Dec 31, 2017-Poet Madhav Prasad Ghimire once described Ghanashyam Kandel as a writer capable of making nature cry, […]
Devdutt Pattanaik, the author of Sita: An Illustrated Retelling of the Ramayana, on the great epic Ramayana: Tehelka
The story of the Ramayana is simple enough: once upon a time there was a king with three wives and four sons; palace intrigues force the eldest son into exile in the forest where his wife is kidnapped by a demon; he rescues her with the help of monkeys, and returns home to reclaim his throne; eventually he abandons his wife whose sojourn with the demon-king becomes the subject of street gossip. The simplicity is deceptive for the narrative creates a framework to explain key social concepts such as kinship, fidelity, property and self-image, which is why it is retold constantly, each retelling focussing on a particular theme or point of view. My book Sita, for example, evokes the Ramayana by bringing the Goddess to the forefront.
Krishna Udayasankar is a Singapore-based Indian writer and Govinda, Book 1 of the Aryavarta Chronicles (a trilogy) is her first published novel. According to her blog, The Aryavarta Chronicles are a series of fast-paced novels; tales of adventure, conspiracy and politics, that delve beyond familiar Epic India lore.
Born in Bangalore, India, and educated in India and Singapore, Krishna currently teaches strategic management at Nanyang Technological University, Singapore.
In this interview with Kitaab, she talks about her novel, her writing process and what writing means to her.
‘Govinda’ is your first novel and part of a trilogy. Did you have to struggle as a first time writer?
Actually, the Aryavarta Chronicles is a series that extends beyond three books. Each novel, though set in the empire of Aryavarta, has its own story arc and plotlines. The process had its own challenges, though it was made easy, even enjoyable, because I have loved what I was doing!
In my not-very-humble opinion, I think the biggest struggle a first-time writer faces is to reach a point of no-return, a point where you are committed to writing, come what may. Not that the struggles end after that, but then they are not very different from what every other writer faces, first-timer or otherwise. At the end of the day, the stories we tell are bigger than us and faith in those tales is never faith misplaced.
At a more pragmatic level, there is a whole world of events that have to take place between writing a book and getting it published. However, I’ve been extremely fortunate, having had a whole host of people from wonderful agents to friends, mentors, my publishers and above all, my family, to support me. So it felt a whole lot easier than it probably was.