided his book into four parts — perhaps to focus on subjects that he felt were important for the immigrant population. The first part, ‘Sons and Fathers’ has four stories centering around the topic mentioned in the sub-heading. They address unique situations; in one the abandoned son on a holiday to India rediscovers his father in an ashram; in another death rituals of his father make the immigrant who returns to India feel more isolated and there is yet more tellings on the different worlds occupied by the fathers and sons. The one that is most poignant one, in which a bridge is built through generations, is set in US. The bridge is built with a story about the world’s oldest man and a proposed “interview” to be conducted by the granddaughter.
In the 1860s, roughly 20,000 Chinese from the Guangdong province were shipped to America to labour at building the transcontinental railways. They came for the lure of gold. However, few of them moved outside their camp or learnt English. They faced a lot of hardships, breaking rocks and living for a pittance. What drove them there? What did they face?
Author Gordon H. Chang has uncovered the plight of these workers in his latest book, Ghosts of Gold Mountain: The Epic Story of the Chinese Who Built the Transcontinental Railroad. Chang is Olive H. Palmer Professor in Humanities at Stanford University. He has written a number of books on Asian-American history and US–East Asian interactions.
Washington Independent Review of Bookssays Chang “ has dedicated himself to speaking for a group that cannot speak for itself, even in absentia. He’s dubbed them the ‘ghosts’ of his title because, while the work they did was about as tangible as it gets, their individual identities have evaporated.
Ted Chiang is an American born Chinese writer , a technical writer in a software company, who has never written a novel, meandered through short stories and novellas and yet won multiple awards for his works. His telling centres around science fiction.
Chiang’s parents migrated from China to Taiwan with their families during the Communist revolution and then to America.
His 1998 novella, Story of my Life, was made into a Hollywood film, Arrival, in 2002 . Both the review and the movie were given a “10 out of 10” in the Kirkus Review. It’s major themes being language and determinism, the story is spun out by a linguist called Dr Loius Banks who has an unborn child in her womb and faces aliens. The novella has won numerous awards and accolades.
The skyscrapers along the nameless street grew four times bigger that afternoon, like a dozen of Hulks coming to life all at once. I picked up pace, but tripped over something and fell down on the sidewalk. The result was a palpable twinge on my left arm. There was a clothesline tied across what seemed to my eight-year-old self as two gigantic green skyscrapers and on it hung my mother’s petticoats and a pair of her old red ribbons. “Slow down, it’s going to pour,” she called out to me from faraway. But I was so close to where I wanted to be; I couldn’t wait.
“Fresh catches for only 50 taka (rupees in Bengali) per kilo!” fishmongers cried from the ferry terminal down the street. I walked down gingerly through its slushy stairs. Across the mighty river, Chandannagar sparkled with lights that brought to life mythological birds and animals and vivid blooming flowers sketched on display boards. And then I saw the silvery hilsa (fish found in the Indian subcontinent) — gleaming with a touch of regal pink, stacked all around.
I was still eight, sitting at the doorstep of my mother’s old kitchen and watched her fry ring-shaped pieces of the hilsa in mustard oil. She put two heaped spoons of steamed rice on my plate and mixed it with the oil of hilsa roe and a pinch of salt with her turmeric stained peaky fingers. “Let me pick out the bones for you,” the warmth in her voice echoed from the other end of time and coiled into a globe of ache in my chest. The pain on my left arm was no longer obscure.
The sun was a ball of fire shooting white-hot needles over the limitless stretches of Jornada Del Muerto. The dead man’s desert.
It was a terrain of sand and salt with causeways that lead to a kind of nothingness only dead men know of. The salt-washed mountains surrounding it used to be volcanoes, raging and spewing streams of lava into the desert sand thousands of years ago, carving out canyons and arroyos in the ash-brown malpaise that interspersed the sandy stretches. The hills are silent now, their jagged peaks sandpapered away by dust and brine flung on their faces by the relentless winds.
All that remains is the quiet fury of the desert, pulsating in the heat like the belly of a beast. The old farmers revere and fear it. In earlier times, they journeyed to the Parajito plateau through the treacherous landscape of Jornada Del Muerto to escape the impossible heat and grow summer crops and berries. They corralled together during the journey, a retinue of nervous travellers, each murmuring a silent prayer to be able to pass through its pale gold expanses.
Today the mighty desert was subdued by another force. A force born out of insatiable amounts of energy. Its image was etched onto Robert’s mind like a daguerreotype, even though fourteen hours had passed since The Test. It had been another long excursion to Alamogordo for the team. July afternoons were bad days for experiments in the heart of the desert, but they were running out of time. The war had gone on for way too long, and matters were now passed on to unlikely soldiers like him, who toiled far away from the battlegrounds for a permanent solution.
The makeshift quarters of their base in Alamogordo were bursting with an assemblage of people, a cortege of junior scientists with knotted brows and voices trembling with anticipation, the porters with weather-beaten limbs hauling equipment, the poker-faced guards, barely twenty-something who guarded the precinct. The device rested on Ground Zero like a giant steel orb, nestling in its womb, coils of plutonium ready for implosion. It was time. A trill of anxiety buzzed in their ears; they tried to quell it with superfluous jocularity and mock sparring, but the collective thump in their hearts they couldn’t ignore. Be it Robert, Giovanni, or Leo, each one of them, handpicked from various universities for this singular purpose, was acutely aware of it. Would they succeed? Could this be The Weapon to end the war?