“Bol ke lab azaad hai tere” is a famous poem by legendary Urdu poet, Faiz Ahmed Faiz. Eleven artists from Singapore recited this poem to inspire others and pay homage to Faiz and his spirit of speaking up, and speaking truth to power. The artists shot their own clips at their homes using mobile devices, respecting the social distancing regulations during the COVID-19 pandemic.
There have been many moments in India’s history when it felt as if the country was coming undone. “It was deeply deranging, but you must also remember that India of the 1980s was an explosive place. It really felt like it was coming undone,” novelist Amitav Ghosh had said to mark the 25th year of the publication of his novel, The Shadow Lines. Dr. Nazia Hasan pays a tribute to Ghosh and his seminal work of fiction in this special essay.
This day break, pockmarked- this morning, night bitten
Surely, this is not the morning we’d longed for,
In whose eager quest, all comrades
Had set out, hoping that somewhere
In the wilderness of the sky
Would emerge the ultimate destination of stars,
…somewhere will anchor the boat of heart’s grief.
(Faiz Ahmad Faiz, The morning of Freedom: August 1947)
Partition of India has been one of those turning points in the history of the subcontinent, the repercussions of which have not ended yet. It lives in memories, in monuments, in songs and stories, besides popping up now and then in various symbols, occasions and rituals. It makes the Katha and Daastaan for the coming generations for centuries perhaps, because it has everything aplenty: the joys and the sorrows (more sorrows than joys, of course for the common man) associated with it can weave sagas of its own. Amitav Ghosh in most of his novels like The Circle of Reason (1986), The Shadow Lines (1988) and The Hungry Tide (2004) takes up the theme of the Partition in its differing aspects. He looks at it from the middle class quarters in The Shadow Lines, the anonymous sufferers’ side in The Circle of Reason and the low-caste section in The Hungry Tide. Perhaps, John Berger had the same idea when he wrote; “Never again a story will be told as though it is the only one…” (Ways of Seeing: 1990).